Cary Grant
Birthday:
Birthplace:
Horfield, Bristol, England, UK
British-born actor Cary Grant (born Archibald Leach) escaped his humble Bristol environs and unstable home life by joining an acrobatic troupe, where he became a stilt-walker. Numerous odd jobs kept him going until he tried acting, and, after moving to the United States, he managed to lose his accent, developing a clipped mid-Atlantic speaking style uniquely his own. After acting in Broadway musicals, Grant was signed in 1932 by Paramount Pictures to be built into leading-man material. His real name would never do for marquees, so the studio took the first initials of their top star Gary Cooper, reversed them, then filled in the "C" and "G" to come up with Cary Grant. After a year of nondescript roles, Grant was selected by Mae West to be her leading man in She Done Him Wrong (1933) and I'm No Angel(1934). A bit stiff-necked but undeniably sexy, Grant vaulted to stardom, though Paramount continued wasting his potential in second rate films. Free at last from his Paramount obligations in 1935, Grant vowed never to be strictly bound to any one studio again, so he signed a dual contract with Columbia and RKO that allowed him to choose any "outside" roles he pleased. Sylvia Scarlett (1936) was the first film to fully demonstrate Grant's inspired comic flair, which would be utilized to the utmost in such knee-slappers as The Awful Truth (1937), Bringing Up Baby (1938), His Girl Friday (1939), and The Bachelor and the Bobby Soxer (1947). (Only in Arsenic and Old Lace [1941] did he overplay his hand and lapse into mugging.) The actor was also accomplished at straight drama, as evidenced in Only Angels Have Wings (1939), Destination Tokyo (1942), Crisis (1950), and in his favorite role as an irresponsible cockney in None but the Lonely Heart (1942), for which Grant was nominated for an Oscar -- he didn't win, although he was awarded a special Oscar for career achievement in 1970. Off-stage, most of Grant's co-workers had nothing but praise for his craftsmanship and willingness to work with co-stars rather than at them. Among Grant's yea-sayers was director Alfred Hitchcock, who cast the actor in three of his best films, most notably the quintessential Hitchcock thriller North by Northwest (1959). Seemingly growing handsomer and more charming as he got older, Grant retained his stardom into the 1960s, enriching himself with lucrative percentage-of-profits deals on such box-office hits as Operation Petticoat (1959) and Charade (1964). Upon completing Walk, Don't Run in 1966, Grant decided he was through with filmmaking -- and he meant it. Devoting his remaining years to an executive position at a major cosmetics firm, Grant never appeared on a TV talk show and seldom granted newspaper interviews. In the 1980s, however, he became restless, and decided to embark on a nationwide lecture tour, confining himself exclusively to small towns in which the residents might otherwise never have the chance to see a Hollywood superstar in person. It was while preparing to lecture in Davenport, IA, that the 82-year-old Cary Grant suffered a sudden and fatal stroke in 1986.
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
No Score Yet | Alfred Hitchcock: Master of Suspense |
|
— | 2013 |
No Score Yet | Metropolis refundada |
|
— | 2010 |
100% | Spine Tingler: The William Castle Story |
|
— | 2007 |
No Score Yet | Best of Film Noir |
|
— | 2000 |
No Score Yet | Judy Garland's Hollywood |
|
— | 1997 |
No Score Yet | Christmas Throughout the Years |
|
— | 1991 |
No Score Yet | George Stevens: A Filmmaker's Journey |
|
— | 1984 |
No Score Yet | The AFI Lifetime Achievement Awards: Alfred Hitchcock |
|
— | 1979 |
67% | That's Entertainment, Part 2 |
|
— | 1976 |
100% | That's Entertainment |
|
— | 1973 |
83% | Walk, Don't Run |
|
— | 1966 |
80% | Father Goose |
|
— | 1964 |
94% | Charade |
|
— | 1963 |
78% | That Touch of Mink |
|
— | 1962 |
88% | The Grass Is Greener |
|
— | 1960 |
97% | North by Northwest |
|
— | 1959 |
81% | Operation Petticoat |
|
— | 1959 |
64% | Houseboat |
|
— | 1958 |
100% | Indiscreet |
|
— | 1958 |
No Score Yet | Kiss Them for Me |
|
— | 1957 |
65% | An Affair to Remember |
|
— | 1957 |
22% | The Pride and the Passion |
|
— | 1957 |
94% | To Catch a Thief |
|
— | 1955 |
No Score Yet | Dream Wife |
|
— | 1953 |
85% | Monkey Business |
|
— | 1952 |
No Score Yet | Room for One More |
|
— | 1952 |
88% | People Will Talk |
|
— | 1951 |
71% | Crisis |
|
— | 1950 |
No Score Yet | Hollywood Without Makeup |
|
— | 1950 |
No Score Yet | Every Girl Should Be Married |
|
— | 1949 |
76% | I Was a Male War Bride |
|
— | 1949 |
84% | Mr. Blandings Builds His Dream House |
|
— | 1948 |
84% | The Bishop's Wife |
|
— | 1948 |
78% | The Bachelor and the Bobby-Soxer |
|
— | 1947 |
No Score Yet | Without Reservations |
|
— | 1946 |
67% | Night and Day |
|
— | 1946 |
96% | Notorious |
|
— | 1946 |
82% | Arsenic and Old Lace |
|
— | 1944 |
No Score Yet | Once upon a Time |
|
— | 1944 |
No Score Yet | None But the Lonely Heart |
|
— | 1944 |
100% | Mr. Lucky |
|
— | 1943 |
80% | Destination Tokyo |
|
— | 1943 |
No Score Yet | Once Upon a Honeymoon |
|
— | 1942 |
88% | The Talk of the Town |
|
— | 1942 |
97% | Suspicion |
|
— | 1941 |
94% | Penny Serenade |
|
— | 1941 |
100% | The Philadelphia Story |
|
— | 1940 |
85% | My Favorite Wife |
|
— | 1940 |
99% | His Girl Friday |
|
— | 1940 |
No Score Yet | The Howards of Virginia |
|
— | 1940 |
100% | In Name Only |
|
— | 1939 |
100% | Only Angels Have Wings |
|
— | 1939 |
92% | Gunga Din |
|
— | 1939 |
No Score Yet | Topper Takes a Trip |
|
— | 1938 |
100% | Holiday |
|
— | 1938 |
94% | Bringing Up Baby |
|
— | 1938 |
93% | The Awful Truth |
|
— | 1937 |
No Score Yet | The Toast of New York |
|
— | 1937 |
89% | Topper |
|
— | 1937 |
No Score Yet | The Amazing Quest of Ernest Bliss (The Amazing Adventure)(Romance and Riches) |
|
— | 1937 |
No Score Yet | When You're in Love |
|
— | 1937 |
No Score Yet | Wedding Present |
|
— | 1936 |
No Score Yet | Suzy |
|
— | 1936 |
83% | Big Brown Eyes |
|
— | 1936 |
No Score Yet | Klondike Annie |
|
— | 1936 |
73% | Sylvia Scarlett |
|
— | 1935 |
No Score Yet | The Last Outpost |
|
— | 1935 |
No Score Yet | Wings in the Dark |
|
— | 1935 |
No Score Yet | Enter Madame |
|
— | 1935 |
No Score Yet | Kiss and Make-Up |
|
— | 1934 |
No Score Yet | Thirty Day Princess |
|
— | 1934 |
No Score Yet | Born to Be Bad |
|
— | 1934 |
67% | Alice in Wonderland |
|
— | 1933 |
93% | I'm No Angel |
|
— | 1933 |
No Score Yet | The Eagle and the Hawk |
|
— | 1933 |
89% | She Done Him Wrong |
|
— | 1933 |
No Score Yet | Hot Saturday |
|
— | 1932 |
61% | Blonde Venus |
|
— | 1932 |
100% | Merrily We Go to Hell |
|
— | 1932 |
No Score Yet | Sinners in the Sun |
|
— | 1932 |
No Score Yet | This Is the Night |
|
— | 1932 |
No Score Yet | Madame Butterfly |
|
— | 1932 |
No Score Yet | The Devil and the Deep |
|
— | 1932 |
Quotes from Cary Grant's Characters
Jerry Flynn: | Caterpillars come and go, but that one has talent. |
Roger O. Thornhill: | In the world of advertising, there's no such thing as a lie. There's only expedient exaggeration. |
Roger O. Thornhill: | Now, what can a man do with his clothes off for twenty minutes? |
Eve Kendall: | You could always take a cold shower. |
Ernie Mott: | They say money talks... all it's ever said to me is goodbye. |
C.K. Dexter Haven: | The moon is also a goddess, chaste and virginal. |
Tracy Lord: | Oh, stop using those foul words. |
Macauley Connor: | Are you still in love with her? Or perhaps you consider that to be a very personal question. Liz thinks you are! Liz thinks you are. All though of course women like to roman..romanticize things a bit. |
C.K. Dexter Haven: | Yes they do, don't they. |
Macauley Connor: | Yes they do, don't they. |
Frances Stevens: | Have you ever had a better offer? |
John Robie (The Cat): | You know as well as I do, those jewels are fake. |
Frances Stevens: | Well I'm not. |
Eve Kendall: | [Hanging with Roger from the edge of Mt Rushmore] What happened to your first two marriages? |
Eve Kendall: | What happened to your first two marriages? |
Roger O. Thornhill: | My wives divorced me. They said I led too dull a life. |
Roger O. Thornhill: | [To Leonard] Have you poured any good drunks lately? |
Roger O. Thornhill: | Have you poured any good drunks lately? |
Macauley Connor: | Doggone it, C.K. Dexter Haven! Either I'm gonna sock you or you're gonna sock me. |
C.K. Dexter Haven: | Shall we toss a coin? |
C.K. Dexter Haven: | To hardly know him is to know him well. |
C.K. Dexter Haven: | Red, you look in the pink. |
Walter Burns: | There's been a light burning in the window for you! |
Hildy Johnson: | I jumped out that window a long time ago, Walter. |
Roger O. Thornhill: | Hello Mother, this is your son, Roger Thornhill. |
Guru: | I want to find out about your Army. |
Archibald Cutter: | Why don't you enlist, mate! |
Adm. Matt Sherman: | "Lt. Holden has reached new heights in the art of scavenging. Like a spider in a web, he sits there and his victims come to him like flies bearing gifts. He's the only man I know who will probably be presented the Navy Cross at his court martial." |
Adm. Matt Sherman: | Lt. Holden has reached new heights in the art of scavenging. Like a spider in a web, he sits there and his victims come to him like flies bearing gifts. He's the only man I know who will probably be presented the Navy Cross at his court martial. |
Capt. J. B. Henderson: | Mr Sherman, I want my wall back! |
Adm. Matt Sherman: | I'm not sure that we have it, Sir! |
Capt. J. B. Henderson: | You must have it! You've got everything else! |
Adm. Matt Sherman: | "19 December 1941: Repairs progressing. Crew morale high, except for their concern that our supply officer might be caught and shot. My emotions about this are mixed. Lieutenant Holden and Sergeant Gallardo are undoubtedly the world's greatest thieves-- ..scavengers. To paraphrase Mr. Churchill: 'Never have so few stolen so much from so many....' And what they can't find in the warehouses, they improvise." |
Adm. Matt Sherman: | 19 December 1941: Repairs progressing. Crew morale high, except for their concern that our supply officer might be caught and shot. My emotions about this are mixed. Lieutenant Holden and Sergeant Gallardo are undoubtedly the world's greatest thieves-- ..scavengers. To paraphrase Mr. Churchill: 'Never have so few stolen so much from so many....' And what they can't find in the warehouses, they improvise. |
Richard (Dick) Nugent: | How'd you get in here? |
Matt Beemish: | Well, the door was closed, so I opened it and came right in. |
Matt Beemish: | I'm the court psychiatrist. |
Richard (Dick) Nugent: | Come back in an hour. I'll be crazy by then. |
John Robie (The Cat): | John Robie: You're here in Europe to buy a husband. Frances Stevens: The man I want doesn't have a price. John Robie: That eliminates me. |
John Robie (The Cat): | You're here in Europe to buy a husband. |
Frances Stevens: | The man I want doesn't have a price. |
John Robie (The Cat): | That eliminates me. |
Roger O. Thornhill: | I could use a drink..a pint of Bourbon will do. |
The Professor: | Mind if I join you? |
Roger O. Thornhill: | Better make it a quart. |
Bill Cole: | You've been taken to the cleaners, and you don't even know your pants are off. |
Muriel Blandings: | I refuse to endanger the lives of my children in a house with less than four bathrooms. |
Jim Blandings: | replies: For 1,300 dollars they can live in a house with three bathrooms and ROUGH IT. |
Joan Blandings: | Oh look. Mother's diary. It's slightly torrid. |
Jim Blandings: | What's with this kissing all of a sudden? I don't like it. Every time he goes out of this house, he shakes my hand and kisses you. |
Muriel Blandings: | replies to Jim: Would you prefer it the other way around? |
Bill Cole: | The next time you're going to do anything or say anything or buy anything, think it over very carefully. When you're sure you're right, forget the whole thing. |
Jim Blandings: | This little piggy went to market. A meek and as mild as a lamb. He smiled in his tracks. When they slipped him the axe. He KNEW he'd turn out to be Wham! |
Capt. Henri Rochard: | My name is Rochard. You'll think I'm a bride but actually I'm a husband. There'll be a moment or two of confusion but, if we all keep our heads, everything will be fine. |
Sergeant: | Any female trouble? |
Capt. Henri Rochard: | Nothing but, Sergeant. |
Sergeant: | You're not Mrs. Rochard! |
Capt. Henri Rochard: | I'm MISTER Rochard. |
Sergeant: | Well, it's your WIFE who must report here for transportation to Bremerhaven. |
Capt. Henri Rochard: | According to the War Department, I AM my wife. |
Sergeant: | You can't be your wife! |
Capt. Henri Rochard: | If the American army says that I CAN be my wife, who am I to dispute them? |
Capt. Henri Rochard: | I am an alien spouse of female military personnel en route to the United States under public law 271 of the Congress. |
"Teddy Roosevelt" Brewster: | [Mr. Witherspoon has just met Teddy and Teddy pulls Mortimer aside] Is he trying to move into the White House before I've moved out? |
Mortimer Brewster: | Who? |
"Teddy Roosevelt" Brewster: | [points to Mr. Witherspoon] Taft! |
Mortimer Brewster: | [singing] There is a Happydale, far, far away... |
Martha Brewster: | For a gallon of elderberry wine, I take one teaspoon full of arsenic, then add half a teaspoon full of strychnine, and then just a pinch of cyanide. |
Mortimer Brewster: | Hmm. Should have quite a kick. |
Adm. Matt Sherman: | Subject, Toilet paper. One: on 6 June 1941, this vessel submitted a requisition for 150 rolls of toilet paper. On 16 December 1941 the requisition was returned with stamped notation, 'Cannot identify material required.' Two: the commanding officer of the USS SeaTiger cannot help but wonder what is being used at the Caviti Supply Depot as a substitute for this unidentifiable material once so well known to this command. |
David Huxley: | Now it isn't that I don't like you, Susan, because, after all, in moments of quiet, I'm strangely drawn toward you, but - well, there haven't been any quiet moments. |
Regina Lampert: | Hello, Mr. Dyle. |
Peter Joshua/Alexander Dyle/Adam Canfield/Brian Cruik: | Regie? |
Regina Lampert: | Well, that's the only name I've got. |
Peter Joshua/Alexander Dyle/Adam Canfield/Brian Cruik: | What do I have to do to satisfy you? Become the next victim? |
Regina Lampert: | That's a start anyway. |
Regina Lampert: | I already know an awful lot of people and until one of them dies I couldn't possibly meet anyone else. |
Peter Joshua/Alexander Dyle/Adam Canfield/Brian Cruik: | Well, if anyone goes on the critical list, let me know. |
Roger O. Thornhill: | Tell me, why are you so good to me? |
Eve Kendall: | Shall I climb up and tell you why? |
Eve Kendall: | You've got taste in clothes, taste in food. |
Roger O. Thornhill: | And taste in women. I like your flavor. |
Roger O. Thornhill: | How does a girl like you get to be a girl like you? |
Eve Kendall: | Lucky I guess. |
Eve Kendall: | Roger O. Thornhill. What does the O stand for? |
Roger O. Thornhill: | Nothing. |
Dudley: | The only people who grow old were born old to begin with. |
C.K. Dexter Haven: | I thought all writers drank to excess and beat their wives. You know one time I secretly wanted to be a writer. |
Johnny Case: | [upon seeing the mansion for the first time] Judas! |
Maid: | I beg your pardon? |
Johnny Case: | Er, I just said Judas. It didn't mean anything. |
Johnny Case: | When I find myself in a position like this, I ask myself what would General Motors do? And then I do the opposite! |
Aunt Elizabeth: | But why are you wearing 'these' clothes? |
David Huxley: | Because I just went gay all of a sudden! |
Aunt Elizabeth: | Now see here young man, stop this nonsense. What are you doing? |
David Huxley: | [exasperated and wearing Susan's negligee] I'm standing in the middle of 42nd Street waiting for a bus! |
David Huxley: | But Susan, you can't climb in a man's bedroom window! |
Susan Vance: | I know, it's on the second floor! |
Aunt Elizabeth: | Well who are you? |
David Huxley: | I don't know. I'm not quite myself today. |
Aunt Elizabeth: | Well, you look perfectly idiotic in those clothes. |
David Huxley: | These aren't my clothes. |
Aunt Elizabeth: | Well, where are your clothes? |
David Huxley: | I've lost my clothes! |
Aunt Elizabeth: | But why are you wearing 'these' clothes? |
David Huxley: | Because I just went gay all of a sudden! |
Aunt Elizabeth: | Now see here young man, stop this nonsense. What are you doing? |
Nick Arden: | Impulsive? He's full of carrots! |
Elaine Harper: | But Mortimer, you're going to love me for my mind, too. |
Mortimer Brewster: | One thing at a time! |
Roger O. Thornhill: | The three of you together. Now that's a picture only Charles Addams could draw. |
Phillip Vandamm: | Good evening Mr. Kaplin. |
Roger O. Thornhill: | Before we start calling each others names, perhaps you'd better tell me yours. I haven't had the pleasure. |
Phillip Vandamm: | You disappoint me. |
Roger O. Thornhill: | I was gonna say that to her. |
Phillip Vandamm: | What possesses you to come blundering in here like this? Could it be an overpowering interest in art? |
Roger O. Thornhill: | Yes, the art of survival. |
Phillip Vandamm: | You're a bit taller than I expected, a little more polished... |
Roger O. Thornhill: | (sarcastically) I'm so glad you're pleased Mr. Townsend. |
Roger O. Thornhill: | [sarcastically] I'm so glad you're pleased Mr. Townsend. |
Phillip Vandamm: | But I'm afraid it's just as obvious. |
Roger O. Thornhill: | Now why the devil was I brought here? |
Phillip Vandamm: | (sitting down) Games? Must we? |
Phillip Vandamm: | [sitting down] Games? Must we? |
Roger O. Thornhill: | (Learning Vandamm's name for the first time) Oh, Mr Vandamm... |
Roger O. Thornhill: | [learning Vandamm's name for the first time] Oh, Mr Vandamm... |
Phillip Vandamm: | (turning his eyes on Thornhill) Has anyone ever told you that you overplay your various roles rather severely Mr Kaplin? First you play the outraged Madison Avenue man who claims to have been mistaken for someone else. Then you play the fugitive from justice, supposedly trying to clear his name of a crime he knows he didn't commit. And now you play the peevish lover, stunned by jealousy and betrayal. Seems to me you fellows can take less training from the FBI and more from the Actors' Studio... |
Phillip Vandamm: | [turning his eyes on Thornhill] Has anyone ever told you that you overplay your various roles rather severely Mr Kaplin? First you play the outraged Madison Avenue man who claims to have been mistaken for someone else. Then you play the fugitive from justice, supposedly trying to clear his name of a crime he knows he didn't commit. And now you play the peevish lover, stunned by jealousy and betrayal. Seems to me you fellows can take less training from the FBI and more from the Actors' Studio... |
Roger O. Thornhill: | Apparently the only performance that will satisfy you is when I play dead. |
Phillip Vandamm: | Your very next role, and you'll be quite convincing I assure you... |
Walter Burns: | "Take Hitler and stick him on the funny pages!" |
Walter Burns: | Take Hitler and stick him on the funny page. |
Victor Rhyall: | If your mistress is unfaithful, she is to be discarded. If your wife is unfaithful, she is to be befriended. |
David Huxley: | I'll be with you in a minute, Mr. Peabody! |
Regina Lampert: | Do you understand French? |
Peter Joshua/Alexander Dyle/Adam Canfield/Brian Cruik: | Not a word. I'm still having trouble with English. |
Roger O. Thornhill: | In the world of advertising, there's no such thing as a lie. There's only expedient exaggeration. |
Archibald Cutter: | You're a better man than I am, Gunga Din. |
David Huxley: | It isn't that I don't like you, Susan, because after all, in moments of quiet, I'm strangely drawn toward you; but, well, there haven't been any quiet moments! |
Mortimer Brewster: | Insanity runs in my family. It practically gallops. |
Roger O. Thornhill: | "Now you listen here, I'm an advertising man, not a red herring. I've got a job, a secretary, a mother, two ex-wives and several bartenders depending upon me, and I don't intend to disappoint them all by getting myself 'slightly' killed." |