Gena Rowlands
Birthday:
Birthplace:
Madison, Wisconsin, USA
An alumnus of the American Academy of Dramatic Arts, Wisconsin-born actress Gena Rowlands entered the Broadway talent pool in 1952. From 1955 through 1957, the blonde, frosty-eyed actress co-starred with Edward G. Robinson in the original Broadway production of Middle of the Night. She also did plenty of Manhattan-based television during this period, including a recurring role on the forgotten syndicated series Top Secret U.S.A. Rowlands made her first film, The High Cost of Loving, in 1958, the same year that she married legendary actor/director John Cassavetes. The excellent response to her performance as the deaf-mute wife of a detective on the 1961 TV series 87th Precinct sparked a grass-roots campaign to have Rowlands appear on the series on a weekly basis, but her film commitments were such that she couldn't be confined to any one part for very long. Always a capable leading lady, Rowlands blossomed into full stardom in the films directed by her husband. She first collaborated with him on A Child Is Waiting (1963) and then starred as a prostitute in his 1968 film Faces. Rowlands went on to earn Oscar nominations for her work in two of her husband's other films, A Woman Under the Influence (1974) and Gloria (1980).After Cassavetes' death in 1989, Rowlands took a two-year sabbatical from films, returning to play Holly Hunter's mother -- and Richard Dreyfuss' mother-in-law -- in Once Around (1991). That same year, she appeared as a casting agent in Jim Jarmusch's Night on Earth. After starring in such films as 1995's The Neon Bible and Something to Talk About (the latter of which featured her as the "steel magnolia" wife of Robert Duvall and mother of Julia Roberts), Rowlands stepped in front the camera for her son Nick Cassavetes' 1996 directorial debut, Unhook the Stars. The actress turned in a strong performance as a matriarch experiencing various life upheavals, and the following year again collaborated with her son in his romantic comedy She's So Lovely. Rowlands continued to stay busy with work for other directors, appearing in no less than three films in 1998. Particularly notable appearances included her role as Sean Connery's estranged wife in Playing by Heart and her portrayal of the grandmother of a disabled boy in The Mighty. In addition to her film work, Rowlands has earned considerable acclaim for her television roles. In 1985, she earned an Emmy nomination for her role in the powerful AIDS drama An Early Frost, and has won Emmys for her performances in The Betty Ford Story (1987) and Face of a Stranger (1991).At the beginning of the 21st century Rowlands continued to work steadily racking up credits in a variety of projects including Wild Iris, Hysterical Blindness, and Taking Lives. IN 2004 she acted again for her son in the cult hit The Notebook, and she followed that up with a role in the supernatural thriller The Skeleton Key. In 2007 she provided one of the voices in the well-reviewed Persepolis, and after a five-year hiatus from screens she returned in yet another project directed by her son, the quirky psychological drama Yellow.
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
50% | Six Dance Lessons In Six Weeks |
|
$74.1k | 2014 |
No Score Yet | Parts Per Billion |
|
— | 2013 |
No Score Yet | Yellow |
|
— | 2012 |
96% | Persepolis |
|
$4.5M | 2007 |
25% | Slipstream |
|
— | 2007 |
64% | Broken English |
|
$0.9M | 2007 |
No Score Yet | What If God Were the Sun? |
|
— | 2007 |
86% | Paris Je T'aime |
|
$4.9M | 2007 |
38% | The Skeleton Key |
|
$47.8M | 2005 |
53% | The Notebook |
|
$81M | 2004 |
83% | Broadway: The Golden Age |
|
— | 2004 |
No Score Yet | The Incredible Mrs. Ritchie |
|
— | 2004 |
22% | Taking Lives |
|
$32.7M | 2004 |
No Score Yet | Charms for the Easy Life |
|
— | 2002 |
75% | Hysterical Blindness |
|
— | 2002 |
83% | Light Keeps Me Company |
|
— | 2001 |
No Score Yet | Wild Iris |
|
— | 2001 |
50% | The Weekend |
|
— | 2000 |
60% | Playing by Heart |
|
— | 1998 |
75% | The Mighty |
|
— | 1998 |
27% | Hope Floats |
|
$60.1M | 1998 |
62% | Paulie |
|
— | 1998 |
No Score Yet | Grace & Glorie |
|
— | 1998 |
66% | She's So Lovely |
|
— | 1997 |
81% | Unhook the Stars |
|
— | 1996 |
55% | The Neon Bible |
|
— | 1996 |
39% | Something to Talk About |
|
— | 1995 |
No Score Yet | Parallel Lives |
|
— | 1994 |
No Score Yet | Silent Cries |
|
— | 1993 |
No Score Yet | Crazy In Love |
|
— | 1992 |
No Score Yet | Face of a Stranger |
|
— | 1991 |
No Score Yet | Ted & Venus |
|
— | 1991 |
75% | Night on Earth |
|
— | 1991 |
No Score Yet | Le Dernier Cow-Boy |
|
— | 1990 |
70% | Once Around |
|
— | 1990 |
64% | Another Woman |
|
— | 1988 |
53% | Light of Day |
|
— | 1987 |
No Score Yet | An Early Frost |
|
— | 1985 |
100% | Love Streams |
|
— | 1984 |
No Score Yet | I'm Almost Not Crazy: John Cassavetes |
|
— | 1984 |
No Score Yet | Thursday's Child |
|
— | 1983 |
55% | Tempest |
|
— | 1982 |
93% | Gloria |
|
— | 1980 |
No Score Yet | Strangers: The Story of a Mother and Daughter |
|
— | 1979 |
75% | The Brink's Job |
|
— | 1978 |
No Score Yet | A Question of Love |
|
— | 1978 |
96% | Opening Night |
|
— | 1977 |
23% | Two Minute Warning |
|
— | 1976 |
90% | A Woman Under the Influence |
|
— | 1975 |
81% | Minnie and Moskowitz |
|
— | 1972 |
80% | Machine Gun McCain |
|
— | 1970 |
83% | Faces |
|
— | 1968 |
63% | Tony Rome |
|
— | 1967 |
93% | A Child Is Waiting |
|
— | 1963 |
No Score Yet | The Spiral Road |
|
— | 1962 |
93% | Lonely are the Brave |
|
— | 1962 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
No Score Yet |
NCIS
2003
|
|
|
91% |
Monk
2002-2009
|
|
|
No Score Yet |
Numb3rs
2005-2010
|
|
|
No Score Yet |
Columbo
1968-2003
|
|
|
No Score Yet |
Marcus Welby, M.D.
1969-1976
|
|
|
No Score Yet |
The Alfred Hitchcock Hour
1962-1965
|
|
|
No Score Yet |
Bonanza
1959-1973
|
|
|
No Score Yet |
Alfred Hitchcock Presents
1955-1962
|
|
|
Quotes from Gena Rowlands' Characters
Corky: | Take it easy. |
Victoria Snelling: | Sure, mom. |
Ramona Calvert: | You smell just delicious, Justin, are you wearin' cologne? |
Justin Matisse: | Naw, just sweat with a little painter thinner in it. |
Ramona Calvert: | You have a birthday comin' up. You wanna tell me what you wish for? |
Bernice Pruitt: | No. |
Ramona Calvert: | No? Well, that's all right; I'll figure it out with my Grandma magic. |
Ramona Calvert: | Mothers always love their daughters, even if they show it poorly. |
Ramona Calvert: | Boy, she has a face on her like a bucket of worms. |
Myrtle Gordon: | ...there's such a difference between what you dream about and what's really there.. |
Anne Hamilton: | She is foolin' around with that boy until two o'clock in the mornin' and it has gotta stop! I didn't spent seventeen years raisin' a daughter and givin' her EVERYTHING, so she could throw it away on a summer romance! |
Allie Calhoun: | (screaming) DADDY! |
Anne Hamilton: | She will wind up with her heart broken or pregnant! Now he's a nice boy, but he's... |
Allie Calhoun: | He's WHAT? He is what? Tell me! |
Anne Hamilton: | He is trash! Trash! Trash! Not for you! |
Noah Calhoun: | You wanna walk with me. |
Fin: | What are you guys doin'? Get in! |
Allie Calhoun: | Yeah. |
Noah Calhoun: | We're gonna walk. |
Fin: | Do you guys love each other? |
Noah Calhoun: | (snickers) |
Fin: | Oh, I get it, you guys do love each other! |
Noah Calhoun: | Okay. Goodbye. |
Frank Calhoun: | Say, how would you like some breakfast? Would you like some breakfast? |
Allie Calhoun: | Breakfast? |
Frank Calhoun: | Yeah! |
Noah Calhoun: | Dad, it's ten o'clock. |
Frank Calhoun: | Well, what's that gotta do with it, you can have pancakes any damn time of night you want! Come on in, you want some breakfast? |
Allie Calhoun: | Sure! |
Allie Calhoun: | What's goin' on? |
Anne Hamilton: | We're goin' home. |
Allie Calhoun: | We're leavin' now? |
Anne Hamilton: | Mm-hmm. |
Allie Calhoun: | We're not supposed to leavin' for another week. |
Anne Hamilton: | Get dressed, come downstairs and have some breakfast. Willa will pack your things. |
Willa: | Why, I'd be happy to pack your things, Miss Allie. |
Allie Calhoun: | No, I don't want you to pack my things, don't want you to touch my stuff, I'm not goin'! |
Anne Hamilton: | Yes, you are. |
Allie Calhoun: | Now, say you're a bird. |
Noah Calhoun: | If you're a bird, I'm a bird. |
Ramona Calvert: | (of Travis in his frog costume) Look at me. My life has no meanin' or direction, and I'm happy. Look at Kermit there. You think it's easy bein' green? |
Ramona Calvert: | Look at me. My life has no meanin' or direction, and I'm happy. Look at Kermit there. You think it's easy bein' green? |
Birdee Pruitt: | You just never liked Bill. |
Ramona Calvert: | Oh, I like all of God's creatures; I just like some of them better stuffed. And he's one of them. |
Ramona Calvert: | Look at me. My life has no meanin' or direction, and I'm happy. |
Caroline Ellis: | I'm going into town for a while. Shopping. |
Violet Devereaux: | For what, Caroline? Caroline! For what? |
Caroline Ellis: | You'll just have to see. |
Caroline Ellis: | I saw the room. |
Violet Devereaux: | What room? |
Caroline Ellis: | The room you said you've never seen. |
Violet Devereaux: | Caroline!!!... |
Violet Devereaux: | Caroline! |
Mabel Longhetti: | All of a sudden, I miss everyone... |
Victoria Snelling: | Speaking to her ringing cell phone: Oh shut up! |
Victoria Snelling: | [speaking to her ringing cell phone] Oh shut up! |
Victoria Snelling: | You could be a movie star. |
Corky: | You mean right now? |
Ramona Calvert: | Hey!. I'm still your momma, missy. You move it. |
Ramona Calvert: | Hey, I am still your mama, Missy. You move it! |