Robert De Niro
Birthday:
Birthplace:
New York City, New York
Considered one of the best actors of his generation, Robert De Niro built a durable star career out of his formidable ability to disappear into a character. The son of artists, De Niro was raised in New York's Greenwich Village. The young man made his stage debut at age 10, playing the Cowardly Lion in his school's production of The Wizard of Oz. Along with finding relief from shyness through performing, De Niro was also entranced by the movies, and he quit high school at age 16 to pursue acting. Studying under Stella Adler and Lee Strasberg, De Niro learned how to immerse himself in a character emotionally and physically. After laboring in off-off-Broadway productions in the early '60s, De Niro was cast alongside fellow novice Jill Clayburgh in film-school graduate Brian De Palma's The Wedding Party (1969). He followed this with small movies like Greetings, Hi, Mom!, Sam's Song, and Bloody Mama.De Niro's professional life took an auspicious turn, however, when he was re-introduced to former Little Italy acquaintance Martin Scorsese at a party in 1972. Sharing a love of movies as well as their neighborhood background, De Niro and Scorsese hit it off. De Niro was immediately interested when Scorsese asked him about appearing in his new film, Mean Streets, conceived as a grittier, more authentic portrait of the Mafia than The Godfather. De Niro's appearance in the film made waves with critics, as did his completely different performance as a dying simple-minded catcher in the quiet baseball drama Bang the Drum Slowly (1973). Francis Ford Coppola was impressed enough by Mean Streets to cast De Niro as the young Vito Corleone in the early 1900s portion of The Godfather Part II. Closely studying Brando's Oscar-winning performance as Don Corleone in The Godfather, and perfecting his accent for speaking his lines in subtitled Sicilian, De Niro was so effective as the lethally ambitious and lovingly paternal Corleone that he took home a Best Supporting Actor Oscar for the role.De Niro next headed to Europe to star in Bernardo Bertolucci's opus, 1900 (1976) before returning to the U.S. to collaborate with Scorsese on the far leaner (and meaner) production, Taxi Driver. After working for two weeks as a Manhattan cabbie and losing weight, De Niro transformed himself into disturbed "God's lonely man" Travis Bickle. One of the definitive films of the decade, Taxi Driver earned the Cannes Film Festival's top prize and several Oscar nominations, including Best Picture and De Niro's first nod for Best Actor. Controversy erupted about the film's violence, however, when would-be presidential assassin John W. Hinckley cited Taxi Driver as a formative influence in 1981.De Niro and Scorsese would reteam for the lavish musical New York, New York (1977), and though the film was a complete flop, De Niro quickly recovered with another risky and ambitious project, Michael Cimino's The Deer Hunter (1978). One of the first wave of Vietnam movies, The Deer Hunter starred De Niro as one of three Pennsylvania steel-town friends thrown into the war's inferno who emerged as profoundly changed men. Though the film provoked an uproar over its portrayal of Viet Cong violence as (literally) Russian roulette, The Deer Hunter won several Oscars.Returning to the realm of more personal violence, De Niro followed The Deer Hunter with his and Scorsese's masterpiece, Raging Bull, a tragic portrait of boxer [%Ray La Motta]. Along with his notorious 60-pound weight gain that rendered him unrecognizable as the middle-aged Jake, De Niro also trained so intensely for the outstanding fight scenes that La Motta himself stated that De Niro could have boxed professionally. Along with his physical dedication, De Niro won over critics with his ability to humanize La Motta without softening him. Raging Bull received eight Oscar nominations, including Best Picture.Though he was well suited to star in Sergio Leone's epic homage to gangster films, Once Upon a Time in America (1984), L
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
No Score Yet | The Formula |
|
— | 2021 |
29% | The War with Grandpa |
|
— | 2020 |
8% | Artemis Fowl |
|
— | 2020 |
33% | The Comeback Trail |
|
— | 2020 |
95% | The Irishman |
|
— | 2019 |
68% | Joker |
|
— | 2019 |
No Score Yet | 'The Irishman' in Conversation |
|
— | 2019 |
No Score Yet | I Am Duran |
|
— | 2019 |
60% | Bohemian Rhapsody |
|
— | 2018 |
No Score Yet | Porndemic |
|
— | 2018 |
73% | The Wizard of Lies |
|
— | 2017 |
24% | The Comedian |
|
$1.7M | 2017 |
No Score Yet | One Night Only: Alec Baldwin |
|
— | 2017 |
No Score Yet | The Words That Built America |
|
— | 2017 |
44% | Hands of Stone |
|
$4.8M | 2016 |
No Score Yet | I Am JFK Jr. |
|
— | 2016 |
11% | Dirty Grandpa |
|
$34.7M | 2016 |
No Score Yet | The Godfather Epic |
|
— | 2016 |
60% | Joy |
|
$42.6M | 2015 |
29% | Heist |
|
$29.2k | 2015 |
59% | The Intern |
|
$60.9M | 2015 |
68% | The Man Who Saved the World |
|
— | 2015 |
No Score Yet | Ellis |
|
— | 2015 |
No Score Yet | The Audition |
|
— | 2015 |
No Score Yet | The Good House |
|
— | 2015 |
50% | Poker Night |
|
— | 2014 |
No Score Yet | Remembering The Artist Robert De Niro, Sr. |
|
— | 2014 |
11% | The Bag Man |
|
$49.3k | 2014 |
No Score Yet | Candy Store |
|
— | 2014 |
No Score Yet | Spy's Kid |
|
— | 2014 |
31% | Grudge Match |
|
$14.9M | 2013 |
46% | Last Vegas |
|
$51.5M | 2013 |
94% | Casting By |
|
$14.5k | 2013 |
28% | The Family |
|
$34.6M | 2013 |
10% | Killing Season |
|
$28.2k | 2013 |
7% | The Big Wedding |
|
$21.6M | 2013 |
No Score Yet | Trespassing Bergman |
|
— | 2013 |
50% | The Comedian |
|
— | 2013 |
92% | Silver Linings Playbook |
|
$132.1M | 2012 |
No Score Yet | Freelancers |
|
— | 2012 |
30% | Red Lights |
|
$49.8k | 2012 |
51% | Being Flynn |
|
$0.6M | 2012 |
No Score Yet | Born To Race |
|
— | 2012 |
No Score Yet | Lombardi |
|
— | 2012 |
92% | Corman's World: Exploits Of A Hollywood Rebel |
|
$7.5k | 2011 |
7% | New Year's Eve |
|
$54.6M | 2011 |
28% | Killer Elite |
|
$25.1M | 2011 |
69% | Limitless |
|
$79.3M | 2011 |
No Score Yet | The Ages of Love |
|
— | 2011 |
9% | Little Fockers |
|
$148.4M | 2010 |
50% | Stone |
|
$1.8M | 2010 |
72% | Machete |
|
$26.2M | 2010 |
No Score Yet | Sesame Street: 40 Years of Sunny Days |
|
— | 2010 |
48% | Everybody's Fine |
|
$8.9M | 2009 |
80% | I Knew It Was You: Rediscovering John Cazale |
|
— | 2009 |
18% | Righteous Kill |
|
$40M | 2008 |
80% | Mr. Warmth: The Don Rickles Project |
|
— | 2008 |
50% | What Just Happened? |
|
$1.1M | 2008 |
77% | Stardust |
|
$38.3M | 2007 |
22% | Arthur and the Invisibles (Arthur and the Minimoys) |
|
$15.1M | 2007 |
No Score Yet | Le Cirque: A Table in Heaven |
|
— | 2007 |
55% | The Good Shepherd |
|
$59.9M | 2006 |
No Score Yet | Tony Bennett: An American Classic |
|
— | 2006 |
46% | Rent |
|
$29.1M | 2005 |
4% | The Bridge of San Luis Rey |
|
— | 2005 |
13% | Hide and Seek |
|
$51.1M | 2005 |
38% | Meet the Fockers |
|
$279.2M | 2004 |
64% | Stage Beauty |
|
$0.8M | 2004 |
36% | Shark Tale |
|
$160.8M | 2004 |
No Score Yet | Biography |
|
— | 2004 |
4% | Godsend |
|
$14.3M | 2003 |
27% | Analyze That |
|
$32.1M | 2002 |
48% | City by the Sea |
|
$22.4M | 2002 |
93% | About a Boy |
|
$40.6M | 2002 |
25% | Showtime |
|
$38M | 2002 |
No Score Yet | 9/11 |
|
— | 2002 |
No Score Yet | America: A Tribute to Heroes |
|
— | 2001 |
73% | The Score |
|
$70.4M | 2001 |
No Score Yet | Prison Song |
|
— | 2001 |
32% | 15 Minutes |
|
$24.2M | 2001 |
No Score Yet | Back Home Years Ago: The Real Casino |
|
— | 2001 |
60% | Holiday Heart |
|
— | 2000 |
42% | Men of Honor |
|
— | 2000 |
84% | Meet the Parents |
|
$164.5M | 2000 |
43% | The Adventures of Rocky & Bullwinkle |
|
$0.5M | 2000 |
41% | Flawless |
|
— | 1999 |
40% | Entropy |
|
— | 1999 |
69% | Analyze This |
|
— | 1999 |
No Score Yet | Lenny Bruce: Swear to Tell the Truth |
|
— | 1998 |
69% | Ronin |
|
— | 1998 |
37% | Great Expectations |
|
— | 1998 |
86% | Wag the Dog |
|
— | 1997 |
87% | Jackie Brown |
|
— | 1997 |
76% | Cop Land |
|
— | 1997 |
84% | Marvin's Room |
|
— | 1996 |
73% | Sleepers |
|
— | 1996 |
37% | The Fan |
|
— | 1996 |
6% | Faithful |
|
— | 1996 |
87% | Heat |
|
— | 1995 |
79% | Casino |
|
— | 1995 |
No Score Yet | One Hundred and One Nights |
|
— | 1995 |
38% | Mary Shelley's Frankenstein |
|
— | 1994 |
77% | Mad Dog and Glory |
|
— | 1993 |
97% | A Bronx Tale |
|
— | 1993 |
76% | This Boy's Life |
|
— | 1993 |
57% | Night and the City |
|
— | 1992 |
89% | Thunderheart |
|
— | 1992 |
No Score Yet | Stella Adler: Awake and Dream! |
|
— | 1992 |
74% | Cape Fear |
|
— | 1991 |
72% | Mistress |
|
— | 1991 |
75% | Backdraft |
|
— | 1991 |
65% | Guilty by Suspicion |
|
— | 1991 |
68% | The Godfather, Part III |
|
— | 1990 |
89% | Awakenings |
|
— | 1990 |
96% | GoodFellas |
|
— | 1990 |
33% | Stanley & Iris |
|
— | 1990 |
No Score Yet | Hollywood Mavericks |
|
— | 1990 |
47% | We're No Angels |
|
— | 1989 |
64% | Jacknife |
|
— | 1989 |
94% | Midnight Run |
|
— | 1988 |
83% | The Untouchables |
|
— | 1987 |
80% | Angel Heart |
|
— | 1987 |
100% | Dear America: Letters Home from Vietnam |
|
— | 1987 |
67% | The Mission |
|
— | 1986 |
98% | Brazil |
|
— | 1985 |
No Score Yet | Saturday Night Live - The Best of Jon Lovitz |
|
— | 1985 |
58% | Falling in Love |
|
— | 1984 |
87% | Once Upon a Time in America |
|
— | 1984 |
89% | The King of Comedy |
|
— | 1983 |
67% | True Confessions |
|
— | 1981 |
94% | Raging Bull |
|
— | 1980 |
No Score Yet | The Swap |
|
— | 1979 |
91% | The Deer Hunter |
|
— | 1978 |
No Score Yet | Bertolucci secondo il cinema (The Cinema According to Bertolucci) |
|
— | 1977 |
55% | 1900 (Novecento) |
|
— | 1977 |
58% | New York, New York |
|
— | 1977 |
41% | The Last Tycoon |
|
— | 1976 |
96% | Taxi Driver |
|
— | 1976 |
No Score Yet | America at the Movies |
|
— | 1976 |
96% | The Godfather, Part II |
|
— | 1974 |
92% | Bang The Drum Slowly |
|
— | 1973 |
96% | Mean Streets |
|
— | 1973 |
No Score Yet | Jennifer on My Mind |
|
— | 1972 |
0% | The Gang That Couldn't Shoot Straight |
|
— | 1971 |
29% | Born to Win |
|
— | 1971 |
14% | Bloody Mama |
|
— | 1970 |
73% | Hi, Mom! |
|
— | 1970 |
No Score Yet | Sam's Song |
|
— | 1969 |
No Score Yet | The Wedding Party |
|
— | 1969 |
88% | Greetings |
|
— | 1968 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
No Score Yet |
The Late Show With Stephen Colbert
2015
|
|
|
No Score Yet |
The Tonight Show Starring Jimmy Fallon
2014
|
|
|
No Score Yet |
Inside the Actors Studio
1994-2019
|
|
|
No Score Yet |
The Graham Norton Show
2007
|
|
|
0% |
The Alec Baldwin Show
2018-2019
|
|
|
No Score Yet |
Today
2017-2019
|
|
|
No Score Yet |
Late Night With Seth Meyers
2014
|
|
|
No Score Yet |
The View
1997-2020
|
|
|
No Score Yet |
Jimmy Kimmel Live
2003
|
|
|
43% |
NYC 22
2012
|
|
|
74% |
About a Boy
2014-2015
|
|
|
No Score Yet |
Charlie Rose
2013-2017
|
|
|
No Score Yet |
The Daily Show With Jon Stewart
2015
|
|
|
No Score Yet |
Sunday Morning
2011-2018
|
|
|
No Score Yet |
The Talk
2010
|
|
|
No Score Yet |
Late Night With Jimmy Fallon
2009-2014
|
|
|
No Score Yet |
The Tonight Show With Jay Leno
1992-2014
|
|
|
No Score Yet |
CBS This Morning
2012
|
|
|
78% |
30 Rock
2006-2020
|
|
|
No Score Yet |
POV
1988
|
|
|
No Score Yet |
Saturday Night Live
1975
|
|
|
88% |
Extras
2005-2007
|
|
|
No Score Yet |
Live From Lincoln Center
2000-2019
|
|
|
100% |
Tribeca
1993
|
|
|
71% |
The Movies
2019
|
|
|
Quotes from Robert De Niro's Characters
Neil McCauley: | Look at me. |
Hunter: | You never got me down, Ray. You never got me down. |
Carl Van Loon: | I want that pill! Gimme that pill! |
Jason Kelly: | I dropped my phone. |
Dick Kelly: | I think it fell into the car's vagina. |
Dick Kelly: | She's not right for you, if you get married to her you'll be sleep walking the rest of your life. |
Dick Kelly: | She told me on her deathbed: get back out there again. |
Ben Whittaker: | You should feel nothing but great about what you've done, and I'd hate to see you let anyone take that away from you. |
Louis Cyphre: | You've been living on borrowed time in another man's memories. |
Michael: | Bring it over here! It's like a piece of charcoal by now. |
Jake LaMotta: | Put my robe on right. |
Jack Walsh: | Don't overcook it. If you overcook it, it's no good. It defeats it's own purpose. |
Max: | Secretary Bailey: (checking his pocket watch) It's 10:25. And I've got nothing left to lose. When you've been betrayed by a friend, you hit back. Do it. |
David "Noodles" Aaronson: | You see, Mr Secretary... I have a story also, a little simpler than yours. Many years ago, I had a friend, a dear friend. I turned him in to save his life, but he was killed. But he wanted it that way. It was a great friendship. But it went bad for him, and it went bad for me too. Good night, Mr Bailey. |
David "Noodles" Aaronson: | I hope the investigation turns out to be nothing. It'd be a shame to see a lifetime of work go to waste. |
Ordell Robbie: | Is she dead? Yes or no? |
Louis Gara: | Pretty much. |
Simon Silver: | How did you do that? |
Simon Silver: | Are you questioning my power?! |
Bruce Pearson: | Too bad you pitch spit. |
David Callaway: | Come out, come out wherever you are... |
Bill Sullivan: | I don't want your answer now, just think about it. But this isn't a bunch of fraternity boys sitting around playing with their pricks... This is for real. For America. |
Bill Sullivan: | We'll eventually get involved in this war. Not because we want to, but because we have to, and we should. And the President has asked me to look into creating a Foreign Intelligence Service. And if that happens, I'll be looking for patriotic, honorable, bright young men from the right backgrounds to manage the various departments. In other words, no jews or negroes and very few Catholics, and that's only because I'm a Catholic. |
Spence: | You worried about saving your own skin? |
Sam: | Yeah, I am. It covers my body. |
James Conway: | Never rat on your friends, and always keep your mouth shut. |
James Conway: | Never rat on your friends and always keep your mouth shut. |
David "Noodles" Aaronson: | Today they asked us to get rid of Joe, tomorrow they ask me to get rid of you. Is that okay with you? 'Cause it's not okay with me! |
Louis Cyphre: | The flesh is week, Johnny. Only the soul is immortal and yours belong to me. |
Neil McCauley: | Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner |
Neil McCauley: | Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner. |
Fearless Leader: | You talkin' to me? You talkin' to me? You talkin' to me? Then who the else are you talking Well I'm the only one here so you must be talking to me |
Fearless Leader: | You talkin' to me? You talkin' to me? You talkin' to me? Then who the else are you talking. Well I'm the only one here so you must be talking to me. |
Fearless Leader: | There has never been a way to actually destroy a cartoon character until now. |
White House Mole: | What about that movie Roger Rabbit? |
Fearless Leader: | : Shut up. This is totally different. [pauses] There has never been a way to actually destroy a cartoon character until now. |
Fearless Leader: | : Shut up. This is totally different. There has never been a way to actually destroy a cartoon character until now. |
Fearless Leader: | Sometimes, it's not so easy being Fearless Leader. |
Pat Sr.: | You gotta pay attention to the signs. When life reaches out a moment like this, it's a sin if you don't reach back. It'll haunt you for the rest of your days like a curse. |
Pat Sr.: | You love her even before you realized it |
Pat Sr.: | You love her even before you realized it. |
Sam (Ace) Rothstein: | And That's That. |
Simon Silver: | It is the deep, painful urgency of the animal forced to live in darkness which finally opens its eyes and voraciously demands light with a howl of rage! |
Travis Bickle: | Don't be a whore, you're only 12 years old, Go home! |
Jake LaMotta: | You never got me down, Ray! |
David "Noodles" Aaronson: | Yeah, well, I read about your troubles in the newspapers. But a man in your position, with all your power and all your privileges, has to assume a certain amount of responsibility... a certain amount of risk |
David "Noodles" Aaronson: | Yeah, well, I read about your troubles in the newspapers. But a man in your position, with all your power and all your privileges, has to assume a certain amount of responsibility a certain amount of risk |
David "Noodles" Aaronson: | Yeah, well, I read about your troubles in the newspapers. But a man in your position, with all your power and all your privileges, has to assume a certain amount of responsibility a certain amount of risk. |
David "Noodles" Aaronson: | You did. You're terrific. [Disregarding the wrinkles on Deborah's face, Noodles gazes at a theatre poster of "Anthony and Cleopatra," which Deborah had just acted in] |
David "Noodles" Aaronson: | You did. You're terrific. |
David "Noodles" Aaronson: | It's true I have killed people, Mr. Bailey. Sometimes to defend myself, sometimes for money. And many people used to come to us. Business partners, rivals, lovers. Some of the jobs we took, and some we didn't. Yours is one we would never touch, Mr Bailey. |
Max: | Is this your idea of revenge? |
David "Noodles" Aaronson: | No. It's just the way I see things. |
Pat Sr.: | The only way to beat my crazy was by doing something even crazier. Thank you. I love you. I knew it from the moment I saw you. I’m sorry it took me so long to catch up |
Pat Sr.: | The only way to beat my crazy was by doing something even crazier. Thank you. I love you. I knew it from the moment I saw you. I'm sorry it took me so long to catch up. |
James Conway: | It's gonna be a good summer! |
Sam (Ace) Rothstein: | From now on, I want you to put an equal amount of blueberries in each muffin. |
Baker: | Do you know how long that's going to take? |
Sam (Ace) Rothstein: | I don't care how long it takes. Put an equal amount in each muffin. |
Sam (Ace) Rothstein: | I want you to exit this guy off the premises, I want you to exit him off his feet and I want you to use his head to open the fucking door. |
Sam (Ace) Rothstein: | You tied up our little daughter to a bed? What the fuck is the matter with you? Is there something mentally wrong with you? |
Sam (Ace) Rothstein: | I don't give a shit who he's connected to. Tell him to take his fuckin' feet off the table. What's he think this is, a goddamn sawdust joint? |
Sam (Ace) Rothstein: | When you love someone, you've gotta trust them. There's no other way. You've got to give them the key to everything that's yours. Otherwise, what's the point? And for a while, I believed, that's the kind of love I had. |
James Conway: | [Knocks on the car window of two cops following him. They cops have fallen asleep] Come on fuckos, let's go for a ride. |
James Conway: | Come on fuckos, let's go for a ride. |
Tommy DeVito: | Hey, Henry, Henry, hurry up, will ya? My mother's gonna make some fried peppers and sausage for us. |
James Conway: | Oh, hey, Henry, Henry! Here's an arm! |
Henry Hill: | Very funny, guys. |
James Conway: | Here's a leg! |
Tommy DeVito: | Here's a wing! Hey, what do you like, the leg or the wing, Henry? Or ya still go for the old hearts and lungs? |
Rupert Pupkin: | Rita, every king needs a queen. I want you to be mine. |
Dwight Hansen: | I don't think I flatter myself by saying I'm something of a whiz with a rifle and living in concrete gives me every opportunity to prove that |
Travis Bickle: | I don't know. That's about the dumbest thing I ever heard. |
Neil McCauley: | I told you I never going back. |
Vincent Hanna: | Because she has a great ass and you got your head all the up it. |
Neil McCauley: | There is a flip side to that coin. What if you do got me boxed in and I gotta put you down? Cause no matter what, you will not get in my way. We've been face to face, yeah. But I will not hesitate. Not for a second. |
Neil McCauley: | A guy told me one time, "Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner. |
Neil McCauley: | A guy told me one time, "Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner." |
Travis Bickle: | You talkin' to me? |
Dwight Hansen: | Is it empty? Is it empty? is it empty?! IS IT EMPTY?! |
Dwight Hansen: | Is it empty? Is it empty? Is it empty?Is it empty! |
Toby Wolff: | No! |
Dwight Hansen: | There he is...the guy who thinks he knows everything. |
Dwight Hansen: | There he is. The guy who thinks he knows everything. |
Jake LaMotta: | I bought it for my father. I bought the building. |
Vickie LaMotta: | Oh, yeah? From fightin'? |
Jake LaMotta: | Yeah. What else? |
Travis Bickle: | You're only as healthy as you feel. |
Pat Sr.: | Why are you wearing a garbage bag? |
Pat Solitano: | To sweat. |
Michael: | Put an empty chamber in there! |
Neil McCauley: | I am never going back. |
Vincent Hanna: | Then don't take down scores. |
Neil McCauley: | I do what I do best: I take scores. You do what you do best: Try to stop guys like me. |
Jack Walsh: | I think I'm gonna get the steak, what about you...well why don't you then get the lobster so I can get a little surf n' turf action going. |
Nick Wells: | If somebody built it, somebody can unbuild it. |
Vito Corleone: | (Whispering in Italian) My father's name was Antonio Andolini, and this is for you! |
Vito Corleone: | [whispering in Italian] My father's name was Antonio Andolini, and this is for you! |
Pat Sr.: | I'm going to come over and break that camera over your head, and come back and interview you about what it's like to have that camera broken over your head. |
Stan: | How does it feel to be shot |
Stan: | How does it feel to be shot. |
Michael: | Don't hurt. That's what you wanna know. And how it's been, doing OK |
Michael: | Don't hurt. That's what you wanna know. And how it's been, doing okay. |
Stan: | Yeah, same thing. Nothing's changed. I'm getting more ass than a toilet seat and Axel here, he's getting fatter than ever. |
Michael: | Stanley, see this? This is this. This ain't something else. This is this. From now on, you're on your own |
Michael: | Stanley, see this? This is this. This ain't something else. This is this. From now on, you're on your own. |
Fearless Leader: | How many times in the past have they stood between me and my dreams of glory? How many times have they foiled my plans with their bungling interference |
Fearless Leader: | How many times in the past have they stood between me and my dreams of glory? How many times have they foiled my plans with their bungling interference. |
Boris Badenov: | Er... 28 |
Boris Badenov: | Er... 28. |
Judge: | Quiet, idiot |
Judge: | Quiet, idiot. |
Paul Vitti: | You're turning me down? |
Ben Sobel: | When I got into family therapy, this was not the "family" I had in mind |
Ben Sobel: | When I got into family therapy, this was not the 'family' I had in mind. |
Paul Vitti: | You, with your schmucky little office in your schmucky little home, you're turning *me* down? For what, so you can go back and listen to housewives piss and moan about how nobody fucks 'em right anymore? |
David "Noodles" Aaronson: | All right, shut the fuck up! Now listen very carefully: call off your dogs and let the strikers work it out with the bosses |
David "Noodles" Aaronson: | All right, shut the fuck up! Now listen very carefully: call off your dogs and let the strikers work it out with the bosses. |
David "Noodles" Aaronson: | I like the stink of the streets. It makes me feel good. And I like the smell of it, it opens up my lungs. And it gives me a hard-on. |
Johnny Boy: | I fuck you right where you breath, because I don't give two shits about you or nobody else |
Johnny Boy: | I fuck you right where you breath, because I don't give two shits about you or nobody else. |
Travis Bickle: | You talkin' to me? You talkin' to me? You talkin' to me? Then who the hell else are you talkin' to? You talkin' to me? Well I'm the only one here. Who the fuck do you think you're talking to? |
James Conway: | You might know who we are.......we KNOW who you are understand? |
James Conway: | You might know who we are... we KNOW who you are. Understand? |
James Conway: | You might know who we are, but we know who you are, you understand? |
Sam (Ace) Rothstein: | If you come back here, we catch either one of you we're gonna break your fucking heads and you won't walk out of here, see that fucking saw we're gonna use it, you don't fuck around in this place, got it, get out of here |
Sam (Ace) Rothstein: | If you come back here, we catch either one of you we're gonna break your fucking heads and you won't walk out of here, see that fucking saw we're gonna use it, you don't fuck around in this place, got it, get out of here. |
Sam (Ace) Rothstein: | I wanted everyone to know that things were changed around here. We had to make an example to these pricks that the party was over |
Sam (Ace) Rothstein: | I wanted everyone to know that things were changed around here. We had to make an example to these pricks that the party was over. |
James Conway: | I'm not mad, I'm proud of you. You took your first pinch like a man, and learned the two greatest things in life. Look at me. Never rat on your friends and always keep your mouth shut |
James Conway: | I'm not mad, I'm proud of you. You took your first pinch like a man, and learned the two greatest things in life. Look at me. Never rat on your friends and always keep your mouth shut. |
Al Capone: | I want him dead, i want his house burnt to the ground i want to go to his house and piss on his ashes |
Al Capone: | I want him DEAD! I want his family DEAD! I want his house burned to the GROUND! |
Pat Sr.: | Are you taking the right dose? |
Pat: | Of course I am dad if I wasn't then I'd be on the floor. |
Vito Corleone: | Michael, your father loves you very much. Very much. |
Travis Bickle: | I got some bad ideas in my head |
Travis Bickle: | I got some bad ideas in my head. |
Travis Bickle: | I got some bad ideas in my head! |
Michael: | I feel a lot of distance, and I feel far away. |
Michael: | [holding a bullet] Stanley, see this? This is this! This ain't something else. This is this. From now on, you're on your own. |
Louis Cyphre: | The future is not what it used to be Mr Angel. |
Pat Sr.: | Are you taking the right dosage? |
Pat Sr.: | What is this, Dancing With The Stars? |
Jake LaMotta: | I'm the best, I can take it more than anybody |
Jake LaMotta: | I'm the best, I can take it more than anybody. |
Jake LaMotta: | I don't go down for nobody |
Jake LaMotta: | I don't go down for nobody. |
Michael: | All he's got is that stupid gun he carries around like John Wayne. |
Pat Sr.: | Let me tell ya. You gotta pay attention to signs. When life reaches out with a moment like this it's a sin if you don't reach back... I'm telling you. |
Sharp Featured Man: | "I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other." |
Sharp Featured Man: | I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other. |
Sharp Featured Man: | You gave me these emotions, but you didn't tell me how to use them. Now two people are dead because of us. Why?" |
Sharp Featured Man: | You gave me these emotions, but you didn't tell me how to use them. Now two people are dead because of us. Why? |
Dr. Frankenstein: | "There was something at work in my soul which I do not understand." |
Dr. Frankenstein: | There was something at work in my soul which I do not understand. |
Sharp Featured Man: | "And what of my soul? Do I have one? Or was that a part you left out?" |
Sharp Featured Man: | And what of my soul? Do I have one? Or was that a part you left out? |
Vito Corleone: | My name is Vito Corleone. And this is for you! |
Pat Sr.: | Everybody? |
Pat: | Everybody? |
Tiffany: | I was very depressed after Tommy died. |
Pat Sr.: | You don't have to talk about it. |
Pat: | You don't have to talk about it. |
Tiffany: | Thanks. |
Pat Sr.: | How many were there? |
Pat: | How many were there? |
Jonathan: | "One writer to another. I don't care how good a writer you are, you can't kill someone with words. |
Jonathan: | One writer to another. I don't care how good a writer you are, you can't kill someone with words. |
Gregor: | It would be nice to do something. |
Sam: | We are doing something. We're sitting here, waiting. |
Sam: | What's the color of the boathouse at Hereford? |
Sam: | Tell me about an ambush. I ambushed you with a cup of coffee! |
Simon Silver: | Can you trust, me? |
Simon Silver: | What can you really know?... |
Simon Silver: | What can you really know? |
Simon Silver: | How dare you, are you challenging me, are you questioning my power?! |
Simon Silver: | I am the life force, I come with the wind, and I go with the wind...Do you wan't me to hurt you? Get out of here now while you can! |
Simon Silver: | I am the life force, I come with the wind, and I go with the wind... Do you wan't me to hurt you? Get out of here now while you can! |
Simon Silver: | You will know the truth, and the truth will make you furious. |
Harry Tuttle: | Listen, this old system of yours could be on fire and I couldn't even turn on the kitchen tap without filling out a 27b/6... Bloody paperwork. |