Kyle Gallner
Birthday:
Birthplace:
Philadelphia, Pennsylvania, USA
Actor Kyle Gallner commenced film and television roles in the early 2000s; he specialized in supporting portrayals of individuals who fall prey to the destructive influences of more dominant and malevolent characters. Though Gallner began his Hollywood tenure with guest roles on series including Touched by an Angel, Third Watch, and Judging Amy, he quickly moved into more prominent assignments, including season-long runs on the youth-oriented detective show Veronica Mars (as Beaver Casablancas, the younger brother of a twisted bully and the victim of child abuse), and season three of CSI: NY (as Reed Garrett, a former foster child-turned-kidnapping victim). Gallner subsequently moved into feature roles; he was particularly memorable as the son of a mentally ill, emotionally tortured mother (Marisa Tomei) in the independent feature Danika (2006), and Harold, an accomplice of a twisted teen who shoots an old man's dog, in the revenge-fueled thriller Red (2008).
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
39% | Ghosts of War |
|
— | 2020 |
94% | Dinner in America |
|
— | 2020 |
72% | The Cleansing Hour |
|
— | 2019 |
83% | The Cleanse |
|
— | 2018 |
No Score Yet | Alien Code |
|
— | 2017 |
31% | Welcome To Happiness |
|
— | 2016 |
63% | The Finest Hours |
|
$20.3M | 2016 |
78% | Band Of Robbers |
|
$15.3k | 2016 |
No Score Yet | Zen Dog |
|
— | 2016 |
10% | Just Before I Go |
|
$8.6k | 2015 |
72% | American Sniper |
|
$274.4M | 2015 |
91% | Dear White People |
|
— | 2014 |
No Score Yet | Magic Valley |
|
— | 2014 |
No Score Yet | Losers Take All |
|
— | 2013 |
7% | CBGB |
|
— | 2013 |
47% | Beautiful Creatures |
|
$19.5M | 2013 |
83% | Smashed |
|
$0.4M | 2012 |
59% | Little Birds |
|
$17.1k | 2012 |
60% | Red State |
|
$1.1M | 2011 |
70% | Beautiful Boy |
|
$77.7k | 2011 |
64% | Cherry |
|
$11.6k | 2010 |
No Score Yet | Cougars, Inc. |
|
— | 2010 |
15% | A Nightmare on Elm Street |
|
$63.1M | 2010 |
No Score Yet | Trunk |
|
— | 2009 |
45% | Jennifer's Body |
|
$16.1M | 2009 |
17% | The Haunting in Connecticut |
|
$55.4M | 2009 |
57% | Gardens of the Night |
|
— | 2008 |
70% | Red |
|
— | 2008 |
33% | Sublime |
|
— | 2007 |
29% | Danika |
|
— | 2006 |
79% | Red Eye |
|
$57.9M | 2005 |
38% | Wet Hot American Summer |
|
— | 2001 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
57% |
Interrogation
2020
|
|
|
76% |
Outsiders
2016-2017
|
|
|
80% |
The Walking Dead
2010
|
|
|
No Score Yet |
Criminal Minds
2005-2020
|
|
|
No Score Yet |
CSI: NY
2004-2013
|
|
|
14% |
Past Life
2010
|
|
|
90% |
The Shield
2002-2008
|
|
|
78% |
Law & Order: Special Victims Unit
1999
|
|
|
82% |
The Closer
2005-2012
|
|
|
78% |
Smallville
2001-2011
|
|
|
80% |
Big Love
2006-2011
|
|
|
90% |
Bones
2005-2017
|
|
|
No Score Yet |
Cold Case
2003-2010
|
|
|
92% |
Veronica Mars
2004-2007
|
|
|
No Score Yet |
Judging Amy
1999-2005
|
|
|
No Score Yet |
Touched by an Angel
1994-2003
|
|
|
Quotes from Kyle Gallner's Characters
Huck Finn: | That's why I'm never coming back here. |
Huck Finn: | You don't know about me, unless you know about me and Tom Sawyer. |
Quentin Smith: | We were wrong. He's not after us because we lied. He's after us because we told the truth. |
Nancy Holbrook: | He brought us here so we could remember what he did to us. |
Quentin Smith: | Look, we're running out of time |
Nancy Holbrook: | What do you mean? |
Quentin Smith: | [Reading a book] But then it says at the 70-hour mark the insomniac will begin to experience micro-naps. "His brain will begin to shut down its functions for several seconds in an attempt to recharge itself." Which basically means you're dreaming, but you don't know it. Like, even if you're awake. And then it says that after that, your brain will shut down, inducing a coma. Which is permanent sleep. |
Quentin Smith: | But then it says at the 70-hour mark the insomniac will begin to experience micro-naps. "His brain will begin to shut down its functions for several seconds in an attempt to recharge itself." Which basically means you're dreaming, but you don't know it. Like, even if you're awake. And then it says that after that, your brain will shut down, inducing a coma. Which is permanent sleep. |
Quentin Smith: | [Trying desperately to shake Nancy awake] Wake up, Nancy, wake up. Nancy, please. Please don't do this please. Nancy, come back. Please wake up. You promised. |
Quentin Smith: | Wake up, Nancy, wake up. Nancy, please. Please don't do this please. Nancy, come back. Please wake up. You promised. |
Quentin Smith: | Look, if you really wanna talk, how come over the last couple of years, whenever I've invited you out, you've just never shown up? |
Nancy Holbrook: | I don't know if you've noticed, but I don't exactly fit in. |
Quentin Smith: | Ok, look. If we survive the next 24 hours, then I'll take you out on a real date |
Nancy Holbrook: | And what if I say no? |
Quentin Smith: | Why don't you sleep on it? |
Quentin Smith: | I'm gonna be here when you wake up. You're gonna make it. |
Quentin Smith: | [Places his cross necklace around her neck] You gotta believe in something, right? |
Quentin Smith: | You gotta believe in something, right? |
Sammy: | "As the boy and the girl ran out from the station wagon the beach was happy. It was happy to have their small footprints upon it, it was happy to have holes dug with plastic shovels, it was even happy to have paper wrappers blowing about after theyâ??d gone. But the beach knew there would no longer be this to look forward to, no more careless play, only lonely snowfalls to mark the beginnings of an endless winter. The beach loved the boy and the girl, though had no way of telling them and it knew this was their last time together. Things would be different from now on, it didnâ??t know if they would be better or worse, but for certain things would change." |
Sammy: | As the boy and the girl ran out from the station wagon the beach was happy. It was happy to have their small footprints upon it, it was happy to have holes dug with plastic shovels, it was even happy to have paper wrappers blowing about after they'd gone. But the beach knew there would no longer be this to look forward to, no more careless play, only lonely snowfalls to mark the beginnings of an endless winter. The beach loved the boy and the girl, though had no way of telling them and it knew this was their last time together. Things would be different from now on, it didn't know if they would be better or worse, but for certain things would change. |