John Rhys-Davies
Birthday:
Birthplace:
Salisbury, Wiltshire, England, UK
John Rhys-Davies is one of modern cinema's most recognizable character actors. While best known for his work as Indiana Jones' (Harrison Ford) comic sidekick, Sallah, in two of Paramount's Indiana Jones adventure films, the actor has appeared in over 100 television shows and films since the early '70s. He has built an impressive onscreen career, especially for a stage actor who once swore that he would never perform in front of a camera. Born in Wales on May 5, 1944, Rhys-Davies grew up in England, Wales, and East Africa. He studied English and History at the University of East Anglia at Norwich, where he became interested in theater while reading classical literature. Upon graduating, Rhys-Davies earned a scholarship to study acting at London's prestigious Academy of Dramatic Art. He then worked briefly as a schoolteacher before joining the Madder-Market Theatre in Norwich. The actor, who eventually advanced to the Royal Shakespeare Company, performed in over 100 plays. His theatrical credits include starring roles in Shakespeare's Othello, The Tempest, Hamlet, Macbeth, and Henry the Fourth, Ibsen's Hedda Gabler, and Moliere's The Misanthrope. Rhys-Davies was 28 when he made his television debut in 1972 as Laughing Spam Fritter in the BBC's Budgie, a comedy starring former British pop star Adam Faith as an amusing ne'er-do-well. In 1975, he joined John Hurt in the cast of the television show The Naked Civil Servant, which chronicled the rich life of Quentin Crisp. One year later, Rhys-Davies re-teamed with Hurt, as well as Derek Jacobi and Patrick Stewart, for the BBC's unforgettable three-part adaptation of Robert Graves' I, Claudius and Claudius the God. Titled I, Claudius, the television miniseries appeared on PBS's Masterpiece Theater and gave American audiences their first glimpse of the actor. He subsequently starred as Vasco Rodrigues in NBC's adaptation of James Clavell's Shogun, which told the adventures of an English sailor stranded in Japan during the early 17th century. Rhys-Davies' performance earned him both an Emmy nomination and the attention of director Steven Spielberg. In 1981, Spielberg cast Rhys-Davies as the comic, fez-wearing Sallah in Raiders of the Lost Ark, the first installment of the Indiana Jones movies. The film was an instant success and Rhys-Davies' comedic skill made Sallah an audience favorite. He went on to film Victor/Victoria (1982) with Julie Andrews, James Garner, Robert Preston, Leslie Ann Warren, and former pro-football player Alex Karras. For the next two decades, the actor worked on numerous films and television shows and made memorable guest appearances on ChiPs, The Scarecrow and Mrs. King, Murder, She Wrote, Perry Mason, Tales From the Crypt, Star Trek: Voyager, and The Secret Adventures of Jules Verne. In 1987, he portrayed Front de Boeuf in the television adaptation of Sir Walter Scott's Ivanhoe that starred James Mason and Sam Neill. That same year, he played the evil Russian General Koskov in the Timothy Dalton-helmed James Bond film The Living Daylights. 1989 saw Rhys-Davies playing Joe Gargery in the Disney Channel's adaptation of Dickens' Great Expectations, starring in the miniseries version of War and Remembrance with Robert Mitchum, David Dukes, and Jane Seymour, and returning as Sallah in Indiana Jones and the Last Crusade. In 1990, he wrote and starred in the safari adventure film Tusks. In 1991, he hosted the documentary Archaeology. In 1993, he signed onto the series The Untouchables, based on Brian De Palma's hit film. The show was short-lived and Rhys-Davies did not work on a successful television series until 1995's Sliders with Jerry O'Connell. The sci-fi venture accrued a rather large fan base: Audience members were openly upset when Rhys-Davies' character, the bombastic Professor Maximillian P. Arturo, left the series after only three seasons. After appearing with Damon Wayans in The Great White Hype (1996), Rhys-Davies recorded voice work for the animated film
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
60% | Mosley |
|
— | 2021 |
No Score Yet | Starbright |
|
— | 2021 |
75% | Bad Cupid |
|
— | 2021 |
No Score Yet | Valley of the Gods |
|
— | 2020 |
No Score Yet | Tainted |
|
— | 2020 |
No Score Yet | G-Loc |
|
— | 2020 |
No Score Yet | Silent Night: A Song for the World |
|
— | 2020 |
No Score Yet | Valley of the Gods |
|
— | 2020 |
60% | I am Patrick |
|
— | 2020 |
71% | Jumanji: The Next Level |
|
— | 2019 |
60% | The Pilgrim's Progress |
|
— | 2019 |
No Score Yet | Santa Fake |
|
— | 2019 |
No Score Yet | Santa Fake |
|
— | 2019 |
No Score Yet | Soldier of War |
|
— | 2018 |
No Score Yet | I Am Israel |
|
— | 2017 |
No Score Yet | Camera Store |
|
— | 2016 |
No Score Yet | Peter - The Redemption |
|
— | 2016 |
91% | Raiders!: The Story of the Greatest Fan Film Ever Made |
|
$72.4k | 2016 |
No Score Yet | Volcano Returns |
|
— | 2016 |
No Score Yet | Winter Thaw |
|
— | 2016 |
No Score Yet | Saul: The Journey to Damascus |
|
— | 2015 |
78% | Time Lapse |
|
— | 2015 |
29% | Beyond The Mask |
|
$1.3M | 2015 |
43% | Killing Jesus |
|
— | 2015 |
No Score Yet | Many Beautiful Things |
|
— | 2015 |
No Score Yet | The Red Dress |
|
— | 2015 |
No Score Yet | Return to the Hiding Place |
|
— | 2014 |
No Score Yet | The Watchmaker's Apprentice |
|
— | 2014 |
No Score Yet | Golden Shoes |
|
— | 2013 |
No Score Yet | Concrete Blondes |
|
— | 2013 |
No Score Yet | Concrete Blondes |
|
— | 2013 |
No Score Yet | Prisoners Of The Sun |
|
— | 2013 |
No Score Yet | Scooby-Doo! Adventures: The Mystery Map |
|
— | 2013 |
No Score Yet | 100 Degrees Below Zero |
|
— | 2013 |
No Score Yet | Escape |
|
— | 2012 |
No Score Yet | Kjb: The Book That Changed The World |
|
— | 2011 |
No Score Yet | Ferocious Planet |
|
— | 2011 |
No Score Yet | Tom And Jerry Meet Sherlock Holmes |
|
— | 2010 |
No Score Yet | The Precious One |
|
— | 2010 |
No Score Yet | Medium Raw: Night of the Wolf |
|
— | 2010 |
8% | 31 North 62 East (Too Close to the Truth) |
|
— | 2009 |
No Score Yet | Anacondas: Trail of Blood |
|
— | 2009 |
No Score Yet | Reclaiming the Blade |
|
— | 2008 |
No Score Yet | Fire & Ice: The Dragon Chronicles |
|
— | 2008 |
No Score Yet | Anaconda III |
|
— | 2008 |
No Score Yet | Kiss Me Deadly |
|
— | 2008 |
No Score Yet | Medium Raw |
|
— | 2008 |
No Score Yet | The Ferryman |
|
— | 2007 |
4% | In the Name of the King: A Dungeon Siege Tale |
|
$4.5M | 2006 |
19% | One Night With the King |
|
$13.4M | 2006 |
No Score Yet | Shark Bait |
|
— | 2006 |
No Score Yet | The Legend of Sasquatch |
|
— | 2006 |
No Score Yet | Prophecies of the Passion |
|
— | 2005 |
43% | Shadows in the Sun |
|
— | 2005 |
No Score Yet | The King Maker |
|
— | 2005 |
No Score Yet | The Lost Angel |
|
— | 2005 |
26% | Le match de leur vie |
|
$0.4M | 2005 |
No Score Yet | Chupacabra Terror |
|
— | 2005 |
No Score Yet | Ringers - Lord of the Fans |
|
— | 2005 |
No Score Yet | Endangered Species (Earth Alien) |
|
— | 2004 |
26% | The Princess Diaries 2 - Royal Engagement |
|
$95.2M | 2004 |
No Score Yet | Dragon Storm |
|
— | 2004 |
No Score Yet | Dragonstorm |
|
— | 2004 |
No Score Yet | The Privileged Planet |
|
— | 2004 |
No Score Yet | Coronado |
|
— | 2004 |
No Score Yet | 12 Days of Terror |
|
— | 2004 |
93% | The Lord of the Rings: The Return of the King |
|
$364.1M | 2003 |
No Score Yet | La Femme Musketeer |
|
— | 2003 |
17% | The Medallion |
|
$22M | 2003 |
No Score Yet | Coronado |
|
— | 2003 |
No Score Yet | Helen of Troy |
|
— | 2003 |
18% | The Jungle Book 2 |
|
$47.9M | 2003 |
No Score Yet | The Search for the Real Mt. Sinai |
|
— | 2003 |
95% | The Lord of the Rings: The Two Towers |
|
$339.8M | 2002 |
20% | Sabretooth |
|
— | 2002 |
No Score Yet | Scorcher |
|
— | 2002 |
No Score Yet | Endangered Species |
|
— | 2002 |
92% | The Lord of the Rings: The Fellowship of the Ring |
|
$314.1M | 2001 |
No Score Yet | Secret of the Andes |
|
— | 2001 |
No Score Yet | Catherine the Great |
|
— | 2000 |
No Score Yet | Sinbad: Beyond the Veil of Mists |
|
— | 2000 |
No Score Yet | Britannic |
|
— | 2000 |
No Score Yet | Au Pair |
|
— | 1999 |
No Score Yet | The Protector (Body Armor) |
|
— | 1997 |
No Score Yet | Bloodsport III |
|
— | 1997 |
74% | Cats Don't Dance |
|
— | 1997 |
No Score Yet | High Crusade |
|
— | 1997 |
No Score Yet | Marquis de Sade |
|
— | 1996 |
No Score Yet | Glory Daze |
|
— | 1996 |
45% | The Great White Hype |
|
— | 1996 |
No Score Yet | Echo of Blue |
|
— | 1996 |
33% | Aladdin and the King of Thieves |
|
— | 1995 |
No Score Yet | Beyond Forgiveness |
|
— | 1995 |
No Score Yet | A Flintstones Christmas Carol |
|
— | 1994 |
No Score Yet | The High Crusade |
|
— | 1994 |
No Score Yet | Robot In The Family |
|
— | 1994 |
No Score Yet | Ring of the Musketeers |
|
— | 1994 |
No Score Yet | Cyborg Cop |
|
— | 1993 |
No Score Yet | South Beach |
|
— | 1993 |
No Score Yet | The Seventh Coin |
|
— | 1993 |
No Score Yet | Sunset Grill |
|
— | 1993 |
No Score Yet | Return to the Lost World |
|
— | 1993 |
No Score Yet | Canvas |
|
— | 1992 |
No Score Yet | Perry Mason: The Case of the Fatal Framing |
|
— | 1992 |
No Score Yet | The Lost World |
|
— | 1992 |
No Score Yet | The Double 0 Kid |
|
— | 1992 |
No Score Yet | The Unnamable II |
|
— | 1992 |
No Score Yet | The Double O Kid |
|
— | 1992 |
No Score Yet | Shogun Mayeda |
|
— | 1991 |
No Score Yet | Secret Weapon |
|
— | 1990 |
No Score Yet | Rising Storm |
|
— | 1990 |
No Score Yet | The Gifted One |
|
— | 1989 |
88% | Indiana Jones and the Last Crusade |
|
— | 1989 |
No Score Yet | The Trial of the Incredible Hulk |
|
— | 1989 |
No Score Yet | Tusks |
|
— | 1989 |
No Score Yet | Desperado: Badlands Justice |
|
— | 1989 |
No Score Yet | Goddess of Love |
|
— | 1988 |
No Score Yet | Higher Ground |
|
— | 1988 |
60% | Waxwork |
|
— | 1988 |
No Score Yet | Perry Mason: The Case of the Murdered Madam |
|
— | 1987 |
74% | The Living Daylights |
|
— | 1987 |
No Score Yet | The Little Match Girl |
|
— | 1987 |
8% | Firewalker |
|
— | 1986 |
No Score Yet | In the Shadow of Kilimanjaro |
|
— | 1986 |
8% | King Solomon's Mines |
|
— | 1985 |
No Score Yet | Best Revenge (Misdeal) |
|
— | 1984 |
No Score Yet | Nairobi Affair |
|
— | 1984 |
No Score Yet | Sword of the Valiant |
|
— | 1984 |
No Score Yet | Sahara |
|
— | 1984 |
No Score Yet | Kim |
|
— | 1984 |
No Score Yet | Sadat |
|
— | 1983 |
97% | Victor Victoria |
|
— | 1982 |
No Score Yet | Ivanhoe |
|
— | 1982 |
95% | Raiders of the Lost Ark |
|
— | 1981 |
No Score Yet | Peter and Paul |
|
— | 1981 |
No Score Yet | Sphinx |
|
— | 1981 |
No Score Yet | Island of Adventure |
|
— | 1981 |
75% | Shogun |
|
— | 1980 |
No Score Yet | The Merchant Of Venice |
|
— | 1980 |
No Score Yet | A Nightingale Sang in Berkeley Square (The Big Scam) |
|
— | 1979 |
No Score Yet | The Nativity |
|
— | 1978 |
No Score Yet | The Naked Civil Servant |
|
— | 1975 |
50% | The Black Windmill |
|
— | 1974 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
100% |
Wizards: Tales of Arcadia
2020
|
|
|
79% |
The Shannara Chronicles
2016-2017
|
|
|
40% |
Metal Hurlant Chronicles
2012-2014
|
|
|
78% |
Once Upon a Time
2011-2018
|
|
|
No Score Yet |
Face Off
2011-2017
|
|
|
89% |
Psych
2006-2014
|
|
|
46% |
Legend of the Seeker
2008-2010
|
|
|
No Score Yet |
Krod Mandoon and the Flaming Sword of Fire
2009
|
|
|
No Score Yet |
SpongeBob SquarePants
1999-2020
|
|
|
No Score Yet |
Revelations
2005
|
|
|
62% |
Arli$$
1996-2002
|
|
|
96% |
Justice League
2004
|
|
|
No Score Yet |
Sliders
1995-2000
|
|
|
76% |
Star Trek: Voyager
1995-2001
|
|
|
No Score Yet |
Gargoyles
1994-1997
|
|
|
No Score Yet |
The Untouchables
1993-1994
|
|
|
No Score Yet |
Murder, She Wrote
1984-1996
|
|
|
82% |
Tales from the Crypt
1989-1996
|
|
|
No Score Yet |
War and Remembrance
1988-1989
|
|
|
No Score Yet |
CHiPs
1977-1983
|
|
|
No Score Yet |
Fresh Eggs
2019
|
|
|
100% |
Under Cover
1991
|
|
|
Quotes from John Rhys-Davies' Characters
Sallah: | Indy why does the flood move? |
Indiana Jones: | give me your torch |
Indiana Jones: | Snakes. Why'd it have to be snakes? |
Sallah: | Asp very dangerous you go first Indy. |
Indiana Jones: | Balloq's medallion only had writing on one side? You sure about that? |
Sallah: | Positive |
Indiana Jones: | Balloq's staff is too long they are digging in the wrong place |
Sallah: | they are digging in the wrong place "I am the monarch of the sea I am the ruler of the coup....." |
Sallah: | Bad Dates (points to dead monkey) |
Sallah: | Ah Indy why does the floor move? |
Indiana Jones: | give me your torch |
Indiana Jones: | Give me your torch. |
Indiana Jones: | Snakes why does there have to be Snakes? |
Sallah: | Asps very dangerous you first |
Sallah: | Asps very dangerous you first. |
Treebeard: | The Ents cannot hold back this storm. We must weather such things as we have always done. |
Merry: | How can that be your decision?! |
Merry: | How can that be your decision? |
Treebeard: | This is not our war. |
Merry: | But you’re part of this world! Aren’t you?! |
Merry: | But you're part of this world! Aren't you?! |
Merry: | But you're part of this world! Aren't you? |
Gimli: | Not the beard! |
Gimli: | Never thought I'd die fighting side by side with an elf. |
Legolas: | What about side by side with a friend? |
Gimli: | I could do that. |
Treebeard: | We have come to believe that you are not Orcs. |
Pippin: | Well, that's good news! |
Gimli: | You'll find more cheer in a graveyard. |
Gimli: | Nobody tosses a Dwarf! |
Gimli: | I will be dead before I see the ring in the hands of an elf! Never trust an elf! |
Legolas: | Have you heard nothing what Lord Elrond has said? The ring must be destroyed! |
Gimli: | And I suppose you think you are the one to do it! |
Gimli: | That still only counts as one! |
Boromir: | One does not simply walk into Mordor. Its black gates are guarded by more than just orcs. There is evil there that does not sleep. And the Great Eye, is ever watchful. It is a barren wasteland, riddled with fire, ash and dust. The very air you breathe is a poisonous fume. Not with ten thousand men could you do this. It is folly! |
Legolas: | Have you heard nothing Lord Elrond has said? The Ring must be destroyed! |
Gimli: | And I suppose you think you're the one to do it! |
Boromir: | And if we fail, what then? What happens when Sauron takes back what is his?! |
Gimli: | I will be dead before I see the Ring, in the hands of an Elf! |
Aragorn: | We will not abandon Merry and Pippin to torment and death. Not while we have strength left. Leave all that can be spared behind. We travel light. Let's hunt some orc. |
Gimli: | Yes!! |
Gimli: | Yes! |
Gimli: | I never thought I'd die side-by-side with an elf.. |
Legolas: | How about side-by-side with a friend? |
Gimli: | I could do that. |
Treebeard: | War? Yes, it affects us all. |
Legolas: | (Lands after killing an Oliphaunt) |
Legolas: | [lands after killing an Oliphaunt] |
Gimli: | ....That still only counts as one! |
Gimli: | That still only counts as one! |
Gimli: | (Decapitating an urukai) Legolas! two already! |
Gimli: | [decapitating an urukai] Legolas! Two already! |
Legolas: | I'm on 17! |
Gimli: | What! Ain't no pointy eared elf outscoring me!! raaaahrr |
Gimli: | What! Ain't no pointy eared elf outscoring me! |
Legolas: | You have my bow. |
Gimli: | And my axe! |
Éomer: | What business does an elf, a man and a dwarf have in the Riddlemark?Speak quickly!! |
Éomer: | What business does an elf, a man and a dwarf have in the Riddlemark? Speak quickly! |
Gimli: | Give me your name horse-master, and I shall give you mine |
Gimli: | Give me your name horse-master, and I shall give you mine. |
Éomer: | I would cut off your head, master dwarf, if it only stood a little higher from the ground |
Éomer: | I would cut off your head, master dwarf, if it only stood a little higher from the ground. |
Legolas: | [notches an arrow and points it at Eomer] You would die before your sword fell |
Legolas: | [notches an arrow and points it at Eomer] You would die before your sword fell. |
Gimli: | **Steps away slowly** |
Gimli: | [steps away slowly] |
Sallah: | Bad dates. |
Sallah: | What does it always mean, with this "Junior"? |
Sallah: | What does it always mean, with this 'Junior'? |
Dr. Henry Jones: | That's his name, "Henry Jones Junior" |
Dr. Henry Jones: | That's his name, 'Henry Jones Junior'. |
Indiana Jones: | I like "Indiana" |
Indiana Jones: | I like 'Indiana'. |
Indiana Jones: | We named the dog "Indiana" |
Indiana Jones: | We named the dog 'Indiana'. |
Marcus Brody: | May we go home now, please? |
Sallah: | The Dog? You are named after the Dog? [He then laughs]. |
Sallah: | The Dog? You are named after the Dog? [he then laughs] |
Indiana Jones: | Got a lot of fun memories with that dog. |
Éomer: | What business does an elf, a man and a dwarf have in the Riddermark? Speak quickly! |
Gimli: | Give me your name horse-master, and I shall give you mine . |
Gimli: | Give me your name horse-master, and I shall give you mine. |
Éomer: | I would cut off your head, dwarf, if it stood but a little higher from the ground.... |
Éomer: | I would cut off your head, dwarf, if it stood but a little higher from the ground... |
Legolas: | (notches an arrow and points at Eomer) You would die before your stroke fell!!! |
Legolas: | [notches an arrow and points at Eomer] You would die before your stroke fell! |
Sallah: | Indy, there is something that troubles me. |
Indiana Jones: | What is it? |
Sallah: | The Ark. If is there at Tanis, then it is something that Man was not meant to disturb. Death has always surrounded it. It is not of this Earth. |
Gimli: | What's going on out there? |
Legolas: | Shall I describe it to you? Or will you like me to find you a box? |
Gimli: | What's happening out there? |
Legolas: | Shall I describe it to you? Or would you like me to find you a box? |
Gimli: | What's happening out there? Legolas: Shall I describe it to you? Or would you like me to find you a box? Gimil laughs. |
Gimli: | What's happening out there? |
Legolas: | Shall I describe it to you? Or would you like me to find you a box? |
Gimli: | There's plenty for the rest of us... may the best drawf win! |
Legolas: | Final count: fourty-two. |
Gimli: | Fourty-two?! That's not bad for a pointy-eared Elvish princeling. I myself am sitting pretty on fourty-three. |
Legolas: | [Legolas frowns. He draws his bow and shoots Gimli's Uruk.] Fourty-three. |
Legolas: | [legolas frowns. He draws his bow and shoots Gimli's Uruk.] Fourty-three. |
Gimli: | He was already dead. |
Legolas: | He was twitching. |
Gimli: | He was twitching because he's got my axe embedded in his nervous system! |
Treebeard: | Hold on, little Shirelings. I always like going south. Somehow it feels like going down hill. |
Treebeard: | War, yes. It affects us all. But you must understand, young hobbit. It takes a long time to say anything in old Entish, and we never say anything unless it is worth taking a long time to say. |
Pippin: | They must have decided something by now. |
Treebeard: | Decided? No, we've only just finished saying good morning. |
Merick: | Sometimes, the Gods know what's best for us. |
Merick: | Sometimes, the Gods know what's best for us. |
King Konreid: | ...What the hell does that mean!? |
King Konreid: | What the hell does that mean!? |
Gimli: | "Never thought I'd die side by side with an elf." |
Gimli: | Never thought I'd die side by side with an elf. |
Legolas: | "And what about side by side with a friend?" |
Legolas: | And what about side by side with a friend? |
Gimli: | "...Aye. I could do that." |
Gimli: | ...Aye. I could do that. |
Gimli: | Let him stay there! Let him rot! Why should we care? |
Gimli: | Let him stay there. *Let him rot!* Why should we care? |
Gandalf: | Because ten thousand orcs now stand between Frodo and Mount Doom! I've sent him to his death... |
Gandalf: | Because ten-thousand Orcs now stand between Frodo and Mount Doom. I've sent him to his death. |
Sallah: | Asps! Very dangerous. You go first. |
Sallah: | Asps... very dangerous. You go first. |
Gimli: | Never thought I'd die fighting side by side with an elf. |
Gimli: | Never thought I'd die fighting side by side with an Elf. |
Legolas: | What about side by side with a friend? |
Gimli: | Aye, I could do that. |
Gimli: | Aye. I could do that. |
Gimli: | Certainty of death with little chance of success, what are we waiting for? |
Gimli: | Certainty of death, *small* chance of success. What are we waiting for? |
Gimli: | Aragorn, toss me. |
Gimli: | Toss me. |
Aragorn: | What? |
Gimli: | Toss me. |
Aragorn: | Huh? |
Gimli: | I CAN'T JUMP THE DISTANCE, YOU HAVE TO TOSS ME! |
Gimli: | I cannot jump the distance, you'll have to toss me. [pauses, looks up at Aragorn] |
Aragorn: | Very well. |
Gimli: | Don't tell the elf. |
Gimli: | Oh, and uh, Don't tell the elf. |
Aragorn: | Not a word. |
Aragorn: | You have my word. |
Indiana Jones: | I'm going after that truck. |
Sallah: | How? |
Indiana Jones: | I don't know, I'm making it up as I go. |
Gimli: | Nobody tosses a dwarf! |
Indiana Jones: | They're digging in the wrong place! |
Sallah: | They're digging in the wrong place! |
Treebeard: | The ents are going to war! It is likely we go to our doom. The last march of the ents. |
Sallah: | Indy.....Why does the floor move? |
Sallah: | Indy. Why does the floor move? |
Indiana Jones: | (Indiana looks closer and notices the thousands of snakes on the floor, he rolls over) Snakes..why does it always have to be snakes? |
Indiana Jones: | (Indiana looks closer and notices the thousands of snakes on the floor, he rolls over) Snakes! Why does it always have to be snakes? |
Gimli: | [after Legolas takes down an oliphaunt] That still only counts as one! |
Gimli: | I have been dealt a wound beyond all healing, for I have looked the last... upon that which was fairest. Henceforth I will call nothing fair unless it be her gift to me. |
Legolas: | What was it? |
Gimli: | I asked for one hair from her golden head... she gave me three. |
Gimli: | I asked for one hair from her golden head... she gave me three. |
Sallah: | They are loading the ark into a truck. |
Indiana Jones: | What truck? |
Gimli: | Nobody tosses a dwarf. |
Gimli: | Salty Pork!? |
Gimli: | Salted Pork!? |
Gimli: | Salted Pork? |
Gimli: | Well this is unheard of! An elf will go underground, when a dwarf dare not! I'd never hear the end of it. |
Gimli: | "I guess that concludes negotiations". |
Gimli: | I guess that concludes negotiations. |
Gimli: | "This is a thing unheard of! An Elf will go underground whereas a Dwarf dare not?". |
Gimli: | An Elf will go underground whereas a Dwarf dare not. |
Gimli: | "Certainty of death, small chance of success. What are we wating for?" |
Gimli: | Certainty of death, small chance of success. What are we wating for? |
Gimli: | "Never trust an Elf!". |
Gimli: | Never trust an Elf! |
Gimli: | "No one tosses a Dwarf". |
Gimli: | No one tosses a Dwarf. |
Gimli: | "Whats happening out there?". |
Gimli: | What's happening out there? |
Legolas: | "Shall I describe it to you, or would you like me to find you a box?" |
Legolas: | Shall I describe it to you? Or would you like me to find you a box? |
Gimli: | "Could have picked a better spot". |
Gimli: | Could have picked a better spot! |
Gimli: | "Don't tell the elf" |
Gimli: | Don't tell the elf. |
Aragorn: | "Not. A. word" |
Aragorn: | Not. A. Word. |
Gimli: | "We dwarves are natural sprinters! Very dangerous over short distances" |
Gimli: | We dwarves are natural sprinters! Very dangerous over short distances. |
Legolas: | "I feel something, a slight tingle in my fingers, I think its affecting me!" |
Legolas: | I feel something, a slight tingle in my fingers, I think its affecting me! |
Legolas: | "Game Over" |
Legolas: | Game Over. |
Gimli: | "Its the dwarfs that go swimming, with little hairy women" |
Gimli: | It's the dwarfs that go swimming, with little hairy women. |
�?omer: | "But do not trust to hope, it is forsaken in these lands" |
�?omer: | But do not trust to hope, it is forsaken in these lands. |
�?omer: | "TO THE KING!!" |
�?omer: | To the King! |
Théoden: | "Let this me th hour, when we draw swords together" |
Théoden: | Let this me the hour, when we draw swords together. |
Indiana Jones: | Snakes! Why'd it have to be snakes? |
Sallah: | Asps. Very dangerous. You go first. |
Gimli: | They had no honor in life. They have none now in death. |