Yun-Fat Chow
Birthday:
Birthplace:
Lamma Island, Hong Kong
One of the most instantly recognizable faces in Asia, Chow Yun-Fat is an actor of phenomenal renown and popularity. An icon of the action genre thanks to his numerous collaborations with Hong Kong directors John Woo and Ringo Lam, Chow gained fame playing the killer with a soul (and two large guns) in such films as Woo's classic A Better Tomorrow, and in doing so, inspired new trends in action filmmaking. However, although he is best known on the international level for his work in action films, Chow has also acted in films of almost every conceivable genre, proving himself equally adept in melodramas, romances, and comedies alike. Born May 18, 1955, on Lamma, a small island off of Hong Kong's Victoria Harbor, Chow got his start as a professional actor while still in his teens. Chow's first break came in 1973, when he enrolled in Hong Kong TV station TVB's training program for young actors performing in a number of soap operas. In the early '80s, he would star in the station's popular series Shanghai Beach, earning lasting fame as the ultra-cool gangster Hui Man-Keung. Chow broke into films in the mid-'70s, winning a lead role in the forgettable Massage Girls in 1976. He had his first critical success five years later as the star of Ann Hui's The Story of Wu Viet. He won a Best Actor award from the Asian Pacific Film Festival and Taiwan's prestigious Golden Horse for his performance in Leung Po-Chi's Hong Kong 1941 (1984), a romantic drama set against the backdrop of World War II. Two years later, he had his true breakthrough when then-obscure director John Woo cast him as hitman Mark Gor in A Better Tomorrow, a hugely influential movie responsible for the birth of the Hong Kong gangster film genre. The character of Gor has remained one of Chow's most popular to date, and made him -- to say nothing of Woo -- an instant star in Asia. The actor's portrayal won him a prestigious Hong Kong Film Award, and Gor became something of an icon in the action genre, influencing such international directors as Quentin Tarantino and Robert Rodriguez.Chow would star in the two Better Tomorrow sequels, which followed in 1988 and 1989, but in the meantime he continued to prove his abilities in a number of other films like Dream Lovers, An Autumn's Tale, My Will, I Will, Prison on Fire, and the particularly acclaimed City on Fire - which became the inspiration for Tarantino's Reservoir Dogs. One of the most standout films Chow would appear in during this period would be Woo's Hard-Boiled - a movie that would earn acclaim on both sides of the Pacific. Cast as a tough cop with a heart of gold who teams up with a precariously unstable undercover agent (Tony Leung Chiu-Wai), Chow did his part to help amass one of the highest body counts in cinematic history, and in doing so, he further exhibited the kind of graceful will to destruction that had become his trademark. The film was Woo's last before he departed for Hollywood, and was the inspiration for Face/Off, starring John Travolta and Nicolas Cage in variants of the Chow/Leung roles.Having attained such unparalleled popularity in Asia, it was almost inevitable that Chow would make the crossover to American films. He did so in 1998 as the star of Antoine Fuqua's The Replacement Killers. The film received mixed reviews, but Chow kept at with The Corruptor, and Anna and the King. Interestingly, Chow would find more success in America with a movie based on Chinese folklore in director Ang Lee's martial arts epic Crouching Tiger, Hidden Dragon. Released to standing ovations at the 2000 Cannes Film Festival, the picture -- which cast Chow as a warrior haunted by the unavenged death of a friend -- enjoyed a long and healthy life at the North American box office, eventually becoming the most successful foreign-language picture ever released in the States up to that point. Better yet, Chow's work was universally cited by critics as one of the actor's most soulful, compassionate turns.American audiences wou
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
No Score Yet | Asesinos |
|
— | 2019 |
60% | Cold War 2 |
|
$0.6M | 2016 |
4% | Shanghai |
|
$45.2k | 2015 |
86% | Office (Hua li shang ban zu) |
|
— | 2015 |
No Score Yet | From Vegas to Macau II |
|
— | 2015 |
No Score Yet | The Monkey King (Da nao tian gong) |
|
— | 2014 |
No Score Yet | The Man from Macau (Du cheng feng yun) |
|
— | 2014 |
No Score Yet | The Last Tycoon |
|
— | 2012 |
No Score Yet | The Assassins (Tong que tai) |
|
— | 2012 |
76% | Let the Bullets Fly |
|
$43.1k | 2012 |
25% | The Beginning of a Great Revival |
|
$0.2M | 2011 |
93% | A Better Tomorrow |
|
— | 2010 |
45% | Confucius |
|
— | 2010 |
15% | Dragonball Evolution |
|
$9.4M | 2009 |
31% | The Children of Huang Shi |
|
$0.7M | 2008 |
44% | Pirates of the Caribbean: At Worlds End |
|
$309.5M | 2007 |
65% | Curse of the Golden Flower |
|
$6.5M | 2006 |
No Score Yet | The Postmodern Life of My Aunt (Yi ma de hou xian dai sheng huo) |
|
— | 2006 |
23% | Bulletproof Monk |
|
$23.1M | 2003 |
No Score Yet | Ultimate Fights |
|
— | 2002 |
97% | Crouching Tiger, Hidden Dragon |
|
— | 2001 |
51% | Anna and the King |
|
— | 2000 |
48% | The Corruptor |
|
— | 1998 |
38% | The Replacement Killers |
|
— | 1998 |
No Score Yet | Woh ping faan dim (The Peace Hotel) |
|
— | 1995 |
No Score Yet | Peace Hotel |
|
— | 1995 |
No Score Yet | Treasure Hunt (Hua qi Shao Lin) |
|
— | 1994 |
No Score Yet | Du shen 2 (God of Gamblers' Return) |
|
— | 1994 |
No Score Yet | Cinema of Vengeance |
|
— | 1994 |
94% | Lat sau san taam (Hard-Boiled) |
|
— | 1992 |
88% | Full Contact |
|
— | 1992 |
No Score Yet | Prison on Fire II |
|
— | 1991 |
60% | Zong heng si hai (Once a Thief) |
|
— | 1991 |
No Score Yet | Du sheng (All for the Winner) |
|
— | 1990 |
No Score Yet | A Better Tomorrow III: Love and Death in Saigon |
|
— | 1989 |
98% | The Killer |
|
— | 1989 |
No Score Yet | Ban wo chuang tian ya (Wild Search) |
|
— | 1989 |
No Score Yet | All About Ah Long |
|
— | 1989 |
No Score Yet | Du shen (God of Gamblers) |
|
— | 1989 |
No Score Yet | City War |
|
— | 1989 |
No Score Yet | Triads: The Inside Story |
|
— | 1989 |
No Score Yet | Fractured Follies |
|
— | 1988 |
No Score Yet | Diary of a Big Man |
|
— | 1988 |
No Score Yet | Tiger on the Beat |
|
— | 1988 |
No Score Yet | Gong zi duo qing (The Greatest Lover) |
|
— | 1988 |
80% | A Better Tomorrow II |
|
— | 1988 |
No Score Yet | Lo foo chut gang (Tiger on the Beat) |
|
— | 1988 |
No Score Yet | Cherry Blossoms: When Tat Fu Was Young |
|
— | 1988 |
No Score Yet | The Eighth Happiness |
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— | 1988 |
No Score Yet | Prison on Fire |
|
— | 1987 |
No Score Yet | Code of Honor |
|
— | 1987 |
No Score Yet | Jiang hu long hu men (Flaming Brothers) (Dragon and Tiger Fight) |
|
— | 1987 |
No Score Yet | An Autumn's Tale |
|
— | 1987 |
No Score Yet | Cheng chong chui lui chai (The Romancing Star) |
|
— | 1987 |
No Score Yet | Rich and Famous |
|
— | 1987 |
No Score Yet | Ying hung ho hon (Tragic Hero) |
|
— | 1987 |
92% | City on Fire |
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— | 1987 |
No Score Yet | Spiritual Love |
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— | 1987 |
No Score Yet | 100 Ways to Murder Your Wife |
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— | 1986 |
No Score Yet | Love Unto Waste (Dei ha ching) |
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— | 1986 |
No Score Yet | The Lunatics (Din lo jing juen) |
|
— | 1986 |
No Score Yet | Dream Lovers |
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— | 1986 |
No Score Yet | A Better Tomorrow |
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— | 1986 |
No Score Yet | The Seventh Curse (Yuan Zhen-Xia yu Wei Si-Li) |
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— | 1986 |
No Score Yet | A Hearty Response |
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— | 1986 |
No Score Yet | Witch From Nepal |
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— | 1985 |
No Score Yet | Nu ren xin (Women) |
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— | 1985 |
No Score Yet | The Occupant |
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— | 1984 |
No Score Yet | Dang doi lai ming (Hong Kong 1941) (Waiting For Dawn) |
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— | 1984 |
No Score Yet | Love in A Fallen City (Qing cheng zhi lian) |
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— | 1984 |
No Score Yet | Lie tou (Long Goodbye) (The Head Hunter) |
|
— | 1982 |
No Score Yet | The Postman Fights Back |
|
— | 1981 |
No Score Yet | Postman Fights Back |
|
— | 1981 |
Quotes from Yun-Fat Chow's Characters
Emperor Ping: | There are many things in Heaven and Earth, but you can only have what I choose to give you. |
Sydney Fung: | Don't let me die like this. I hate it. Will you give me a hero's death, old friend? You see, I... I didn't keep one last bullet. |
Jeffrey Chow: | I understand, Sydney. I have one. |
Detective "Eagle" Lee: | Do all killers have a sense of honor? |
Jeffrey Chow: | The world has changed. Honor is now a dirty word. |
Tequila: | We either conquer the world or you kill me tonight with this gun. |
The Bulletproof Monk: | Why do hot dogs come in packages of ten while hot dog buns come in packages of just eight? |
The Bulletproof Monk: | Somehow I sense he has a lot of potential. |
Jade/Bad Girl: | Really? I sense he's mostly full of s****. |
The Bulletproof Monk: | An enlightened man would offer a humble traveler shelter for the night and share a quiet conversation over a bowl of cocoa puffs. |
King Mongkut: | I never danced with an Englishwoman before, mem. |
Anna Leonowens: | Nor I with a king. |
Bulma: | You have no right to give away a third of the royalties to my invention. One day Dragonballs could power the world. |
Master Roshi: | Don't worry. A third of zero is still zero. |
Li Mu Bai: | A sword by itself rules nothing. It only comes alive in skilled hands. |
Li Mu Bai: | I've already wasted my whole life.I want to tell you with my last breath...I have always loved you. I would rather be a ghost, drifting by your side... as a condemned soul... than enter heaven without you. Because of your love...I will never be a lonely spirit. |
Li Mu Bai: | I would rather be a ghost drifting by your side as a condemned soul than enter heaven without you... because of your love, I will never be a lonely spirit |
Tequila: | You're full of shit! There's the toilet. |
Master Roshi: | In an ancient time, Earth was nearly destroyed. Not by man, but by Gods from the sky. |