Joseph Cotten
Birthday:
Birthplace:
Petersburg, Virginia, USA
Born to a well-to-do Southern family, Joseph Cotten studied at the Hickman School of Expression in Washington D.C., and later sought out theater jobs in New York. He made his Broadway debut in 1930, and seven years later joined Orson Welles' progressive Mercury Theatre company, playing leads in such productions as Julius Caesar and Shoemaker's Holiday. He briefly left Welles in 1939 to co-star in Katharine Hepburn's Broadway comeback vehicle The Philadelphia Story. Cotten rejoinedWelles in Hollywood in 1940, making his feature-film debut as Jed Leland in Welles' Citizen Kane (1941). As a sort of private joke, Jed Leland was a dramatic critic, a profession which Cotten himself had briefly pursued on the Miami Herald in the late '20s. Cotten went on to play the kindly auto mogul Eugene Morgan in Welles' The Magnificent Ambersons in 1942, and both acted in and co-wrote Journey Into Fear, the film that Welles was working on when he was summarily fired by RKO. Cotten remained a close friend of Welles until the director's death in 1985; he co-starred with Welles in Carol Reed's The Third Man (1949) and played an unbilled cameo for old times' sake in the Welles-directed Touch of Evil (1958). A firmly established romantic lead by the early '40s, Cotten occasionally stepped outside his established screen image to play murderers (Alfred Hitchcock's Shadow of a Doubt [1943]) and surly drunkards (Under Capricorn [1949]). A longtime contractee of David O. Selznick, Cotten won a Venice Film Festival award for his performance in Selznick's Portrait of Jennie (1948). Cotten's screen career flagged during the 1950s and '60s, though he flourished on television as a guest performer on such anthologies as Alfred Hitchcock Presents, Fireside Theatre, The Great Adventure, and as host of The 20th Century-Fox Hour (1955), The Joseph Cotten Show (1956), On Trial (1959), and Hollywood and the Stars (1963). He also appeared in several stage productions, often in the company of his second wife, actress Patricia Medina. In 1987, Cotten published his engagingly candid autobiography, Vanity Will Get You Somewhere. He died of pneumonia in 1994 at the age of 88.
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
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No Score Yet | A Whisper in the Dark |
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— | 2005 |
No Score Yet | World's Greatest Movie Challenge |
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— | 1989 |
No Score Yet | The House Where Evil Dwells |
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— | 1982 |
No Score Yet | The Survivor |
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— | 1981 |
No Score Yet | Churchill and the Generals |
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— | 1981 |
59% | Heaven's Gate |
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— | 1980 |
No Score Yet | Casino |
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— | 1980 |
No Score Yet | Guyana: Crime of the Century |
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— | 1980 |
No Score Yet | La Carroza |
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— | 1980 |
No Score Yet | L'Isola degli Uomini Pesce |
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— | 1979 |
No Score Yet | The Perfect Crime |
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— | 1978 |
67% | The Wild Geese |
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— | 1978 |
No Score Yet | Caravans |
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— | 1978 |
No Score Yet | Concorde Affair |
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— | 1978 |
33% | Airport '77 |
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— | 1977 |
80% | Twilight's Last Gleaming |
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— | 1977 |
No Score Yet | Return to Fantasy Island |
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— | 1977 |
No Score Yet | A Whisper in the Dark |
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— | 1976 |
No Score Yet | The Lindbergh Kidnapping Case |
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— | 1976 |
No Score Yet | Origins of the Mafia |
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— | 1976 |
No Score Yet | The Big Push |
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— | 1975 |
No Score Yet | The AFI Lifetime Achievement Awards: Orson Welles |
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— | 1975 |
No Score Yet | Syndicate Sadists |
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— | 1975 |
88% | F for Fake |
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— | 1974 |
71% | Soylent Green |
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— | 1973 |
No Score Yet | The Devil's Daughter |
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— | 1973 |
67% | A Delicate Balance |
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— | 1973 |
14% | Baron Blood (Gli Orrori del Castello di Norimberga) |
|
— | 1972 |
No Score Yet | Lo Scopone scientifico (The Scientific Cardplayer) (The Scopone Game) |
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— | 1972 |
No Score Yet | Doomsday Voyage |
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— | 1972 |
No Score Yet | La Figlia di Frankenstein (Lady Frankenstein)(Daughter of Frankenstein) |
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— | 1971 |
88% | The Abominable Dr. Phibes |
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— | 1971 |
No Score Yet | City Beneath the Sea |
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— | 1971 |
55% | Tora! Tora! Tora! |
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— | 1970 |
No Score Yet | The Grasshopper |
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— | 1970 |
No Score Yet | Latitude Zero (Atragon II) (Ido zero daisakusen) |
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— | 1969 |
No Score Yet | White Commanche |
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— | 1968 |
86% | Petulia |
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— | 1968 |
No Score Yet | Jack of Diamonds, (Der Diamantenprinz) |
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— | 1968 |
No Score Yet | Alexander the Great |
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— | 1968 |
No Score Yet | The Hellbenders |
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— | 1967 |
No Score Yet | Brighty of the Grand Canyon |
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— | 1967 |
13% | The Oscar |
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— | 1966 |
No Score Yet | The Money Trap |
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— | 1966 |
No Score Yet | The Great Sioux Massacre |
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— | 1965 |
82% | Hush...Hush, Sweet Charlotte |
|
— | 1964 |
No Score Yet | The Last Sunset |
|
— | 1961 |
No Score Yet | The Angel Wore Red |
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— | 1960 |
38% | From the Earth to the Moon |
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— | 1958 |
95% | Touch of Evil |
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— | 1958 |
No Score Yet | The Halliday Brand |
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— | 1957 |
No Score Yet | The Bottom of the Bottle (Beyond the River) |
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— | 1956 |
60% | The Killer Is Loose |
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— | 1956 |
86% | Othello (The Tragedy of Othello: The Moor of Venice) |
|
— | 1955 |
No Score Yet | A Blueprint for Murder |
|
— | 1953 |
80% | Niagara |
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— | 1953 |
No Score Yet | Egypt by Three |
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— | 1953 |
No Score Yet | The Steel Trap |
|
— | 1952 |
No Score Yet | The Man with a Cloak |
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— | 1952 |
17% | Untamed Frontier |
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— | 1952 |
No Score Yet | Half Angel |
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— | 1951 |
No Score Yet | Gone to Earth |
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— | 1950 |
No Score Yet | Walk Softly, Stranger |
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— | 1950 |
No Score Yet | Two Flags West |
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— | 1950 |
No Score Yet | September Affair |
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— | 1949 |
99% | The Third Man |
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— | 1949 |
No Score Yet | Beyond the Forest |
|
— | 1949 |
60% | Under Capricorn |
|
— | 1949 |
83% | Portrait of Jennie |
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— | 1948 |
100% | The Farmer's Daughter |
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— | 1947 |
76% | Duel in the Sun |
|
— | 1946 |
No Score Yet | Love Letters |
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— | 1945 |
No Score Yet | I'll Be Seeing You |
|
— | 1945 |
83% | Since You Went Away |
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— | 1944 |
88% | Gaslight |
|
— | 1944 |
No Score Yet | Hers to Hold |
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— | 1943 |
79% | Journey Into Fear |
|
— | 1943 |
100% | Shadow of a Doubt |
|
— | 1943 |
89% | The Magnificent Ambersons |
|
— | 1942 |
No Score Yet | Lydia |
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— | 1941 |
99% | Citizen Kane |
|
— | 1941 |
No Score Yet | Too Much Johnson |
|
— | 1938 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
No Score Yet |
The Rockford Files
1974-1980
|
|
|
No Score Yet |
The Streets of San Francisco
1972-1977
|
|
|
No Score Yet |
It Takes a Thief
1968-1970
|
|
|
No Score Yet |
Ironside
1967-1975
|
|
|
No Score Yet |
Alfred Hitchcock Presents
1955-1962
|
|
|
No Score Yet |
Tales of the Unexpected
1979-1988
|
|
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Quotes from Joseph Cotten's Characters
Charlie Oakley: | Everybody was sweet and pretty then Charlie, the whole world, wonderful world. Not like the world today, not like the world now. |
Jedediah Leland: | He married for love. Love. That's why he did everything. That's why he went into politics. It seems we weren't enough, he wanted all the voters to love him too. Guess all he really wanted out of life was love. That's Charlie's story, how he lost it. You see, he just didn't have any to give. Well, he loved Charlie Kane of course, very dearly, and his mother, I guess he always loved her. |
Charlie Oakley: | You wake up every morning of your life and you know perfectly well that there's nothing in the world to trouble you. You go through your ordinary little day, and at night you sleep your untroubled ordinary little sleep, filled with peaceful stupid dreams. And I brought you nightmares. |
Charlie Oakley: | The cities are full of women, middle-aged widows, husbands, dead, husbands who've spent their lives making fortunes, working and working. And then they die and leave their money to their wives, their silly wives. And what do the wives do, these useless women?You see them in the hotels, the best hotels, every day by the thousands, drinking the money, eating the money, losing the money at bridge, playing all day and all night, smelling of money, proud of their jewelry but of nothing else, horrible, faded, fat, greedy women. |
Young Charlie Newton: | But they're alive,they're human beings! |
Charlie Oakley: | Are they? |
Jedediah Leland: | That's all he ever wanted out of life...was love. That's the tragedy of Charles Foster Kane. You see, he just didn't have any to give. |
Jennie Appleton: | Eben . . . I want always to sit and watch you paint. |
Jennie Appleton: | Eben... I want always to sit and watch you paint. |
Eben Adams: | Now that I've found the perfect model, I'll paint her again and again. |
Jennie Appleton: | No, I . . . I didn't mean that . . . I mean I want you to paint all the beautiful things in the world. |
Jennie Appleton: | No, I... I didn't mean that... I mean I want you to paint all the beautiful things in the world. |
Eben Adams: | [smiles, holds her tight.] You're the most beautiful thing in the world. |
Jedediah Leland: | That's all he ever wanted out of life...was love. That's the tragedy of Charles Foster Kane. You see, he just didn't have any to give. |
Charles Foster Kane: | Are we going to declare war on Spain, or are we not? |
Jedediah Leland: | The Inquirer already has. |
Charles Foster Kane: | You long-faced, overdressed anarchist! |
Jedediah Leland: | I am not overdressed! |
Charles Foster Kane: | You are too! Mr. Bernstein, look at his necktie. |
Charlie Oakley: | Are they? |