Marilyn Monroe
Birthday:
Birthplace:
Los Angeles, California
The most endlessly talked-about and mythologized figure in Hollywood history, Marilyn Monroe remains the ultimate superstar, her rise and fall the stuff that both dreams and nightmares are made of. Innocent, vulnerable, and impossibly alluring, she defined the very essence of screen sexuality. Rising from pin-up girl to international superstar, she was a gifted comedienne whom the camera adored, a luminous and incomparably magnetic screen presence. In short, she had it all, yet her career and life came crashing to a tragic halt, a Cinderella story gone horribly wrong; dead before her time -- her fragile beauty trapped in amber, impervious to the ravages of age -- Monroe endures as the movies' greatest and most beloved icon, a legend eclipsing all others. Born Norma Jean Mortensen (later Baker) on June 1, 1926, in Los Angeles, she was seemingly destined for a life of tragedy: Her mother spent the majority of her life institutionalized, she was raised in an endless succession of orphanages and foster homes, and she was raped at the age of eight. By 1942, she was married to one Jim Dougherty, subsequently dropping out of school to work in an aircraft production plant; within a year she attempted suicide. When Dougherty entered the military, Baker bleached her hair and began modeling. By 1946, the year of the couple's divorce, she was accredited to a top agency, and her image regularly appeared in national publications. Her photos piqued the interest of the eccentric billionaire Howard Hughes, who scheduled her for a screen test at RKO; however, 20th Century Fox beat him to the punch, and soon she was on their payroll at 125 dollars a week.Rechristened Marilyn Monroe, she began studying at the Actors' Lab in Hollywood; however, when virtually nothing but a bit role in the juvenile delinquent picture The Dangerous Years came of her Fox contract, she signed to Columbia in 1948, where she was tutored by drama coach Natasha Lytess. There she starred in Ladies of the Chorus before they too dropped her. After briefly appearing in the 1949 Marx Brothers comedy Love Happy, she earned her first real recognition for her turn as a crooked lawyer's mistress in the 1950 John Huston thriller The Asphalt Jungle. Good notices helped Monroe win a small role in the classic All About Eve, but she otherwise continued to languish relatively unnoticed in bit parts. While she was now back in the Fox stable, studio chief Darryl F. Zanuck failed to recognize her potential, and simply mandated that she appear in any picture in need of a sexy, dumb blonde. In 1952, RKO borrowed Monroe for a lead role in the Barbara Stanwyck picture Clash by Night. The performance brought her significant exposure, which was followed by the publication of a series of nude photos she had posed for two years prior. The resulting scandal made her a celebrity, and seemingly overnight she was the talk of Hollywood. Zanuck quickly cast her as a psychotic babysitter in a quickie project titled Don't Bother to Knock, and after a series of minor roles in other similarly ill-suited vehicles, Monroe starred in 1953's Niagara, which took full advantage of her sexuality to portray her as a sultry femme fatale. However, lighter, more comedic fare was Monroe's strong suit, as evidenced by her breakout performance in the Howard Hawks musical Gentlemen Prefer Blondes. Like its follow-up How to Marry a Millionaire (just the second film shot in the new CinemaScope process), the picture was among the year's top-grossing ventures, and her newfound stardom was cemented. After starring in the 1954 Western River of No Return, Monroe continued to make headlines by marrying New York Yankees baseball great Joe DiMaggio. She also made a much-publicized appearance singing for American troops in Korea, and -- in a telling sign of things to come -- created a flap by failing to show up on the set of the movie The Girl in Pink Tights. As far back as 1952, Monroe had earned a reputation for her late on-set ar
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
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85% | Skin: A History of Nudity in the Movies |
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— | 2020 |
65% | Love, Marilyn |
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$2.9k | 2012 |
No Score Yet | Marilyn Monroe - Ich möchte geliebt werden |
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— | 2012 |
No Score Yet | Il était une fois... Certains l'aiment chaud |
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— | 2009 |
No Score Yet | Hollywood Icons: James Dean & Marilyn Monroe |
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— | 2008 |
No Score Yet | Marilyn Monroe: A Life in Pictures |
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— | 2005 |
No Score Yet | Marilyn's Man |
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— | 2004 |
No Score Yet | Korean War in Color |
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— | 2002 |
No Score Yet | Marilyn Monroe - The Mortal Goddess |
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— | 2002 |
No Score Yet | The Fabulous '50s |
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— | 2002 |
No Score Yet | Marilyn Monroe: The Final Days |
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— | 2001 |
No Score Yet | The Complete Marilyn Monroe |
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— | 2001 |
No Score Yet | The Complete Marilyn Monroe |
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— | 2000 |
No Score Yet | Marilyn In Manhattan |
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— | 1998 |
No Score Yet | Marilyn Monroe: The Mortal Goddess |
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— | 1996 |
No Score Yet | We Remember Marilyn |
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— | 1996 |
No Score Yet | 25 Years of Entertainment: Hollywood Highs |
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— | 1990 |
No Score Yet | Remembering Marilyn |
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— | 1988 |
No Score Yet | Forty Years of Television Broadcast Journalism: A Salute to KTLA |
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— | 1987 |
No Score Yet | Hollywood Home Movies |
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— | 1987 |
No Score Yet | Hollywood Collection |
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— | 1985 |
No Score Yet | Marilyn: Say Goodbye to the President |
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— | 1985 |
No Score Yet | Arthur Miller on Home Ground |
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— | 1979 |
No Score Yet | Marilyn: Portrait of a Legend |
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— | 1966 |
No Score Yet | Something's Got to Give |
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— | 1962 |
97% | The Misfits |
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— | 1961 |
69% | Let's Make Love |
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— | 1960 |
94% | Some Like It Hot |
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— | 1959 |
63% | The Prince and the Showgirl |
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— | 1957 |
80% | Bus Stop |
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— | 1956 |
87% | The Seven Year Itch |
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— | 1955 |
67% | There's No Business Like Show Business |
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— | 1954 |
57% | River of No Return |
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— | 1954 |
98% | Gentlemen Prefer Blondes |
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— | 1953 |
81% | Niagara |
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— | 1953 |
85% | How to Marry a Millionaire |
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— | 1953 |
No Score Yet | Edward R. Murrow: the Best of Person to Person |
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— | 1953 |
No Score Yet | O. Henry's Full House |
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— | 1952 |
85% | Monkey Business |
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— | 1952 |
100% | Don't Bother to Knock |
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— | 1952 |
40% | We're Not Married |
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— | 1952 |
69% | Clash by Night |
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— | 1952 |
No Score Yet | Let's Make It Legal |
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— | 1951 |
No Score Yet | Love Nest |
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— | 1951 |
No Score Yet | As Young as You Feel |
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— | 1951 |
No Score Yet | Home Town Story |
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— | 1951 |
No Score Yet | The Fireball |
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— | 1950 |
No Score Yet | Right Cross |
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— | 1950 |
97% | The Asphalt Jungle |
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— | 1950 |
No Score Yet | A Ticket to Tomahawk |
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— | 1950 |
No Score Yet | Love Happy |
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— | 1950 |
99% | All About Eve |
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— | 1950 |
No Score Yet | Hollywood Without Makeup |
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— | 1950 |
No Score Yet | Ladies of the Chorus |
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— | 1948 |
No Score Yet | Scudda Hoo! Scudda Hay!, (Summer Lightning) |
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— | 1948 |
No Score Yet | The Shocking Miss Pilgrim |
|
— | 1947 |
TV
RATING | TITLE | CREDIT | YEAR |
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No Score Yet |
America ReFramed
2012
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No Score Yet |
American Masters
1986
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Quotes from Marilyn Monroe's Characters
Roslyn Taber: | If I'm going to be alone, I want to be by myself. |
Peggy Martin: | I agree about it only being of interest to Monroe students. It's interesting to see her look, kinda like Norma Jeane with platinum hair, before "The Look" was perfected. |
Lorelei Lee: | Except Gus. He's interested in my brains. |
The Girl: | Don't ever be sorry |
The Girl: | Don't ever be sorry. |
The Girl: | Hey, did you ever try dunking a potato chip in champagne? It's really crazy! |
The Girl: | It's terrible up there. . . Ohhh, this feels just elegant. I'm just not made for the heat. This is my first summer in New York and it's practically killing me. You know what I tried yesterday? I tried to sleep in the bathtub. Just lying there up to my neck in cold water. . . But there was something wrong with the faucet. It kept dripping. It was keeping me awake, so you know what I did? I pushed my big toe up the faucet. . .The only thing was, my toe got stuck and I couldn't get it out again. . .No, but thank goodness there was a phone in the bathroom, so I was able to call the plumber. . .He was very nice, even though it was Sunday. I explained the situation to him and he rushed right over. . .But it was sort of embarrassing. . .Honestly, I almost died. There I was with perfectly strange plumber and no polish on my toenails. |
The Girl: | It's terrible up there... Ohhh, this feels just elegant. I'm just not made for the heat. This is my first summer in New York and it's practically killing me. You know what I tried yesterday? I tried to sleep in the bathtub. Just lying there up to my neck in cold water. . . But there was something wrong with the faucet. It kept dripping. It was keeping me awake, so you know what I did? I pushed my big toe up the faucet...The only thing was, my toe got stuck and I couldn't get it out again.. No, but thank goodness there was a phone in the bathroom, so I was able to call the plumber. . .He was very nice, even though it was Sunday. I explained the situation to him and he rushed right over. . .But it was sort of embarrassing. . .Honestly, I almost died. There I was with perfectly strange plumber and no polish on my toenails. |
Lorelei Lee: | Don't you know that a man being rich is like a girl being pretty? You might not marry a girl just because she's pretty, but, my goodness, Doesn't it help? |
Lorelei Lee: | I can be smart when it's important, but most men don't like it. |
Lorelei Lee: | I always adore finding new places to wear diamonds! |
Sugar Kane: | quarter of a century. makes a girl think.. |
Sugar Kane: | Quarter of a century. Makes a girl think... |
Sugar Kane: | Always the fuzzy end of the lollipop. |
Eve Harrington: | I'm afraid Mr. DeWitt would find me boring before too long. |
Miss Claudia Caswell: | You won't bore him honey. You won't even get a chance to talk. |
Miss Claudia Caswell: | Why do they aleays look like unhappy rabbits? |
Miss Claudia Caswell: | Why do they always look like unhappy rabbits? |
Lorelei Lee: | I always say a kiss on the hand might feel very good, but a diamond tiara lasts forever. |