Anatole Litvak
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Birthplace:
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Born in Kiev, Michael Anatole Litwak was a stage actor and assistant director as a teenager. He entered Soviet cinema in 1923, working in Nordkino studios as a set decorator and assistant director. He directed his first film, the 1925 release Tatiana (Hearts and Dollars), but left the Soviet Union that year for Germany, where he edited G.W. Pabst's Die Freudlose Gasse (The Joyless Street, 1925), assistant directed, and helmed the early '30s features Dolly Macht Karriere (1931), Nie Wieder Liebe (1932), and Das Lied Einer Nacht (1933). Fleeing the Nazis, Litvak directed films in England and France, among them the international hit Mayerling (1936). He came to Hollywood in 1937, where he helmed many handsome and polished features, specializing in crime films (The Amazing Dr. Clitterhouse [1938], Confessions of a Nazi Spy [1939], Castle on the Hudson [1940], Out of the Fog, [1941]) and romantic dramas (The Sisters [1938], All This and Heaven Too [1953]). He worked on several Army documentaries during World War II, and co-directed The Nazis Strike (1942), Divide and Conquer (1942), and The Battle of China (1943) with Frank Capra. Litvak made even stonger films after the war: Sorry, Wrong Number (1948), The Snake Pit (1948), Decision Before Dawn (1951), and Anastasia (1956). In the mid-'50s he began making films in Europe; standouts of his late career are the thrillers The Night of the Generals (1967) and The Lady in the Car with Glasses and a Gun (1970).
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
No Score Yet | Tell Me Tonight (Be Mine Tonight) |
|
— | 2015 |
No Score Yet | Coeur de lilas (Lilac) |
|
— | 2013 |
No Score Yet | L'équipage (Flight Into Darkness) |
|
— | 2012 |
20% | The Lady in the Car with Glasses and a Gun |
|
— | 1970 |
50% | The Night of the Generals |
|
— | 1967 |
No Score Yet | 10:30 P.M. Summer |
|
— | 1966 |
29% | Le Couteau dans la plaie (Five Miles to Midnight) |
|
— | 1962 |
No Score Yet | Goodbye Again |
|
— | 1961 |
No Score Yet | The Journey |
|
— | 1959 |
93% | Anastasia |
|
— | 1956 |
No Score Yet | The Deep Blue Sea |
|
— | 1955 |
No Score Yet | Un Acte d'Amour |
|
— | 1953 |
100% | Decision Before Dawn |
|
— | 1951 |
100% | The Snake Pit |
|
— | 1948 |
87% | Sorry, Wrong Number |
|
— | 1948 |
No Score Yet | The Long Night |
|
— | 1947 |
No Score Yet | War Comes to America |
|
— | 1945 |
No Score Yet | The Battle of China |
|
— | 1944 |
No Score Yet | The Battle of Russia |
|
— | 1943 |
No Score Yet | Why We Fight - The Battle of Russia |
|
— | 1943 |
No Score Yet | The Nazis Strike |
|
— | 1943 |
No Score Yet | This Above All |
|
— | 1942 |
No Score Yet | Blues in the Night |
|
— | 1941 |
No Score Yet | Out of the Fog |
|
— | 1941 |
80% | City for Conquest |
|
— | 1940 |
83% | All This, and Heaven Too |
|
— | 1940 |
No Score Yet | 'Til We Meet Again |
|
— | 1940 |
No Score Yet | Castle on the Hudson |
|
— | 1940 |
No Score Yet | Confessions of a Nazi Spy |
|
— | 1939 |
No Score Yet | The Sisters |
|
— | 1938 |
No Score Yet | The Amazing Dr. Clitterhouse |
|
— | 1938 |
No Score Yet | Tovarich |
|
— | 1937 |
No Score Yet | The Woman I Love |
|
— | 1937 |
No Score Yet | Mayerling |
|
— | 1936 |
Quotes from Anatole Litvak's Characters
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