Jane Seymour
Birthday:
Birthplace:
Hayes, Hayes and Harlington, Middlesex, England, UK
Born February 15th, 1951, the raven-haired daughter of a prosperous British gynecologist, Jane Seymour debuted onstage at 13 as a member of the London Festival Ballet, after training at the Arts Educational School. Five years later, she switched to acting, making her screen bow as part of a huge ensemble in Oh, What A Lovely War! (1968). She entered the fan-mag files with her portrayal of the enigmatic Solitaire in the 1973 James Bond epic Live and Let Die, following this with a ingenue turn in Sinbad and the Eye of the Tiger (1974). While her subesquent film appearances were well-received (as was her engagement in the 1980 Broadway production of Amadeus), Seymour's larger fame rested on her prolific TV work, notably on such miniseries as "East of Eden" and "War and Remembrance." In 1988, she won an Emmy for her portrayal of Maria Callas in the TV miniseries "Onassis." Four years later, she landed one of her most successful roles to date, that of the title heroine of the TV series Dr. Quinn, Medicine Woman. In subsequent years, Seymour sustained her career with longform soapers - such as the 1998 A Marriage of Convenience and the 2002 Heart of a Stranger - before making a most welcome return to theatrical features in 2005. That year, she scored a neat comic turn as the wife of U.S. Treasury Secretary Christopher Walken (and the mother of some outrageously dysfunctional children) in the summer comedy smash Wedding Crashers. Two years later, ABC tapped Seymour to trip the light fantastic as one of the celebrity dancers on its blockbuster series Dancing with the Stars. On that program, Seymour danced opposite series vet Tony Ovolani.
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
19% | Friendsgiving |
|
— | 2020 |
29% | The War with Grandpa |
|
— | 2020 |
No Score Yet | Buttons: A Christmas Tale |
|
— | 2018 |
33% | Better Start Running |
|
— | 2018 |
100% | CinemAbility |
|
— | 2018 |
No Score Yet | New York Academy - Freedance |
|
— | 2018 |
No Score Yet | Mistrust |
|
— | 2018 |
No Score Yet | Pray for Rain |
|
— | 2017 |
75% | High Strung |
|
— | 2016 |
60% | About Scout |
|
— | 2016 |
7% | Fifty Shades of Black |
|
— | 2016 |
No Score Yet | Bereave |
|
— | 2015 |
No Score Yet | A Royal Christmas |
|
— | 2014 |
22% | Jake Squared |
|
$2.2k | 2014 |
32% | Austenland |
|
$2.2M | 2013 |
No Score Yet | Lovestruck: The Musical |
|
— | 2013 |
No Score Yet | Freeloaders |
|
— | 2013 |
No Score Yet | An American Girl: Saige Paints The Sky |
|
— | 2013 |
No Score Yet | Lake Effects |
|
— | 2012 |
No Score Yet | The Metropolitan Opera: Anna Bolena Encore |
|
— | 2011 |
No Score Yet | The Metropolitan Opera: Anna Bolena Live |
|
— | 2011 |
0% | Love Wedding Marriage |
|
$1.9k | 2011 |
5% | Waiting for Forever |
|
$16.8k | 2011 |
No Score Yet | The Assistants |
|
— | 2010 |
86% | The Velveteen Rabbit |
|
— | 2009 |
No Score Yet | Wake |
|
— | 2009 |
No Score Yet | Dear Prudence |
|
— | 2008 |
No Score Yet | Picturing Mary |
|
— | 2007 |
24% | Blind Dating |
|
$62.4k | 2007 |
No Score Yet | After Sex |
|
— | 2007 |
67% | National Lampoon Presents The Beach Party at the Threshold of Hell |
|
— | 2006 |
76% | Wedding Crashers |
|
$209.3M | 2005 |
No Score Yet | Running Dry |
|
— | 2005 |
No Score Yet | Littlest Light on the Christmas Tree |
|
— | 2004 |
No Score Yet | The Jesus Experience: Christianity Around the World |
|
— | 2002 |
0% | Touching Wild Horses |
|
— | 2002 |
No Score Yet | John Adams: American Classic |
|
— | 2002 |
No Score Yet | Dr. Quinn, Medicine Woman: The Heart Within |
|
— | 2001 |
No Score Yet | Yesterday's Children |
|
— | 2000 |
No Score Yet | Enslavement: The True Story of Fanny Kemble |
|
— | 2000 |
No Score Yet | Murder in the Mirror |
|
— | 2000 |
No Score Yet | The James Bond Story |
|
— | 2000 |
No Score Yet | Dr. Quinn, Medicine Woman: The Movie |
|
— | 1999 |
No Score Yet | A Marriage of Convenience (Un mariage de convenance) |
|
— | 1998 |
45% | Quest For Camelot |
|
— | 1998 |
No Score Yet | The New Swiss Family Robinson |
|
— | 1998 |
No Score Yet | Hollywood Christmas |
|
— | 1996 |
100% | Heidi |
|
— | 1993 |
No Score Yet | Praying Mantis |
|
— | 1993 |
No Score Yet | Sunstroke |
|
— | 1992 |
No Score Yet | Are You Lonesome Tonight? |
|
— | 1992 |
No Score Yet | Memories of Midnight |
|
— | 1991 |
No Score Yet | Matters of the Heart |
|
— | 1990 |
No Score Yet | The Tunnel |
|
— | 1989 |
No Score Yet | La révolution française |
|
— | 1989 |
No Score Yet | Jack the Ripper |
|
— | 1988 |
No Score Yet | Onassis: The Richest Man in the World |
|
— | 1988 |
No Score Yet | The Woman He Loved |
|
— | 1988 |
No Score Yet | Ordeal by Innocence |
|
— | 1987 |
No Score Yet | Japan, Vol. 1: The Electronic Tribe |
|
— | 1987 |
No Score Yet | Japan, Vol. 3: The Legacy of the Shogun |
|
— | 1987 |
No Score Yet | Japan, Vol. 2: The Sword and the Crysanthemum |
|
— | 1987 |
0% | Head Office |
|
— | 1986 |
No Score Yet | Dark Mirror |
|
— | 1984 |
53% | Lassiter |
|
— | 1984 |
No Score Yet | The Haunting Passion |
|
— | 1983 |
No Score Yet | The Phantom of the Opera |
|
— | 1983 |
No Score Yet | Jamaica Inn |
|
— | 1983 |
No Score Yet | The Scarlet Pimpernel |
|
— | 1982 |
58% | Somewhere in Time |
|
— | 1980 |
No Score Yet | Oh Heavenly Dog |
|
— | 1980 |
No Score Yet | Benji at Work |
|
— | 1980 |
35% | Battlestar Galactica |
|
— | 1978 |
No Score Yet | Awakening Land |
|
— | 1978 |
No Score Yet | The Four Feathers |
|
— | 1977 |
No Score Yet | Killer on Board |
|
— | 1977 |
No Score Yet | The Story of David |
|
— | 1976 |
No Score Yet | The Hanged Man |
|
— | 1974 |
No Score Yet | Frankenstein: The True Story |
|
— | 1973 |
65% | Live and Let Die |
|
— | 1973 |
No Score Yet | The Strauss Family |
|
— | 1973 |
50% | Young Winston |
|
— | 1972 |
No Score Yet | The Only Way |
|
— | 1970 |
No Score Yet | Only Way |
|
— | 1970 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
No Score Yet |
Harry Wild
2022
|
|
|
93% |
The Kominsky Method
2018
|
|
|
No Score Yet |
Let's Get Physical
2018
|
|
|
No Score Yet |
Harry
2016-2018
|
|
|
75% |
Hooten and the Lady
2016-2017
|
|
|
No Score Yet |
Today
2017-2019
|
|
|
No Score Yet |
FABLife
2015-2016
|
|
|
100% |
Jane the Virgin
2014-2019
|
|
|
No Score Yet |
Rachael Ray
2006
|
|
|
8% |
Men at Work
2012-2013
|
|
|
61% |
Franklin & Bash
2011-2014
|
|
|
73% |
Ben and Kate
2012-2013
|
|
|
No Score Yet |
The Talk
2010
|
|
|
No Score Yet |
The View
1997-2020
|
|
|
75% |
Trust Us With Your Life
2012
|
|
|
82% |
Castle
2009-2016
|
|
|
No Score Yet |
Iron Chef America
2004-2018
|
|
|
82% |
My Name Is Earl
2005-2009
|
|
|
No Score Yet |
Comment je l'ai rencontrée
2005-2013
|
|
|
No Score Yet |
Dancing With the Stars
2005
|
|
|
7% |
In Case of Emergency
2007
|
|
|
No Score Yet |
Miss Marple
2004-2013
|
|
|
No Score Yet |
Mystery!
1980-2007
|
|
|
No Score Yet |
The Ellen DeGeneres Show
2003
|
|
|
63% |
Justice
2006
|
|
|
14% |
Modern Men
2006
|
|
|
84% |
How I Met Your Mother
2005-2014
|
|
|
78% |
Smallville
2001-2011
|
|
|
78% |
Law & Order: Special Victims Unit
1999-2021
|
|
|
No Score Yet |
Dharma & Greg
1997-2002
|
|
|
No Score Yet |
Great Performances
1972
|
|
|
No Score Yet |
Dr. Quinn, Medicine Woman
1993-1998
|
|
|
No Score Yet |
Murphy Brown
1988-2019
|
|
|
No Score Yet |
War and Remembrance
1988-1989
|
|
|
No Score Yet |
East of Eden
1981
|
|
|
43% |
Battlestar Galactica
1978-1980
|
|
|
No Score Yet |
Who Do You Think You Are?
2004-2019
|
|
|
Quotes from Jane Seymour's Characters
Mrs. Wattlesbrook: | I'm single, because, apparently the only good men are fictional |
Mrs. Wattlesbrook: | I'm single, because, apparently the only good men are fictional. |
Mrs. Wattlesbrook: | Do you enjoy dancing ? |
Mrs. Wattlesbrook: | Do you enjoy dancing? |
Henry Nobley: | Not particularly |
Henry Nobley: | Not particularly. |
John Beckwith: | Wow, they feel really nice. Real orb-like. It's amazing what they can do... |
Kathleen Cleary: | Pervert! |
Kathleen Cleary: | I'm not letting you out of this room until you feel them. |
Kathleen Cleary: | I just had my tits done. You like 'em? |
John Beckwith: | Those... seem like lovely tits. |
Kathleen Cleary: | William doesn't give a shit about my tits. |
James Bond: | Lovers lesson number two; togetherness 'till death do us part, or thereabouts. |
Solitaire: | Is there time before we leave for lesson number three? |
Solitaire: | Absolutely. There's no sense in going off half-cocked. |
Kayley: | But mother Excalibur's been stolen I must go after it! |
Juliana: | That is a job for the Knights not a young girl! |
Kayley: | But I want to be a knight, slay dragons, recusing Damsels in distress, what is a Damsel in distress anyway? |
Juliana: | Now Kayley settle down and try on your new dress! |
Kayley: | But mother I don't want a new dress I want to save Camelot! If you just let me I know I could find Excalibur all on my own! |
Juliana: | The Knights will find the sword and they'll do it by working together! |
Kayley: | While I'm 'stuck' working here, taking care of the farm collecting the eggs boring! where's the glory in that?! |
Juliana: | Kayley one day you'll learn what Camelot means until then you'll stay here with me! |
Kayley: | Oh all right! (runs up to her room) |
Kayley: | Oh all right! [runs up to her room] |
Juliana: | (Looks up at a family portrait zeroing in on Lionel's face) What would you do? |
Juliana: | [looks up at a family portrait zeroing in on Lionel's face] What would you do? |
Kayley: | Father do you really have to go? |
Lionel: | I'm afraid I must Kayley you know the King's Knights will be here soon. |
Kayley: | Tell me again why you became a Knight |
Juliana: | Kayley! You've heard it a thousand times! |
Lionel: | Oh but it's find dear. Well my daughter before you were born the land was dark and treacherous. The people stood divided brother fighting brother. The one hope for peace was in the legendary sword Excalibur. For it was said whoever could pull this ancient sword from it's stone would become king and unite the people. Many tried all failed. Then on the very day that you were born a unknown hero stepped forth. His name was Arthur, and he was that true king. With Excalibur at his side he led us out of the darkness. And together we built the greatest kingdom on earth. Everyone rejoiced. |
Kayley: | Camelot! |
Lionel: | (Holding up his shield) And so these three rings represent the unity of our kingdom. As a Knight I took a oath. To protect, Camelot, King Arthur, and Excalibur. |
Kayley: | The Knights are here! |
Lionel: | I must go now Kayley the King has called his Knights for a special day in Camelot |
Kayley: | I'm coming with you Daddy! |
Lionel: | Yes when you're old enough Kayley. I will take you to Camelot I promise! I love, you! |
Kayley: | One day I will be a Knight, like Father. |
Juliana: | You're mad! |
Ruber: | I'm *so* glad you noticed. I've been working at it for years! |
Juliana: | Who who are you? Ruber! |
Ruber: | Juliana. I was in the neighborhood, and I thought I'd invade. How about a kiss? I hear you're still single... |
Juliana: | Impertinent pig! |
Ruber: | Is that a no? |
Juliana: | I demand you leave immediately! |
Solitaire: | What happened to Kananqa? |
James Bond: | I think he had a rather inflated opinion of himself. |
Farah: | Trog seems frightened of the gate. |
Melanthius: | Ah, yes. Like all primitives, he is afraid of the unknown, of what he does not understand... |
Elise McKenna: | "Is it you?" |
Elise McKenna: | Is it you? |
Elise McKenna: | (To Richard Collier in 1979) "Come back to me." |
Elise McKenna: | [to Richard Collier in 1979] Come back to me. |