Brian Cox
Birthday:
Birthplace:
Dundee, Scotland, UK
Growing up in Scotland, the descendent of Irish immigrants, Brian Cox always felt an affinity to American cinema that eventually led him to pursue his career stateside. Born on June 1, 1946, in Dundee, Scotland, Cox knew he wanted to act from an early age, but identified more with the characters portrayed in American films than in "zany British comedies," to use his phrase. While working at the local theater, where he started by mopping the stage, the 15-year-old Cox would watch the actors and study their styles to separate the wheat from the chaff. He attended drama school in London and got caught up in British theater and television during the 1970s. Cox landed on Broadway in the early '80s, but found more closed doors than open ones. It was while performing a play transplanted from the U.K. that a casting agent for Michael Mann's Manhunter (1986) noticed him. The film would become the first cinematic treatment of Thomas Harris' Hannibal Lecter (spelled "Lecktor" at the time) character, which Anthony Hopkins would make his own in Silence of the Lambs (1991). Cox was cast in the role, paving the way for the success that had eluded him until his 40th year.Despite the breakthrough, Cox remained better identified with television than film during the late '80s and early '90s, though his roles significantly increased in number. His initiation to regular film work came through appearances in two 1995 sword epics, Braveheart and Rob Roy. Over the latter half of the 1990s he materialized in character-actor roles -- police officers, doctors, fathers -- in such films as The Long Kiss Goodnight (1996), Kiss the Girls (1997), Rushmore (1998), and The Minus Man (1999). Although he appears more often in American than British cinema, Cox has also paid homage to his Scottish and Irish roots, such as playing an IRA heavy in Jim Sheridan's The Boxer (1997).In 2001, Cox secured major acclaim -- and an American Film Institute nomination for best supporting actor -- with the release of L.I.E., the debut film of director Michael Cuesta. Like Todd Solondz' critical darling Happiness (1998), the film presents a child molester (Cox) as one of its major characters without condemning him, if not actually leaving him altogether unjudged. Cox's complicated, intense portrayal enabled such shades of gray, raising the character above the bottom rung of the morality food chain.As the decade continued, so did Cox's visibility in bigger hollywood films. In 2002 alone, he took on substantial roles in The Bourne Identity, The Rookie, The Ring, The 25th Hour, and Adaptation, a film that saw him stealing scenes with an appropriately over-the-top turn as blowhard screenwriting guru Robert McKee. The following year audiences could see him in the blockbuster comic-book sequel X2: X-Men United, and in 2004 he starred alongside Brad Pitt and Orlando Bloom in the epic retelling of the Iliad, Troy. He returned to the Bourne franchise for The Bourne Supremacy, and appeared in the thriller Red Eye. He was the psychiatrist in the comedy Running With Scissors, and in 2007 portrayed Melvin Belli in David Fincher's Zodiac. He was cast in the geriatric action film Red, and joined up with Wes Anderson a second time to lend his voice to a bit part in Fantastic Mr. Fox. In 2011 Ralph Finnes tapped Cox to play Menenius in his big-screen adaptation of The Bard's Coriolanus.
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
No Score Yet | There Are No Saints |
|
— | 2022 |
No Score Yet | Lawrence: After Arabia |
|
— | 2021 |
7% | Separation |
|
— | 2021 |
67% | The Last Right |
|
— | 2021 |
No Score Yet | Recuérdame |
|
— | 2021 |
52% | The Bay of Silence |
|
— | 2020 |
No Score Yet | Last Moment Of Clarity |
|
— | 2020 |
No Score Yet | Si c'était vrai... |
|
— | 2020 |
No Score Yet | Last Moment of Clarity |
|
— | 2020 |
70% | The Etruscan Smile (Rory's Way) |
|
— | 2019 |
20% | Pretenders |
|
— | 2019 |
55% | Strange But True |
|
— | 2019 |
No Score Yet | Remember Me |
|
— | 2019 |
35% | Super Troopers 2 |
|
— | 2018 |
49% | Churchill |
|
$1.3M | 2017 |
87% | The Autopsy of Jane Doe |
|
— | 2016 |
37% | Morgan |
|
$4M | 2016 |
42% | Forsaken |
|
— | 2016 |
0% | The Anomaly |
|
— | 2015 |
18% | Pixels |
|
$66.5M | 2015 |
67% | The Carer |
|
— | 2015 |
30% | Believe |
|
— | 2014 |
33% | Anna |
|
— | 2014 |
56% | Blumenthal |
|
— | 2014 |
94% | Her |
|
$18M | 2013 |
96% | An Adventure in Space and Time |
|
— | 2013 |
No Score Yet | The Curse of Edgar (La malédiction d'Edgar) |
|
— | 2013 |
55% | Blood |
|
— | 2013 |
44% | Red 2 |
|
$53.3M | 2013 |
No Score Yet | Exit Humanity |
|
— | 2013 |
66% | The Campaign |
|
$86.9M | 2012 |
56% | Edwin Boyd (Citizen Gangster) |
|
$625 | 2012 |
60% | The Veteran |
|
— | 2012 |
No Score Yet | The Home |
|
— | 2012 |
82% | Rise of the Planet of the Apes |
|
$175.3M | 2011 |
42% | Ironclad |
|
— | 2011 |
92% | Coriolanus |
|
$0.5M | 2011 |
No Score Yet | Old School New School |
|
— | 2011 |
No Score Yet | All at Sea |
|
— | 2010 |
72% | Red |
|
$89M | 2010 |
No Score Yet | As Good as Dead |
|
$2k | 2010 |
No Score Yet | Don't Look Up |
|
— | 2010 |
No Score Yet | Tell-Tale (Tell Tale) |
|
— | 2010 |
30% | The Good Heart |
|
— | 2010 |
No Score Yet | Wonders Of The Universe |
|
— | 2010 |
No Score Yet | Wonders of the Solar System |
|
— | 2010 |
93% | Fantastic Mr. Fox |
|
$21.1M | 2009 |
48% | Battle For Terra |
|
$1.7M | 2009 |
No Score Yet | Take |
|
— | 2009 |
No Score Yet | Scooby Doo & the Samurai Sword |
|
— | 2009 |
70% | Red |
|
— | 2008 |
No Score Yet | Florence Nightingale |
|
— | 2008 |
No Score Yet | The Colour of Magic |
|
— | 2008 |
64% | The Escapist |
|
— | 2008 |
No Score Yet | The Star of Bethlehem |
|
— | 2008 |
74% | The Water Horse: Legend of the Deep |
|
$40.5M | 2007 |
No Score Yet | The Secret of the Nutcracker |
|
— | 2007 |
20% | Shoot on Sight |
|
— | 2007 |
84% | Trick 'r Treat |
|
— | 2007 |
No Score Yet | The Key Man |
|
— | 2007 |
89% | Zodiac |
|
$33M | 2007 |
50% | The Flying Scotsman |
|
$78.8k | 2006 |
No Score Yet | The Secret Policeman's Ball |
|
— | 2006 |
31% | Running With Scissors |
|
$6.8M | 2006 |
No Score Yet | Shakespeare: The Animated Tales |
|
— | 2005 |
77% | Match Point |
|
$23.1M | 2005 |
40% | The Ringer |
|
$35.1M | 2005 |
79% | Red Eye |
|
$57.9M | 2005 |
100% | Unforgivable Blackness: The Rise and Fall of Jack Johnson |
|
— | 2005 |
No Score Yet | Japan's War in Colour |
|
— | 2005 |
No Score Yet | A Woman in Winter |
|
— | 2005 |
82% | The Bourne Supremacy |
|
$176.1M | 2004 |
54% | Troy |
|
$132.6M | 2004 |
39% | The Reckoning |
|
— | 2004 |
No Score Yet | Japan's War in Colour |
|
— | 2003 |
85% | X2: X-Men United |
|
$214.9M | 2003 |
No Score Yet | Keepin' It Real |
|
— | 2003 |
79% | 25th Hour |
|
— | 2003 |
No Score Yet | Sin |
|
— | 2003 |
91% | Adaptation |
|
$22.2M | 2002 |
71% | The Ring |
|
$128.6M | 2002 |
95% | The Trials of Henry Kissinger |
|
— | 2002 |
83% | The Bourne Identity |
|
$121.5M | 2002 |
63% | Strictly Sinatra |
|
— | 2002 |
84% | The Rookie |
|
$75.5M | 2002 |
No Score Yet | Bug |
|
— | 2002 |
35% | Super Troopers |
|
$18.4M | 2002 |
15% | The Affair of the Necklace |
|
— | 2001 |
84% | L.I.E. |
|
— | 2001 |
67% | A Shot at Glory |
|
— | 2001 |
No Score Yet | Keepin' It Real |
|
— | 2001 |
No Score Yet | Complicity (Retribution) |
|
— | 2000 |
57% | Mad About Mambo |
|
— | 2000 |
No Score Yet | Nuremberg |
|
— | 2000 |
No Score Yet | Saltwater |
|
— | 2000 |
46% | For Love of the Game |
|
— | 1999 |
58% | The Minus Man |
|
— | 1999 |
90% | Rushmore |
|
— | 1998 |
48% | The Corruptor |
|
— | 1998 |
No Score Yet | A Dirty Little Business |
|
— | 1998 |
No Score Yet | Retribution |
|
— | 1998 |
80% | The Boxer |
|
— | 1997 |
33% | Kiss The Girls |
|
— | 1997 |
19% | Desperate Measures |
|
— | 1997 |
70% | The Long Kiss Goodnight |
|
— | 1996 |
No Score Yet | Scorpion Spring |
|
— | 1996 |
11% | The Glimmer Man |
|
— | 1996 |
18% | Chain Reaction |
|
— | 1996 |
79% | Braveheart |
|
— | 1995 |
73% | Rob Roy |
|
— | 1995 |
67% | Iron Will |
|
— | 1994 |
No Score Yet | Sharpe's Eagle |
|
— | 1993 |
No Score Yet | Sharpe's Rifles |
|
— | 1993 |
No Score Yet | L'oeil De Vichy |
|
— | 1993 |
No Score Yet | The Lost Language of Cranes |
|
— | 1992 |
No Score Yet | Murder by Moonlight |
|
— | 1991 |
85% | Hidden Agenda |
|
— | 1990 |
No Score Yet | Secret Weapon |
|
— | 1990 |
No Score Yet | Directed by Andrei Tarkovsky |
|
— | 1988 |
No Score Yet | Beryl Markham: A Shadow on the Sun |
|
— | 1988 |
93% | Manhunter |
|
— | 1986 |
No Score Yet | Florence Nightingale |
|
— | 1985 |
No Score Yet | Pope John Paul II |
|
— | 1984 |
No Score Yet | Silent Scream |
|
— | 1984 |
No Score Yet | King Lear |
|
— | 1983 |
No Score Yet | Therese Raquin |
|
— | 1981 |
No Score Yet | In Celebration |
|
— | 1975 |
No Score Yet | The Oval Portrait |
|
— | 1972 |
67% | Nicholas and Alexandra |
|
— | 1971 |
No Score Yet | The Year of the Sex Olympics |
|
— | 1968 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
No Score Yet |
Late Night With Seth Meyers
2014
|
|
|
94% |
Succession
2018-2021
|
|
|
No Score Yet |
Jimmy Kimmel Live
2003
|
|
|
No Score Yet |
Real Time with Bill Maher
2003
|
|
|
No Score Yet |
The Late Show With Stephen Colbert
2015
|
|
|
No Score Yet |
Shakespeare Uncovered
2013-2018
|
|
|
No Score Yet |
Charlie Rose
2013-2017
|
|
|
No Score Yet |
Shetland
2013-2019
|
|
|
67% |
The Slap
2015
|
|
|
95% |
The Game
2014
|
|
|
No Score Yet |
The Take
2011
|
|
|
92% |
Deadwood
2004-2006
|
|
|
55% |
The Big C
2010-2013
|
|
|
No Score Yet |
Masterpiece
1971-2014
|
|
|
No Score Yet |
Miss Marple
2004-2013
|
|
|
No Score Yet |
Top Gear
2002
|
|
|
93% |
Frasier
1993-2004
|
|
|
92% |
Oz
1997-2003
|
|
|
No Score Yet |
Mystery!
1980-2007
|
|
|
No Score Yet |
Addicted to Pleasure
2012
|
|
|
No Score Yet |
Bob Servant Independent
2013
|
|
|
No Score Yet |
Hammer House of Horror
1980
|
|
|
No Score Yet |
Inspector Morse
1987-2000
|
|
|
No Score Yet |
Urban Myths
2017
|
|
|
Quotes from Brian Cox's Characters
Ivan Simonov: | Your radiance is almost killin' me tonight. |
Victoria: | *Almost* |
Victoria: | Almost. |
Agamemnon: | Achilles is one man! |
Odysseus: | Achilles is one man! |
Odysseus: | Hector is one man! Look what he did to us today! |
Agamemnon: | Hector is one man! Look what he did to us today! |
Agamemnon: | I don't care about the man's alliegence, I care about his ability to win battles! |
Odysseus: | I don't care about the man's alliegence, I care about his ability to win battles! |
Odysseus: | Hector fights for his country! Achilles fights only for himself! |
Agamemnon: | Hector fights for his country! Achilles fights only for himself! |
Dr. Finch: | You can't come in here, this is my mastabatorium! |
Jack Flint: | Who dares play things that happen in this world? |
Tobias: | It was just a question o time. |
Tobias: | It was just a question of time. |
Martin: | But this is the way plays will be made in times to come. |
Tobias: | When I think of the respect our profession used to command. |
Ivan Simonov: | I miss all this. I haven't killed anyone in years. |
Agamemnon: | I have two wishes. If you grant them, no more of your people need die. First, you must give Helen back to my brother. Second, Troy must submit to my command, to fight for me whenever I call. |
Prince Hector of Troy: | You want me to look upon your army and tremble? Well I see them. I see 50,000 men brought here to fight for one man's greed. |
Agamemnon: | Careful boy, my mercy has limits. |
Prince Hector of Troy: | And I've seen the limits of your mercy and I tell you now, no son of Troy will ever submit to a foreign ruler. |
Agamemnon: | Then every son of Troy shall die. |
Raymond Huggins: | You look like Richard Simmons crapped out a hobbit |
Raymond Huggins: | You look like Richard Simmons crapped out a Hobbit! |
Capt. John O'Hagan: | I swear to God I'm going to pistol whip the next guy who says, " Shenanigans." |
Capt. John O'Hagan: | I swear to God I'm going to pistol whip the next guy who says, 'Shenanigans.' |
Mac: | Hey Farva what's the name of that restaurant you like with all the goofy shit on the walls and the mozzarella sticks? |
Farva: | You mean Shenanigans? |
Mac: | OOOOOOOOOOOOOO. |
Thorny: | OOOOOOOOOOOOOO. [as they hand the Captain their pistols] |
David Webb/Jason Bourne: | You killed Marie. |
Ward Abbott: | *You* killed Marie. The moment you got into her car. The moment you entered her life, she was dead. |
Killearn: | Would you like me to take your chamberpot? |
Cunningham: | ... |
Killearn: | I know many a Scotsman who would be glad of this on a cold morning; it's almost pure spirit, and I'm no judge of a pint of pish. |
Robert McKee: | And God help you if you use voice-over in your work, my friends. God help you! That's flaccid, sloppy writing. Any idiot can write voice-over narration to explain the thoughts of the character. |
Robert McKee: | Nothing happens in the world? Are you out of your fucking mind? People are murdered every day. There's genocide, war, corruption. Every fucking day, somewhere in the world, somebody sacrifices his life to save someone else. Every fucking day, someone, somewhere takes a conscious decision to destroy someone else. People find love, people lose it. For Christ's sake, a child watches her mother beaten to death on the steps of a church. Someone goes hungry. Somebody else betrays his best friend for a woman. If you can't find that stuff in life, then you, my friend, don't know crap about life! And why the FUCK are you wasting my two precious hours with your movie? I don't have any use for it! I don't have any bloody use for it! |
Frank Perry: | If I had my time again, if I could start over like re-reading this book, there'd be someone I'd sit down and talk to. I'd talk some sense into him, tell him how things really are. But I can't. That man's long gone, and I'm all that's left. |
John Landon: | (to Will): "They're not people, you know." |
John Landon: | [to Will] They're not people, you know. |
Ward Abbott: | You're in a big puddle of shit, Pamela, and you don't have the shoes for it. |
Mr. Kreeg: | Who the hell is that? I've got an NRA membership in my pocket, and a shotgun over the fireplace, so get outta here before I... |
Steven: | It's me, Mr. Kreeg. Steven, Steven Wilkins. |
Mr. Kreeg: | What in God's name are you doing down there Wilkins? Hiding Bodies? (Boy whimpers in grave) - What did you say? |
Mr. Kreeg: | What in God's name are you doing down there Wilkins? Hiding Bodies? (Boy whimpers in grave) What did you say? |
Steven: | Nothing, the uh, septic tank is acting up. |
Mr. Kreeg: | Is that what that smell is? |
Steven: | I'm afraid so. |
Mr. Kreeg: | Then fix it; it stinks like a dead whore out here. |
Mr. Kreeg: | Then fix it, it stinks like a dead whore out here. |
Mr. Kreeg: | And keep your kid out of my yard. |
Steven: | Happy Halloween! |
Mr. Kreeg: | Screw you! |
Mr. Kreeg: | (sees the Goblin regenerate himself) - You gotta be fu*king kidding me. |
Mr. Kreeg: | (sees the Goblin regenerate himself) You gotta be fu*king kidding me. |
William Stryker: | The tricky thing about adamantium is, that if you ever manage to process its raw, liquid form, you got to keep it that way, keep it hot. Because once the metal cools, it's indestructible. But you already know that. |
Will Graham: | I know I'm not smarter than you. |
Dr. Hannibal Lecktor: | Then how did you catch me? |
Will Graham: | You had disadvatages. |
Dr. Hannibal Lecktor: | What disadvantages? |
Will Graham: | You're insane. |
Ward Abbott: | Go on, go on, do it. |
David Webb/Jason Bourne: | She wouldn't want me to, its the only reason you're alive. |
Ivan Simonov: | Your radiance almost killing me tonight. |
Victoria: | *Almost* |