Franklin Pangborn
Birthday:
Birthplace:
Not Available
American actor Franklin Pangborn spent most of his theatrical days playing straight dramatic roles, but Hollywood saw things differently. From his debut film Exit Smiling (1926) to his final appearance in The Story of Mankind (1957), Pangborn was relegated to almost nothing but comedy roles. With his prissy voice and floor-walker demeanor, Pangborn was the perfect desk clerk, hotel manager, dressmaker, society secretary, or all-around busybody in well over 100 films. Except for a few supporting appearances in features and a series of Mack Sennett short subjects in the early 1930s, most of Pangborn's pre-1936 appearances were in bits or minor roles, but a brief turn as a snotty society scavenger-hunt scorekeeper in My Man Godfrey (1936) cemented his reputation as a surefire laugh-getter. The actor was a particular favorite of W.C. Fields, who saw to it that Pangborn was prominently cast in Fields' The Bank Dick (1940) (as hapless bank examiner J. Pinkerton Snoopington) and Never Give a Sucker An Even Break (1941). Occasionally, Pangborn longed for more dramatic roles, so to satisfy himself artistically he'd play non-comic parts for Edward Everett Horton's Los Angeles-based Majestic Theatre; Pangborn's appearance in Preston Sturges' Hail the Conquering Hero (1942) likewise permitted him a few straight, serious moments. When jobs became scarce in films for highly specialized character actors in the 1950s, Pangborn thrived on television, guesting on a number of comedy shows, including an appearance as a giggling serial-killer in a "Red Skelton Show" comedy sketch. One year before his death, Pangborn eased quietly into TV-trivia books by appearing as guest star (and guest announcer) on Jack Paar's very first "Tonight Show."
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
No Score Yet | The Story of Mankind |
|
— | 1957 |
No Score Yet | Oh, Men! Oh, Women! |
|
— | 1957 |
No Score Yet | Mad Wednesday |
|
— | 1951 |
No Score Yet | My Dream Is Yours |
|
— | 1949 |
No Score Yet | Down Memory Lane |
|
— | 1949 |
88% | Romance on the High Seas |
|
— | 1948 |
89% | Sin of Harold Diddlebock |
|
— | 1947 |
No Score Yet | I'll Be Yours |
|
— | 1947 |
No Score Yet | Calendar Girl |
|
— | 1947 |
67% | The Horn Blows at Midnight |
|
— | 1945 |
No Score Yet | Hollywood and Vine |
|
— | 1945 |
95% | Hail the Conquering Hero |
|
— | 1944 |
No Score Yet | His Butler's Sister |
|
— | 1943 |
No Score Yet | Crazy House |
|
— | 1943 |
No Score Yet | Holy Matrimony |
|
— | 1943 |
No Score Yet | Two Weeks to Live |
|
— | 1943 |
No Score Yet | Reveille with Beverly |
|
— | 1943 |
No Score Yet | Stage Door Canteen |
|
— | 1943 |
No Score Yet | George Washington Slept Here |
|
— | 1942 |
No Score Yet | Strictly in the Groove |
|
— | 1942 |
97% | The Palm Beach Story |
|
— | 1942 |
91% | Now, Voyager |
|
— | 1942 |
No Score Yet | Weekend for Three (Week-End for Three) |
|
— | 1941 |
100% | Sullivan's Travels |
|
— | 1941 |
100% | Never Give a Sucker an Even Break |
|
— | 1941 |
No Score Yet | The Flame of New Orleans |
|
— | 1941 |
No Score Yet | A Girl, a Guy and a Gob |
|
— | 1941 |
95% | Christmas in July |
|
— | 1940 |
No Score Yet | The Villain Still Pursued Her |
|
— | 1940 |
No Score Yet | Spring Parade |
|
— | 1940 |
No Score Yet | Turnabout |
|
— | 1940 |
100% | The Bank Dick |
|
— | 1940 |
No Score Yet | Fifth Avenue Girl |
|
— | 1939 |
No Score Yet | Broadway Serenade |
|
— | 1939 |
No Score Yet | Topper Takes a Trip |
|
— | 1938 |
No Score Yet | Just Around the Corner |
|
— | 1938 |
No Score Yet | Four's a Crowd |
|
— | 1938 |
100% | Vivacious Lady |
|
— | 1938 |
No Score Yet | Joy of Living |
|
— | 1938 |
44% | Bluebeard's Eighth Wife |
|
— | 1938 |
No Score Yet | Rebecca of Sunnybrook Farm |
|
— | 1938 |
No Score Yet | Mad About Music |
|
— | 1938 |
57% | Carefree |
|
— | 1938 |
No Score Yet | Meet the Mayor |
|
— | 1938 |
No Score Yet | She Married an Artist |
|
— | 1938 |
No Score Yet | Three Blind Mice |
|
— | 1938 |
No Score Yet | All Over Town |
|
— | 1937 |
No Score Yet | I'll Take Romance |
|
— | 1937 |
No Score Yet | Living on Love |
|
— | 1937 |
96% | Stage Door |
|
— | 1937 |
No Score Yet | It Happened in Hollywood |
|
— | 1937 |
100% | Easy Living |
|
— | 1937 |
No Score Yet | Dangerous Holiday |
|
— | 1937 |
No Score Yet | Hotel Haywire |
|
— | 1937 |
100% | A Star Is Born |
|
— | 1937 |
No Score Yet | Swing High, Swing Low |
|
— | 1937 |
No Score Yet | They Wanted to Marry |
|
— | 1937 |
No Score Yet | When Love Is Young |
|
— | 1937 |
No Score Yet | We Have Our Moments |
|
— | 1937 |
No Score Yet | Turn Off the Moon |
|
— | 1937 |
No Score Yet | Step Lively, Jeeves |
|
— | 1937 |
No Score Yet | Thrill of a Lifetime |
|
— | 1937 |
No Score Yet | High Hat |
|
— | 1937 |
No Score Yet | The Mandarin Mystery |
|
— | 1936 |
86% | Three Smart Girls |
|
— | 1936 |
No Score Yet | Hats Off |
|
— | 1936 |
97% | My Man Godfrey |
|
— | 1936 |
91% | Mr. Deeds Goes to Town |
|
— | 1936 |
No Score Yet | Doughnuts and Society |
|
— | 1936 |
No Score Yet | Tango |
|
— | 1936 |
No Score Yet | To Mary---With Love |
|
— | 1936 |
No Score Yet | She Couldn't Take It (Woman Tamer) |
|
— | 1935 |
No Score Yet | The Headline Woman |
|
— | 1935 |
No Score Yet | Chasing Those Depression Blues |
|
— | 1935 |
87% | Imitation of Life |
|
— | 1934 |
No Score Yet | King Kelly of the U.S.A. |
|
— | 1934 |
No Score Yet | Cockeyed Cavaliers |
|
— | 1934 |
No Score Yet | Manhattan Love Song |
|
— | 1934 |
No Score Yet | Strictly Dynamite |
|
— | 1934 |
76% | Design for Living |
|
— | 1933 |
83% | Flying Down to Rio |
|
— | 1933 |
No Score Yet | Only Yesterday |
|
— | 1933 |
No Score Yet | Headline Shooter |
|
— | 1933 |
No Score Yet | Bed of Roses |
|
— | 1933 |
No Score Yet | Professional Sweetheart |
|
— | 1933 |
No Score Yet | International House |
|
— | 1933 |
No Score Yet | The Half-Naked Truth |
|
— | 1932 |
No Score Yet | Meet the Mayor |
|
— | 1932 |
No Score Yet | A Woman of Experience |
|
— | 1931 |
No Score Yet | Cheer Up and Smile |
|
— | 1930 |
No Score Yet | Not So Dumb |
|
— | 1930 |
No Score Yet | Lady of the Pavements |
|
— | 1929 |
No Score Yet | Blonde for a Night |
|
— | 1928 |
No Score Yet | Getting Gertie's Garter |
|
— | 1927 |
No Score Yet | Girl in the Pullman |
|
— | 1927 |
No Score Yet | Exit Smiling |
|
— | 1926 |
71% | The Great Moment |
|
— | 1921 |
Quotes from Franklin Pangborn's Characters
Professor Henry R. Quail: | What is WuHu doing wheer Kansas City ought to be? |
Hotel Manager: | Maybe you're lost. |
Professor Henry R. Quail: | Kansas City is lost. I am here. |