Jeff Goldblum
Birthday:
Birthplace:
Pittsburgh, Pennsylvania, USA
Tall, gangly, and oddly handsome, stage, screen, and television actor Jeff Goldblum is an unlikely sex symbol. But for many women, especially those fond of eccentric intellectual types, he fits the role perfectly. Known for the range of quirky, often otherworldly characters he has portrayed, Goldblum is adept at playing lead and supporting roles in dramas and comedies alike. A native of Pittsburgh, PA, where he was born October 22, 1952, Goldblum moved to New York at the age of 17 to pursue an acting career. He got his start at Sanford Meisner's distinguished Neighborhood Playhouse, and in the '70s began performing in a wide variety of on and off-Broadway productions. When he was 22, Goldblum made his film debut with a small role as a rapist in Michael Winner's brutal revenge drama Death Wish (1974). He was performing on-stage in the El Grande de Coca Cola review when Robert Altman gave him a small part in California Split (1974) and a slightly larger role in Nashville (1975). Afterwards, Goldblum was steadily employed as a bit player in both major and minor features, turning in one of his most notable performances as a nervous houseguest struggling to remember his mantra in the Los Angeles-set segment of Annie Hall (1977). In 1980, Goldblum branched out into television, starring opposite Ben Vereen in the short-lived television detective comedy Tenspeed and Brown Shoe. As Brown Shoe, Goldblum played an uptight stockbroker trying to make it as a hardboiled private detective. Although the role may have given him greater recognition, the actor gained his first really favorable reviews playing a tabloid magazine reporter in The Big Chill (1983). This led to leading roles in such films as Into the Night (1985), where Goldblum played an aerospace engineer opposite Michelle Pfeiffer, and Silverado (also 1985), which cast him as a villainous gambler. In 1986, he had his first hit movie with David Cronenberg's terrifying sci-fi-horror film The Fly (1986), playing a driven scientist whose research turns him into a gruesome mutant. His co-star was his then-wife, Geena Davis, whom he met while they were on the set of the comedy-thriller Transylvania 6-5000 (1985). The couple divorced in the early '90s and Goldblum then embarked on a highly publicized relationship with actress Laura Dern that broke up in the mid-'90s.In 1989, Goldblum made a favorable transatlantic impression in the British romantic comedy The Tall Guy, playing a perpetually unemployed actor who is cast as the lead of a musical about the Elephant Man. He continued to work steadily throughout the subsequent decade, appearing in films of markedly varying quality. He found great success in Steven Spielberg's Jurassic Park, playing a mathematician in one of the decade's biggest blockbusters. In 1996, Goldblum again explored blockbuster territory with a leading role as a computer genius in Independence Day. He reprised his role from Jurassic Park in that film's sequel 1997 sequel, The Lost World: Jurassic Park. He starred opposite Eddie Murphy in the notorious bomb Holy Man.At the beginning of the next decade Goldblum worked primarily in independent films such as Burr Steers' debut Igby Goes Down, and playing the romantic and professional rival to Bill Murray in Wes Anderson's The Life Aquatic with Steve Zissou. In 2006 he scored a role in his most mainstream film in quite sometime as part of the impressive ensemble in Barry Levinson's satire Man of the Year. In 2009, Goldblum joined the cast of Law & Order: Criminal Intent in the show's eighth season to play the role of Detective Zach Nichols. 2010 found the actor co-starring with Harrison Ford and Diane Keaton for the showbiz comedy Morning Glory. In 2014, he re-teamed with Anderson in The Grand Budapest Hotel. The following year, he appeared opposite Johnny Depp in Mortdecai and began filming his role in the long-awaited Indepdendence Day sequel, due in 2016.
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
64% | The Mountain |
|
— | 2019 |
47% | Jurassic World: Fallen Kingdom |
|
— | 2018 |
58% | Hotel Artemis |
|
— | 2018 |
58% | Always at the Carlyle |
|
— | 2018 |
90% | Isle of Dogs |
|
— | 2018 |
93% | Thor: Ragnarok |
|
$315M | 2017 |
90% | Tour De Pharmacy |
|
— | 2017 |
No Score Yet | Miyubi |
|
— | 2017 |
No Score Yet | Pharmacy Road |
|
— | 2017 |
30% | Independence Day: Resurgence |
|
$103.2M | 2016 |
No Score Yet | The Modern Ocean |
|
— | 2016 |
12% | Mortdecai |
|
$6.9M | 2015 |
89% | Le Week-End |
|
— | 2014 |
92% | The Grand Budapest Hotel |
|
$57M | 2014 |
25% | Zambezia |
|
$1.1M | 2013 |
36% | Tim and Eric's Billion Dollar Movie |
|
$0.2M | 2012 |
55% | Morning Glory |
|
$31M | 2010 |
52% | The Switch |
|
$27.4M | 2010 |
35% | Adam Resurrected |
|
— | 2008 |
46% | Fay Grim |
|
$62.3k | 2007 |
21% | Man of the Year |
|
$37.5M | 2006 |
52% | Mini's First Time |
|
$22.3k | 2006 |
No Score Yet | Pittsburgh |
|
— | 2006 |
56% | Dallas 362 |
|
— | 2005 |
56% | The Life Aquatic with Steve Zissou |
|
$24M | 2004 |
63% | Incident at Loch Ness |
|
— | 2004 |
No Score Yet | Spinning Boris |
|
— | 2004 |
No Score Yet | Special Thanks to Roy London |
|
— | 2004 |
No Score Yet | War Stories |
|
— | 2003 |
No Score Yet | Robbie the Reindeer in Hooves of Fire and the Legend of the Lost Tribe |
|
— | 2002 |
76% | Igby Goes Down |
|
$4.7M | 2002 |
65% | Festival in Cannes |
|
$41.5k | 2002 |
71% | Run Ronnie Run! |
|
— | 2002 |
54% | Cats & Dogs |
|
— | 2001 |
54% | Auggie Rose |
|
— | 2001 |
11% | Perfume |
|
— | 2001 |
No Score Yet | Welcome to Hollywood |
|
— | 2000 |
No Score Yet | Chain of Fools |
|
— | 2000 |
No Score Yet | One of the Hollywood Ten |
|
— | 2000 |
No Score Yet | When Dinosaurs Ruled |
|
— | 2000 |
No Score Yet | When Dinosaurs Ruled |
|
— | 2000 |
No Score Yet | When Dinosaurs Ruled |
|
— | 2000 |
No Score Yet | When Dinosaurs Ruled |
|
— | 2000 |
No Score Yet | When Dinosaurs Ruled |
|
— | 2000 |
80% | The Prince of Egypt |
|
— | 1998 |
12% | Holy Man |
|
— | 1998 |
No Score Yet | Welcome to Hollywood |
|
— | 1998 |
53% | The Lost World - Jurassic Park |
|
— | 1997 |
17% | Mad Dog Time |
|
— | 1996 |
67% | Independence Day |
|
— | 1996 |
45% | The Great White Hype |
|
— | 1996 |
50% | Powder |
|
— | 1995 |
23% | Nine Months |
|
— | 1995 |
20% | Hideaway |
|
— | 1995 |
No Score Yet | Lush Life |
|
— | 1994 |
91% | Jurassic Park |
|
$45.3M | 1993 |
No Score Yet | Fathers & Sons |
|
— | 1993 |
No Score Yet | Real Jurassic Park |
|
— | 1993 |
No Score Yet | Shooting Elizabeth |
|
— | 1992 |
No Score Yet | The Favor, the Watch and the Very Big Fish |
|
— | 1992 |
83% | Deep Cover |
|
— | 1992 |
No Score Yet | Favor, the Watch and the Very Big Fish |
|
— | 1992 |
89% | The Tall Guy |
|
— | 1990 |
No Score Yet | El sueño del mono loco (The Mad Monkey) |
|
— | 1990 |
33% | Mister Frost |
|
— | 1990 |
No Score Yet | Framed |
|
— | 1990 |
69% | Earth Girls Are Easy |
|
— | 1989 |
29% | The Fly II |
|
— | 1989 |
No Score Yet | Twisted Obsession (El sueño del mono loco) (The Mad Monkey) |
|
— | 1989 |
14% | Vibes |
|
— | 1988 |
20% | Beyond Therapy |
|
— | 1987 |
92% | The Fly |
|
— | 1986 |
No Score Yet | The Race for the Double Helix |
|
— | 1986 |
18% | Transylvania 6-5000 |
|
— | 1985 |
38% | Into the Night |
|
— | 1985 |
76% | Silverado |
|
$33.2M | 1985 |
68% | The Adventures of Buckaroo Banzai |
|
— | 1984 |
No Score Yet | Ernie Kovacs: Between the Laughter |
|
— | 1984 |
96% | The Right Stuff |
|
— | 1983 |
69% | The Big Chill |
|
— | 1983 |
No Score Yet | Threshold |
|
— | 1983 |
No Score Yet | Rehearsal for Murder |
|
— | 1982 |
No Score Yet | The Legend of Sleepy Hollow |
|
— | 1980 |
93% | Invasion of the Body Snatchers |
|
— | 1978 |
67% | Remember My Name |
|
— | 1978 |
30% | Thank God It's Friday |
|
— | 1978 |
93% | Between the Lines |
|
— | 1977 |
96% | Annie Hall |
|
— | 1977 |
47% | The Sentinel |
|
— | 1977 |
44% | St. Ives |
|
— | 1976 |
80% | Next Stop, Greenwich Village |
|
— | 1976 |
No Score Yet | Special Delivery |
|
— | 1976 |
91% | Nashville |
|
— | 1975 |
88% | California Split |
|
— | 1974 |
68% | Death Wish |
|
— | 1974 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
83% |
RuPaul's Drag Race
2009
|
|
|
82% |
The World According to Jeff Goldblum
2019-2020
|
|
|
No Score Yet |
The Late Show With Stephen Colbert
2015
|
|
|
No Score Yet |
The Late Late Show With James Corden
2015
|
|
|
No Score Yet |
Jimmy Kimmel Live
2003
|
|
|
No Score Yet |
Conan
2010
|
|
|
No Score Yet |
Law & Order: Criminal Intent
2001-2011
|
|
|
No Score Yet |
The Talk
2010
|
|
|
No Score Yet |
Watch What Happens Live With Andy Cohen
2009
|
|
|
No Score Yet |
The Graham Norton Show
2007
|
|
|
No Score Yet |
Late Night With Seth Meyers
2014
|
|
|
No Score Yet |
The Tonight Show Starring Jimmy Fallon
2014
|
|
|
86% |
Inside Amy Schumer
2013-2016
|
|
|
No Score Yet |
Late Show With David Letterman
1993-2015
|
|
|
No Score Yet |
The Late Late Show With Craig Ferguson
2005-2014
|
|
|
94% |
Portlandia
2011-2018
|
|
|
81% |
The League
2009-2015
|
|
|
No Score Yet |
The View
1997
|
|
|
No Score Yet |
CBS This Morning
2012
|
|
|
70% |
Glee
2009-2015
|
|
|
No Score Yet |
Top Gear
2002
|
|
|
No Score Yet |
Late Night With Jimmy Fallon
2009-2014
|
|
|
No Score Yet |
Rachael Ray
2006
|
|
|
No Score Yet |
Tim and Eric Awesome Show Great Job!
2007-2010
|
|
|
65% |
Raines
2007
|
|
|
No Score Yet |
Will & Grace
1998-2006
|
|
|
No Score Yet |
Crank Yankers
2019
|
|
|
80% |
Tom Goes to the Mayor
2004-2006
|
|
|
No Score Yet |
The Tonight Show With Jay Leno
1992-2014
|
|
|
No Score Yet |
King of the Hill
1997-2010
|
|
|
100% |
The Larry Sanders Show
1992-1998
|
|
|
No Score Yet |
Saturday Night Live
1975
|
|
|
85% |
The Simpsons
1989
|
|
|
No Score Yet |
Law & Order
1990-2010
|
|
|
No Score Yet |
American Playhouse
1982-1996
|
|
|
No Score Yet |
Laverne & Shirley
1976-1983
|
|
|
No Score Yet |
Starsky & Hutch
1975-1979
|
|
|
Quotes from Jeff Goldblum's Characters
Jake Morrison: | Shouldn't we be nervous? |
David Levinson: | Um....yeah! |
Dr. Ian Malcolm: | It is so important that you do not finish that sentence. |
Ian Malcolm: | Life uh.... finds a way |
Ian Malcolm: | Your scientists were so preoccupied with whether they could, they didn't stop to think if they should. |
Ian Malcolm: | You're well remembered to wash your hands before you eat anything. |
Ian Malcolm: | That is one big pile of shit. |
Deputy Kovacs: | Did he just throw my cat out of the window? |
Deputy Kovacs: | Did he just throw my cat out of the window? |
Ian Malcolm: | [To Ludlow] Now, you're John Hammond |
Ian Malcolm: | Now, you're John Hammond. |
Ian Malcolm: | When you gotta go, you gotta go. |
Dr. Aldo Gehring: | Surgeons are like airplane pilots, no creative ability. |
Ian Malcolm: | Hang on, this is gonna be bad. |
Ian Malcolm: | [After being attacked] Remind me to thank John for the wonderful weekend |
Ian Malcolm: | Remind me to thank John for the wonderful weekend. |
Alistair Hennessy: | They turned my research turtles into soup |
Alistair Hennessy: | They turned my research turtles into soup. |
Ian Malcolm: | That is one big pile of shit |
John Hammond: | Don't worry, I'm not making the same mistakes again. |
Ian Malcolm: | No, you're making all new ones. |
Sarah Harding: | [after re-capturing the baby T-Rex in San Diego] How do we find the adult? |
Ian Malcolm: | Just follow the screams. |
Ian Malcolm: | Oh, yeah. Oooh, ahhh, that's how it always starts. Then later there's running and screaming. |
Ian Malcolm: | It's fine if you wanna put your name on something but STOP putting it on other people's headstones. |
Ian Malcolm: | If I may... Um, I'll tell you the problem with the scientific power that you're using here, it didn't require any discipline to attain it. You read what others had done and you took the next step. You didn't earn the knowledge for yourselves, so you don't take any responsibility for it. You stood on the shoulders of geniuses to accomplish something as fast as you could, and before you even knew what you had, you patented it, and packaged it, and slapped it on a plastic lunchbox, and now [bangs on the table] |
Ian Malcolm: | Don't you see the danger, John, inherent in what you're doing here? Genetic power is the most awesome force the planet's ever seen, but you wield it like a kid that's found his dad's gun. |
Ian Malcolm: | [as they pass through the gigantic park gates] What have they got in there, King Kong? |
Ian Malcolm: | [seeing the dinosaurs for the first time] You did it. You crazy son of a bitch, you did it. |
Ian Malcolm: | That'll be a first - man and dinosaur all die together. |
Ian Malcolm: | [Dr. Ellie Sattler has dug through a pile of dino-droppings with her hands] You will remember to wash your hands before you eat anything? |
Ian Malcolm: | [looking at a huge mound of dinosaur faeces] That is one big pile of shit. |
John Hammond: | All major theme parks have delays. When they opened Disneyland in 1956, nothing worked! |
Ian Malcolm: | Yeah, but, John, if The Pirates of the Caribbean breaks down, the pirates don't eat the tourists. |
Ian Malcolm: | how do you know they're all female? Does somebody go out into the park and pull up the dinosaurs' skirts? |
Ian Malcolm: | But again, how do you know they're all female? Does somebody go out into the park and pull up the dinosaurs' skirts? |
Ian Malcolm: | god creates dinosaurs god destroys dinosaurs, god creates man man destroys god, man creates dinosaurs. |
Ian Malcolm: | God creates dinosaurs. God destroys ... Man creates dinosaurs.. |
Dr. Ellie Sattler: | Dinosaurs eat man......woman inherits the earth. |
Dr. Ellie Sattler: | Dinosaurs...eat man. Woman inherits the Earth. |
Ian Malcolm: | That is one big pile of shit. |
Avnet: | This isn't your lucky day, barber. Your life is leaving you and I'm killing you. |
Ian Malcolm: | How do you know they're all female? Does somebody walk into the enclosure and look under the dinosaur's skirt? |
Ian Malcolm: | You did it. You crazy son of a bitch you did it. |
Ian Malcolm: | I'm always on the lookout for the future ex-Mrs. Malcolm |
Ian Malcolm: | I'm always on the lookout for the future ex-Mrs. Malcolm. |
Ian Malcolm: | I hate being right all the time. |
John Hammond: | I don't think you're giving us our due credit. Our scientists have done things which nobody's ever done before... |
Ian Malcolm: | Yeah, yeah, but your scientists were so preoccupied with whether or not they could, that they didn't stop to think if they should. |
Alan Grant: | (T Rex breaks out of enclosure) were do he think hes going ( Donald Gennaro runs to into the restroom) |
Alan Grant: | [T Rex breaks out of enclosure] Where do he think hes going? [Donald Gennaro runs to into the restroom] |
Ian Malcolm: | if you gotta go you gotta go |
Ian Malcolm: | If you gotta go you gotta go. |
Ian Malcolm: | who do they have in here king kong |
Ian Malcolm: | [as they pass through the gigantic park gates] What have they got in there, King Kong? |
Ian Malcolm: | But John, if the Pirates of the Caribbean breaks down the pirates don't eat the tourists. |
Ian Malcolm: | Ah, now eventually you do plan to have dinosaurs on your, on your dinosaur tour, right? Hello? |
John Hammond: | I really hate that man. |
Seth Brundle: | I want to be the first insect politician. |
David Levinson: | What I'm trying to say is--if you stay I'll hurt you. |
David Levinson: | Time's up... |
Seth Brundle: | You're a fucking drag, y'know that? |
Ian Malcolm: | Yeah, yeah, but your scientists were so preoccupied with whether or not they could, that they didn't stop to think whether they should. |
Ian Malcolm: | Mommy is very angry |
Ian Malcolm: | Mommy is very angry. |
Veronica Quaife: | What does the disease want? |
Seth Brundle: | It wants to turn me into something else. I think I'm becoming...Brundlefly. Don't you think that's worth a Nobel Prize or two? |
Nick Deezy: | 'Your major life decision is probably 'How high should I comb my hair today?" |
Nick Deezy: | Your major life decision is probably, 'How high should I comb my hair today?' |
Sarah Harding: | How do we find the adult? |
Ian Malcolm: | Just follow the screams. |
Ian Malcolm: | God creates dinosaurs. God destroys dinosaurs. God creates man. Man destroys God. Man creates dinosaurs... |
Dr. Ellie Sattler: | Dinosaurs eat man. Woman inherits the earth... |
John Hammond: | All major theme parks have had delays. When they opened Disneyland in 1956, nothing worked! |
Ian Malcolm: | Yeah John, but if the Pirates of the Caribbean breaks down, the pirates don't eat the tourists. |
David Levinson: | They are pulling us in. I was counting on this. |
Capt. Steven Hiller: | When the hell was you plannin' on tellin' me? |
David Levinson: | Oops. |
Capt. Steven Hiller: | We're gonna have to work on our communication. |
Seth Brundle: | Human teleportation, molecular decimation, breakdown, reformation, is inherently purging. It makes a man a king. |
Stewart: | Perception of legitimacy is more important than legitimacy itself. |
Ian Malcolm: | Go... as fast as you can. Go! |
Eddie Carr: | What's hurt? What do you need? |
Ian Malcolm: | We need rope! |
Eddie Carr: | Rope, okay! Anything else? |
Ian Malcolm: | Yeah, three double cheeseburgers with everything. |
Nick Van Owen: | No onions on mine. |
Sarah Harding: | And an apple turnover! |
Ian Malcolm: | (Prepares to slide down the rope) I'm coming right back, I give you my word. |
Ian Malcolm: | [prepares to slide down the rope] I'm coming right back, I give you my word. |
Kelly Curtis: | But you NEVER keep your word! |
Ian Malcolm: | ... (slides down the rope) |
Ian Malcolm: | [slides down the rope] |
David Levinson: | (Looks at the clock on his computer) Time's up... |
David Levinson: | [looks at the clock on his computer] Time's up... |
David Levinson: | You're obsessed with "fat lady". |
David Levinson: | You're obsessed with 'fat lady'. |
Ian Malcolm: | And now I'm sitting here, by myself, talking to myself. That's chaos theory. |
Professor Brody: | Bad talking cat! |
Peter Ludlow: | It is our board of directors which I must face, not my uncle. Really, you must trust me, your problems are about to be rendered moot. In an few weeks' time, they'll be long forgotten. |
Ian Malcolm: | (grabs Ludlow) Not by me. |
Peter Ludlow: | Careful. This suit cost more than your education. |
Roland Tembo: | The Rex was just fed, so it won't stalk us for food. |
Ian Malcolm: | Just fed? I assume you're talking about Eddie? You might want to show a little respect, the man saved our lives by giving his. |
Roland Tembo: | Then his troubles are over. My point is, the predators don't hunt when they're not hungry. |
Nick Van Owen: | No, only humans do. |
Roland Tembo: | Oh, you're breaking our hearts. Saddle up! Let's get this moveable feast on the way! |
Ian Malcolm: | Yeah, oooh, aaah, that's how it always starts. Then later there's running, and screaming. |
Alan Grant: | We're out of the job. |
Ian Malcolm: | Don't you mean extinct? |
Ian Malcolm: | Mama's very angry. |
Ian Malcolm: | God creates dinosaurs, God destroys dinosaurs, God creates Man, Man kills God, Man brings back dinosaurs. |
Dr. Ellie Sattler: | [sarcastic] Dinosaurs eat Man, Woman inherits the Earth. |
Ian Malcolm: | God, I hate being right all the time. |
Ian Malcolm: | [to Ludlow] Taking dinosaurs off this island is the worst idea in the long sad history of bad ideas, and I'm gonna be there when you learn that. |
Ian Malcolm: | If there's one thing the history of evolution has taught us, it's that life will not be contained. Life breaks free, it expands to new territories, and crashes through barriers painfully, maybe even dangerously, but, uh, well, there it is. |
David Levinson: | We're hit! We took a hit! |
Capt. Steven Hiller: | We're not hit! We're not hit! Stop side-seat driving! |
John Hammond: | Haha! See? 8'm not making the same mistakes again! |
John Hammond: | Haha! See? I'm not making the same mistakes again! |
Ian Malcolm: | Noooo, no, you're making all new ones!! |
Ian Malcolm: | Noooo, no, you're making all new ones! |
Ian Malcolm: | Wait, wait, so, you're sending in people, a, a small amount of people, on the ground?! Who are these four lunatics you're trying to con into this? |
Ian Malcolm: | [Trying to get the satellite phone to work] Eddie, Eddie, why isn't this working!? |
Ian Malcolm: | [trying to get the satellite phone to work] Eddie, Eddie, why isn't this working!? |
Eddie Carr: | It'll work if you love it! |
Ian Malcolm: | I'll love it if it works! |
Ian Malcolm: | Eddie, is there any reason to think that the phone in the RV might be working? Don't tease me now, I don't want to get my hopes up. |
Eddie Carr: | Well, if you were even slightly qualified you might try flipping the on switch. |
Kelly Curtis: | [Going in the trailer with Malcolm] Dad, are you mad? |
Kelly Curtis: | [going in the trailer with Malcolm] Dad, are you mad? |
Ian Malcolm: | No, I'm Furious!!! |
Ian Malcolm: | No, I'm Furious! |
Kelly Curtis: | She doesn't even have a Sega! She's such a troglodyte! |
Ian Malcolm: | Cruel, but good word use. |
Kelly Curtis: | Why can't I just come with you? I can do research for you like I did in Austin! |
Ian Malcolm: | This is nothing like Austin. |
Kelly Curtis: | She doesn't even have a Sega! She's such a troglodyte! |
Ian Malcolm: | Cruel, but good word use. |
Kelly Curtis: | Why can't I just come with you? I can do research for you like I did in Austin! |
Ian Malcolm: | This is nothing like Austin. |
Ian Malcolm: | "Life will find a way" |
Ian Malcolm: | Life will find a way. |
Ian Malcolm: | Remind me to thank John for a lovely weekend. |
John Hammond: | All major theme parks have delays. When they opened Disneyland in 1956, NOTHING worked. |
Ian Malcolm: | Yeah, but John, if Pirates of the Caribbean breaks down, the pirates don't eat the tourists. |
Dr. Ellie Sattler: | Can we chance taking him back to the jeep? |
Ian Malcolm: | Please chance it! |
Mac: | "Hi! I'm Mac. Nice to meet you Mr. Dude." |
Mac: | Hi! I'm Mac. Nice to meet you Mr. Dude. |
Dr. Ted Gallagher: | "Dr. Dude." |
Dr. Ted Gallagher: | Dr. Dude. |
Mac: | "Oh! Dr. Dude!" *kisses hand* |
Mac: | Oh! Dr. Dude! [kisses hand] |
Seth Brundle: | I am an insect who dreamt he was a man |
Seth Brundle: | I'm an insect who dreamt he was a man and loved it. |
Ian Malcolm: | [To Hammond] Genetic power is the most awesome force the planet's ever seen, but you wield it like a kid that's found his dad's gun. |
Ian Malcolm: | [to Hammond] Genetic power is the most awesome force the planet's ever seen, but you wield it like a kid that's found his dad's gun. |
John Hammond: | Condors are on the verge of extinction! If I were to create a flock of condors on this island, you wouldn't have anything to say! |
Ian Malcolm: | This isn't some species that was obliterated by deforestation or the building of a dam. Dinosaurs had their shot and Nature selected them for extinction! |
John Hammond: | How can we sit in the light of discovery and not act? |
Ian Malcolm: | Oh what's so great about discovery? It's a violent, penetrative act that scars what it explores. What you call discovery, I call the rape of the natural world. |
Ian Malcolm: | Youv'e got it and you slap it on a plastic lunch box, and you want to sell it(bangs on table) you want to sell it now. |
Ian Malcolm: | You've got it, and you slap it on a plastic lunch box, and you want to sell it, [bangs on table] you want to sell it now. |
Ian Malcolm: | (t-rex chases after the jeep) Must go faster! |
Ian Malcolm: | [T-rex chases after the Jeep] Must go faster! |
David Levinson: | Must go faster, Must go faster |
David Levinson: | Must go faster. Must go faster! |
David Levinson: | Time's Up |
David Levinson: | Time's up. |
Ian Malcolm: | Yeah, but your scientists were so preoccupied with whether or not they could, they didn't stop to think if they should. |
Ian Malcolm: | Taking the dinosaurs out of the island is the worst idea in the history of worst ideas. |
Ian Malcolm: | Taking dinosaurs off this island is the worst idea in the long, sad history of bad ideas. |
Ian Malcolm: | All major changes are like death. You can't see what is on the other side until you get there. |
Ian Malcolm: | Boy, do I hate being right all the time. |
Ian Malcolm: | Boy, do I hate being right all the time! |
Sarah Harding: | What's That? |
Ian Malcolm: | Mommy's Very Angry. |
Alan Grant: | Looks like we're out of a job. |
Ian Malcolm: | Don't you mean extinct. |
Ian Malcolm: | Don't you mean extinct. |
Seth Brundle: | (to Veronica) - You're afraid to dive into the plasma pool, aren't you? You're afraid to be destroyed and recreated, aren't you? I'll bet you think that you woke me up about the flesh, don't you? But you only know society's straight line about the flesh. You can't penetrate beyond society's sick, gray, fear of the flesh. Drink deep, or taste not, the plasma spring! You see what I'm saying? And I'm not just talking about sex and penetration. I'm talking about penetration beyond the veil of the flesh! A deep penetrating dive into the plasma pool! |
Veronica Quaife: | Five sets of exactly the same clothes? |
Seth Brundle: | Learned it from Einstein. This way I don't have to expend any thought on what to wear. I grab the next set on the rack. |
Seth Brundle: | (to Veronica) - Don't go back to it. |