Andrea Riseborough
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Actress Andrea Riseborough caused a veritable sensation in her native Britain during the 2000s, with a succession of remarkable portrayals (character and lead roles) that resisted typecasting through their stunning diversity. A native of Newcastle-Upon-Tyne, Riseborough left school at age 17 and resisted the idea of attending university at first, but ultimately enrolled at London's legendary Royal Academy of Dramatic Art (RADA), where she began to specialize in playing virginal innocents. The homogeneity of those assignments was reportedly frustrating for the blossoming thespian, though she had the epiphany that "all virgins are different," and began to excel by locating the psychological and dramatic uniqueness (the core) of each new character. The ability to do so helped the upstart secure a highly regarded agent by her third year at RADA. Following graduation, the then-ingenue spent time waitressing, directed a succession of short films, launched a greeting-card firm, and took Cantonese language lessons, but soon found herself magnetically drawn back to acting. In that sphere, two remarkable tendencies emerged: a chameleon-like ability to adapt her personality and behavior to suit the material at hand, and a proclivity for exhaustively researching parts prior to beginning work. Her research, for example, carried her to Croatia for a lengthy period (as preparation for The Pain and the Itch) and prompted her to read everything she could get her hands on about onetime prime minister Margaret Thatcher (as preparation for her portrayal of a young Thatcher in the English telemovie Margaret Thatcher: The Long Walk to Finchley [2008]). Also in 2008, she teamed up with succès d'estime Mike Leigh for a small supporting role, as Dawn, in that director's seriocomedy Happy-Go-Lucky.Significantly, Riseborough remained equally active in other venues, particularly theater, with acclaimed performances in productions of Miss Julie, Dog Days, A Brief History of Helen of Troy, and other plays. She could also be seen on television, where she turned viewers' heads as the sexually voracious Kirsty on the series Party Animals.
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
82% | Here Before |
|
— | 2022 |
92% | Luxor |
|
— | 2020 |
50% | Burden |
|
— | 2020 |
31% | The Kindness of Strangers |
|
— | 2020 |
21% | The Grudge |
|
— | 2020 |
No Score Yet | La maldición |
|
— | 2020 |
No Score Yet | La maldición |
|
— | 2020 |
No Score Yet | Rage meurtrière |
|
— | 2020 |
90% | Mandy |
|
— | 2018 |
86% | Nancy |
|
— | 2018 |
95% | The Death of Stalin |
|
— | 2018 |
84% | Battle of the Sexes |
|
$12.6M | 2017 |
74% | Nocturnal Animals |
|
$10.7M | 2016 |
60% | Shepherds and Butchers |
|
— | 2016 |
100% | The Witness for the Prosecution |
|
— | 2016 |
80% | Hidden |
|
— | 2015 |
68% | The Man From U.N.C.L.E. |
|
$38.2M | 2015 |
91% | Birdman |
|
— | 2014 |
28% | The Silent Storm |
|
— | 2014 |
84% | Shadow Dancer |
|
$99.6k | 2013 |
53% | Oblivion |
|
$89.1M | 2013 |
70% | Disconnect |
|
$1.4M | 2013 |
48% | Welcome to the Punch |
|
$7.3k | 2013 |
12% | W.E. |
|
$0.6M | 2012 |
51% | Brighton Rock |
|
$0.3M | 2011 |
65% | Resistance |
|
— | 2011 |
80% | Made in Dagenham |
|
$1.1M | 2010 |
71% | Never Let Me Go |
|
$2.5M | 2010 |
29% | Mad, Sad & Bad |
|
— | 2009 |
93% | Happy-Go-Lucky |
|
$3.5M | 2008 |
No Score Yet | Margaret Thatcher: The Long Walk to Finchley |
|
— | 2008 |
33% | Magicians |
|
— | 2007 |
No Score Yet | The Secret Life of Mrs. Beeton |
|
— | 2006 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
94% |
ZeroZeroZero
2020
|
|
|
70% |
Waco
2018
|
|
|
97% |
National Treasure
2016-2018
|
|
|
84% |
Black Mirror
2011-2019
|
|
|
No Score Yet |
The Talk
2010
|
|
|
No Score Yet |
The Witness for the Prosecution
2016
|
|
|
No Score Yet |
Today
2017-2019
|
|
|
62% |
Bloodline
2015-2017
|
|
|
No Score Yet |
The Late Late Show With James Corden
2015-2021
|
|
|
No Score Yet |
Jimmy Kimmel Live
2003
|
|
|
No Score Yet |
Masterpiece
1971-2014
|
|
|
82% |
Doc Martin
2020
|
|
|
Quotes from Andrea Riseborough's Characters
Lesley: | I wish I had more self-respect. |
Laura: | You're an actress. |
Sally: | Tower 49, this is Mission Control, how ya'll doing this lovely morning? |
Victoria "Vika" Olsen: | Another day in paradise Sally! |
Wallis Simpson: | You have no idea how hard it is to live out the greatest love romance of the century. And now I will have to be with him always and always and always. |
Wallis Simpson: | Attractive is just a polite way of saying you've done the best with what you've got. All i could hope to do was dress the best and if everyone turned to look at me when i walked into the room, well, i knew my husband would be happy. |
Wallis Simpson: | Attractive is just a polite way of saying you've done the best with what you've got. All I could hope to do was dress the best and if everyone turned to look at me when I walked into the room, well, I knew my husband would be happy. |
Wallis Simpson: | darling they can't hurt you; unless you let them. |
Wallis Simpson: | Darling, they can't hurt you unless you let them. |
Rose: | Pinky! Pinky ... |
Rose: | Pinkie! |
Pinkie Brown: | What's your name? |
Rose: | [clears throat] Rose. |
Phil Corkery: | Your like me, old fashioned. You're the kind of girl I like. |