Ethel Griffies
Birthday:
Birthplace:
Not Available
The daughter of actor-manager Samuel Rupert Woods and actress Lillie Roberts, Ethel Griffies began her own stage career at the age of 3. Griffies was 21 when she finally made her London debut in 1899, and 46 when she made her first Broadway appearance in Havoc (1924). Discounting a tentative stab at filmmaking in 1917, she made her movie bow in 1930, repeating her stage role in Old English (1930). Habitually cast as a crotchety old lady with the proverbial golden heart, she alternated between bits and prominently featured roles for the next 35 years. Her larger parts included Grace Poole in both the 1935 and 1944 versions of Jane Eyre, and the vituperous matron who accuses Tippi Hedren of being a harbinger of doom in Hitchcock's The Birds (1963). Every so often, she'd take a sabbatical from film work to concentrate on the stage; she made her last Broadway appearance in 1967, at which time she was England's oldest working actress. Presumably at the invitation of fellow Briton Arthur Treacher, Ethel Griffies was a frequent guest on TV's Merv Griffin Show in the late 1960s, never failing to bring down the house with her wickedly witty comments on her 80 years in show business.
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
No Score Yet | Bus Riley's Back in Town |
|
— | 1965 |
95% | The Birds |
|
— | 1963 |
94% | Billy Liar |
|
— | 1963 |
No Score Yet | The Homestretch |
|
— | 1947 |
No Score Yet | Devotion |
|
— | 1946 |
No Score Yet | Saratoga Trunk |
|
— | 1946 |
No Score Yet | Sing While You Dance |
|
— | 1946 |
80% | The Strange Affair of Uncle Harry (Guilty of Murder?) |
|
— | 1945 |
No Score Yet | Molly and Me |
|
— | 1945 |
No Score Yet | Thrill of a Romance |
|
— | 1945 |
67% | The Horn Blows at Midnight |
|
— | 1945 |
No Score Yet | Music for Millions |
|
— | 1944 |
No Score Yet | The Keys of the Kingdom |
|
— | 1944 |
80% | The White Cliffs of Dover |
|
— | 1944 |
100% | Jane Eyre |
|
— | 1944 |
No Score Yet | Holy Matrimony |
|
— | 1943 |
80% | First Comes Courage |
|
— | 1943 |
No Score Yet | Forever and a Day |
|
— | 1943 |
No Score Yet | Time to Kill |
|
— | 1942 |
No Score Yet | Charlie Chan in Castle in the Desert |
|
— | 1942 |
No Score Yet | Son of Fury: The Story of Benjamin Blake |
|
— | 1942 |
No Score Yet | Remember the Day |
|
— | 1941 |
No Score Yet | Great Guns |
|
— | 1941 |
No Score Yet | Billy the Kid |
|
— | 1941 |
No Score Yet | Dead Men Tell |
|
— | 1941 |
89% | How Green Was My Valley |
|
— | 1941 |
No Score Yet | A Yank in the RAF |
|
— | 1941 |
86% | Stranger on the Third Floor |
|
— | 1940 |
No Score Yet | Anne of Windy Poplars |
|
— | 1940 |
80% | Waterloo Bridge |
|
— | 1940 |
No Score Yet | Irene |
|
— | 1940 |
No Score Yet | Vigil in the Night |
|
— | 1940 |
No Score Yet | We Are Not Alone |
|
— | 1939 |
No Score Yet | The Star Maker |
|
— | 1939 |
No Score Yet | Crackerjack |
|
— | 1938 |
No Score Yet | The Return of Peter Grimm |
|
— | 1935 |
77% | Werewolf of London |
|
— | 1935 |
No Score Yet | Vanessa, Her Love Story |
|
— | 1935 |
93% | Anna Karenina |
|
— | 1935 |
71% | The Mystery of Edwin Drood |
|
— | 1935 |
No Score Yet | The Painted Veil |
|
— | 1934 |
No Score Yet | We Live Again |
|
— | 1934 |
No Score Yet | Jane Eyre |
|
— | 1934 |
No Score Yet | Sadie McKee |
|
— | 1934 |
100% | The House of Rothschild |
|
— | 1934 |
No Score Yet | Four Frightened People |
|
— | 1934 |
No Score Yet | Bulldog Drummond Strikes Back |
|
— | 1934 |
No Score Yet | Torch Singer (Broadway Singer) |
|
— | 1933 |
67% | Alice in Wonderland |
|
— | 1933 |
No Score Yet | White Woman |
|
— | 1933 |
100% | Love Me Tonight |
|
— | 1932 |
No Score Yet | Are You Listening? |
|
— | 1932 |
No Score Yet | Impatient Maiden |
|
— | 1932 |
No Score Yet | The Road to Singapore |
|
— | 1931 |
No Score Yet | Waterloo Bridge |
|
— | 1931 |
No Score Yet | The Millionaire |
|
— | 1931 |
Quotes from Ethel Griffies' Characters
Mrs. Bundy: | I hardly think a few birds are going to bring about the end of the world. |
Melanie Daniels: | These weren't a few birds. |