Robert Duvall
Birthday:
Birthplace:
San Diego, California, USA
One of Hollywood's most distinguished, popular, and versatile actors, Robert Duvall possesses a rare gift for totally immersing himself in his roles. Born January 5, 1931 and raised by an admiral, Duvall fought in Korea for two years after graduating from Principia College. Upon his Army discharge, he moved to New York to study acting at the Neighborhood Playhouse, where he won much acclaim for his portrayal of a longshoreman in A View From the Bridge. He later acted in stock and off-Broadway, and had his onscreen debut as Gregory Peck's simple-minded neighbor Boo Radley in To Kill a Mockingbird (1962).With his intense expressions and chiseled features, Duvall frequently played troubled, lonely characters in such films as The Chase (1966) during his early film career. Whatever the role, however, he brought to it an almost tangible intensity tempered by an ability to make his characters real (in contrast to some contemporaries who never let viewers forget that they were watching a star playing a role). Though well-respected and popular, Duvall largely eschewed the traditionally glitzy life of a Hollywood star; at the same time, he worked with some of the greatest directors over the years. This included a long association with Francis Ford Coppola, for whom he worked in two Godfather movies (in 1972 and 1974) and Apocalypse Now (1979). The actor's several Oscar nominations included one for his performance as a dyed-in-the-wool military father who victimizes his family with his disciplinarian tirades in The Great Santini (1980). For his portrayal of a has-been country singer in Tender Mercies -- a role for which he composed and performed his own songs -- Duvall earned his first Academy Award for Best Actor. He also directed and co-produced 1983's Angelo My Love and earned praise for his memorable appearance in Rambling Rose in 1991. One of Duvall's greatest personal triumphs was the production of 1997's The Apostle, the powerful tale of a fallen Southern preacher who finds redemption. He had written the script 15 years earlier, but was unable to find a backer, so, in the mid-'90s, he financed the film himself. Directing and starring in the piece, Duvall earned considerable acclaim, including another Best Actor Oscar nomination.The 1990s were a good decade for Duvall. Though not always successful, his films brought him steady work and great variety. Not many other actors could boast of playing such a diversity of characters: from a retired Cuban barber in 1993's Wrestling Ernest Hemingway to an ailing editor in The Paper (1994) to the abusive father of a mentally impaired murderer in the harrowing Sling Blade (1996) to James Earl Jones's brother in the same year's A Family Thing (which he also produced). Duvall took on two very different father roles in 1998, first in the asteroid extravaganza Deep Impact and then in Robert Altman's The Gingerbread Man. Throughout his career, Duvall has also continued to work on the stage. In addition, he occasionally appeared in such TV miniseries as Lonesome Dove (1989) and Stalin (1992), and has even done voice-over work for Lexus commercials. In the early 2000s, he continued his balance between supporting roles in big-budget films and meatier parts in smaller efforts. He supported Nicolas Cage in Gone in 60 Seconds and Denzel Washington in John Q., but he also put out his second directorial effort, Assassination Tango (under the aegis of old friend Coppola, which allowed him to film one of his life's great passions -- the tango. In 2003, Kevin Costner gave Duvall an outstanding role in his old-fashioned Western Open Range, and Duvall responded with one of his most enjoyable performances.Duvall subsequently worked in a number of additional films, including playing opposite Will Ferrell in the soccer comedy Kicking & Screaming, as well as adding a hilarious cameo as a tobacco king in the first-rate satire Thank You For Smoking.
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Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
100% | Apocalypse Now: Final Cut |
|
— | 2019 |
91% | Widows |
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— | 2018 |
30% | In Dubious Battle |
|
— | 2017 |
No Score Yet | The Words That Built America |
|
— | 2017 |
No Score Yet | The Godfather Epic |
|
— | 2016 |
17% | Wild Horses |
|
— | 2015 |
49% | The Judge |
|
$35.7M | 2014 |
43% | A Night In Old Mexico |
|
— | 2014 |
94% | Casting By |
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$14.5k | 2013 |
35% | Jayne Mansfield's Car |
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$14.8k | 2013 |
64% | Jack Reacher |
|
$80.1M | 2012 |
21% | Seven Days In Utopia |
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$4.4M | 2011 |
64% | Belizaire the Cajun |
|
— | 2011 |
85% | Get Low |
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$9.2M | 2010 |
No Score Yet | For Love of Liberty: The Story of America's Black Patriots |
|
— | 2010 |
No Score Yet | For Love of Liberty |
|
— | 2010 |
90% | Crazy Heart |
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$38.4M | 2009 |
74% | The Road |
|
$8.1M | 2009 |
25% | Four Christmases |
|
$120.2M | 2008 |
57% | We Own the Night |
|
$27.6M | 2007 |
29% | Lucky You |
|
$5.8M | 2007 |
No Score Yet | Brando |
|
— | 2007 |
90% | America At A Crossroads: Operation Homecoming: Writing The Wartime Experience |
|
— | 2007 |
No Score Yet | Broken Trail |
|
— | 2006 |
86% | Thank You for Smoking |
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$24.9M | 2006 |
No Score Yet | American Experience |
|
— | 2005 |
41% | Kicking & Screaming |
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$52.6M | 2005 |
No Score Yet | Stone Boy |
|
— | 2005 |
60% | Secondhand Lions |
|
$41.5M | 2003 |
79% | Open Range |
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$58.3M | 2003 |
47% | Assassination Tango |
|
$0.9M | 2003 |
8% | Gods and Generals |
|
$12.9M | 2003 |
No Score Yet | Festival Pass with Chris Gore |
|
— | 2002 |
23% | John Q |
|
$71.1M | 2002 |
93% | Apocalypse Now Redux |
|
$2M | 2001 |
67% | A Shot at Glory |
|
— | 2001 |
40% | The 6th Day |
|
$33.9M | 2000 |
26% | Gone in 60 Seconds (Gone in Sixty Seconds) |
|
$101M | 2000 |
61% | A Civil Action |
|
— | 1998 |
45% | Deep Impact |
|
— | 1998 |
90% | The Apostle |
|
— | 1998 |
59% | The Gingerbread Man |
|
— | 1997 |
96% | Sling Blade |
|
— | 1996 |
50% | Phenomenon |
|
— | 1996 |
73% | A Family Thing |
|
— | 1996 |
No Score Yet | El Asesino en mis Manos |
|
— | 1996 |
13% | The Scarlet Letter |
|
— | 1995 |
39% | Something to Talk About |
|
— | 1995 |
50% | The Stars Fell on Henrietta |
|
— | 1995 |
57% | Wrestling Ernest Hemingway |
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— | 1994 |
88% | The Paper |
|
— | 1994 |
73% | Falling Down |
|
— | 1993 |
48% | Geronimo - An American Legend |
|
— | 1993 |
No Score Yet | Stalin |
|
— | 1992 |
No Score Yet | The Plague (La Peste) |
|
— | 1992 |
39% | Newsies |
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— | 1992 |
No Score Yet | Waylon Jennings: Renegade. Outlaw. Legend. |
|
— | 1992 |
100% | Rambling Rose |
|
— | 1991 |
100% | Hearts of Darkness: A Filmmaker's Apocalypse |
|
— | 1991 |
38% | Days of Thunder |
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— | 1990 |
No Score Yet | A Show of Force |
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— | 1990 |
32% | The Handmaid's Tale |
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— | 1990 |
No Score Yet | Convicts |
|
— | 1990 |
No Score Yet | Lonesome Dove - The Making of An Epic |
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— | 1990 |
No Score Yet | Tango: Our Dance |
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— | 1988 |
80% | Colors |
|
— | 1988 |
No Score Yet | Hotel Colonial |
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— | 1987 |
No Score Yet | The Lightship |
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— | 1986 |
No Score Yet | Let's Get Harry |
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— | 1986 |
No Score Yet | Falling for the Stars |
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— | 1985 |
82% | The Natural |
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— | 1984 |
67% | The Stone Boy |
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— | 1984 |
No Score Yet | The Terry Fox Story (Heart of a Champion) |
|
— | 1983 |
84% | Tender Mercies |
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— | 1983 |
100% | Angelo, My Love |
|
— | 1983 |
No Score Yet | The Pursuit of D.B. Cooper |
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— | 1981 |
71% | True Confessions |
|
— | 1981 |
95% | The Great Santini |
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— | 1979 |
98% | Apocalypse Now |
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— | 1979 |
93% | Invasion of the Body Snatchers |
|
— | 1978 |
No Score Yet | The Betsy |
|
— | 1978 |
No Score Yet | Ike: The War Years |
|
— | 1978 |
No Score Yet | The Greatest |
|
— | 1977 |
91% | Network |
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— | 1976 |
79% | The Seven-Per-Cent Solution |
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— | 1976 |
67% | The Eagle Has Landed |
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— | 1976 |
50% | The Killer Elite |
|
— | 1975 |
40% | Breakout |
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— | 1975 |
96% | The Godfather, Part II |
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— | 1974 |
96% | The Conversation |
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— | 1974 |
No Score Yet | The Outfit |
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— | 1974 |
No Score Yet | Badge 373 |
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— | 1973 |
No Score Yet | Lady Ice |
|
— | 1973 |
73% | The Great Northfield Minnesota Raid |
|
— | 1972 |
60% | Tomorrow |
|
— | 1972 |
97% | The Godfather |
|
— | 1972 |
80% | Joe Kidd |
|
— | 1972 |
No Score Yet | The Godfather: The Coppola Restoration |
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— | 1972 |
63% | Lawman |
|
— | 1971 |
86% | THX 1138 |
|
— | 1971 |
85% | M*A*S*H |
|
— | 1970 |
No Score Yet | The Revolutionary |
|
— | 1970 |
83% | The Rain People |
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— | 1969 |
89% | True Grit |
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— | 1969 |
98% | Bullitt |
|
— | 1968 |
100% | The Detective |
|
— | 1968 |
67% | Countdown |
|
— | 1968 |
89% | The Chase |
|
— | 1966 |
No Score Yet | Fame Is the Name of the Game |
|
— | 1966 |
60% | Captain Newman, M.D. |
|
— | 1963 |
92% | To Kill A Mockingbird |
|
— | 1962 |
No Score Yet | John Brown's Raid |
|
— | 1960 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
No Score Yet |
Lonesome Dove
1989
|
|
|
No Score Yet |
Late Night With Seth Meyers
2014
|
|
|
No Score Yet |
The Talk
2010
|
|
|
No Score Yet |
Charlie Rose
2013-2017
|
|
|
No Score Yet |
Late Show With David Letterman
1993-2015
|
|
|
No Score Yet |
The Graham Norton Show
2007
|
|
|
No Score Yet |
The Tonight Show Starring Jimmy Fallon
2014
|
|
|
No Score Yet |
Jimmy Kimmel Live
2003
|
|
|
No Score Yet |
American Experience
1988
|
|
|
No Score Yet |
The Wild Wild West
1965-1969
|
|
|
No Score Yet |
The Fugitive
1963-1967
|
|
|
82% |
The Twilight Zone
1959-1964
|
|
|
No Score Yet |
Alfred Hitchcock Presents
1955-1962
|
|
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Quotes from Robert Duvall's Characters
Lt. Col. Kilgore: | They were going to make me a major for this, and I wasn't even in their fucking army anymore. Everybody wanted me to do it; him most of all. I felt like he was up there waiting for me to take the pain away. He just wanted to go out like a soldier. Standing up. Not like some poor wasted rag-assed renegade. Even the jungle wanted him dead. That's who he really took his orders from, anyway. |
Joseph Palmer: | I put a roof over your head, money in your pocket, clothes on your back, food in your mouth! |
Lt. Col. Kilgore: | You can either surf, or you can fight! |
Lt. Col. Kilgore: | What the hell do you know about surfing, Major? You're from goddamned New Jersey! |
Capt. Benjamin Willard: | Are you crazy, Goddammit? Don't you think its a little risky for some R&R? |
Lt. Col. Kilgore: | If I say its safe to surf this beach, Captain, then its safe to surf this beach! I mean, I'm not afraid to surf this place. I'll surf this whole fucking place! |
Denton Baxter: | You're nuthin'! |
Boss Spearman: | Maybe so, I'll still be breathin' in another minute. |
Sue Barlow: | So is it marriage that scares you two, or puttin' down roots? |
Boss Spearman: | No. Who'd have him? All rangy and mangy like a rough old dog. |
Charley Waite: | How about I hold your head under water for just a little while? |
Boss Spearman: | My friend and me got a hankerin' for Switzerland chocolate and a good smoke. |
Boss Spearman: | Sounds like you got it all worked out. |
Charley Waite: | Yeah, except the part where we don't get killed. |
Boss Spearman: | Man's got a right to protect his property and his life, and we ain't lettin' no rancher or his lawman take either. |
Boss Spearman: | A man's trust is a valuable thing, Button. You don't wanna lose it for a handful of cards. |
Johnny Crawford: | See it ... feel it ... trust it. |
Lt. Col. Kilgore: | I love the smell of napalm in the morning. |
Frank Hackett: | Where's that put us, Diana? |
Diana Christensen: | That puts us in the shithouse. That's where that puts us. |
Frank Hackett: | I'm gonna kill him. I'm gonna impale the son-of-a-bitch with a sharp stick through the heart. I'll take out a contract on him. I'll hire a professional killer; no, I'll do it myself. I'll strangle him with a sash cord. |
Frank Hackett: | Mr. Jensen is unhappy with Howard Beale and wants him discontinued. |
Diana Christensen: | He may be unhappy, but he isn't stupid enough to withdraw the number one show on television out of pique. |
Frank Hackett: | Two billion dollars is not pique! That's the Wrath of God! And the Wrath of God wants Howard Beale fired. |
Frank Hackett: | Well, the issue is: Shall we kill Howard Beale, or not? I'd like to get some more opinions on that. |
Diana Christensen: | I don't see we have any options, Frank. Let's kill the son-of-a-bitch. |
Frank Hackett: | I argued that television was a volatile industry in which success and failure were determined week by week; Mr. Jensen does not like volatile industries and suggested with a certain sinister silkiness that volatility in business usually reflected bad management. |
Nelson Chaney: | The affiliates won't carry it. |
Frank Hackett: | The affiliates will kiss your ass if you can hand them a hit show. |
Nelson Chaney: | All I know is that this violates every canon of respectable broadcasting. |
Frank Hackett: | We're not a respectable network. We're a whorehouse network, and we have to take whatever we can get. |
Nelson Chaney: | Well, I don't want any part of it. I don't fancy myself the president of a whorehouse. |
Frank Hackett: | That's very commendable of you, Nelson. Now sit down. Your indignation is duly noted; you can always resign tomorrow. |
Kingsley Bedford: | We all have a crash of some sort awaiting us. |
Jim Caldwell: | Yeh. I put pieces together all the time, but they all fall apart. |
Howard: | Your grandmother's boyfriend is a first class ass sniffer! And you can tell him that I said so. |
Brad: | I'm sorry, I didn't know there was a ten dollar spending cap. |
Howard: | Well, maybe if you came home more than once a decade, you'd know crap like that! |
Howard: | Boys, I don't wanna speak ill of your mother on Christmas, but she's nothing but a common street whore. |
Danny McGavin: | Hey, Hodges--Uncle Bob, I don't have any problem with you. |
Officer Bob Hodges: | Hey, Hodges--Uncle Bob, I don't have any problem with you. |
Officer Danny McGavin: | Hey, Hodges, Uncle Bob. I don't have any problems with you. |
Bob Hodges: | Oh no. You've got problems with the whole fucking world. And I'm in it. And I don't like it. |
Officer Bob Hodges: | Oh no? You've got problems with the whole fucking world. And I'm in it. And I don't like it. |
Lt. Col. Kilgore: | Any man brave enough to fight wit his guts strapped to him can drink from my canteen any day. |
Hub McCaan: | If you need somethin', you'd best find it yourself, or even better, learn to do without. |
Otto Halliwell: | Easy money. |
Jack Woltz: | You don't understand. Johnny Fontane never gets that movie. That part is perfect for him. It'll make him a big star. I'm gonna run him out of the movies. And let me tell you why. Johnny Fontane ruined one of Woltz International's most valuable proteges. For three years we had her under contract, singing lessons, dancing lessons, acting lessons. I spent hundreds of thousands of dollars. I was gonna make her a big star. And let me be even more frank, just to show you that I'm not a hard-hearted man, that it's not all dollars and cents. She was beautiful! She was young, she was innocent. She was the greatest piece of ass I've ever had, and I've had 'em all over the world. And then Johnny Fontaine comes along with his olive oil voice and guinea charm and she runs off. She threw it all away just to make me look ridiculous. And a man in my position can't afford to be made to look ridiculous. Now you get the hell out of here! And if that goomba tries any rough stuff, you tell him I ain't no bandleader. Yeah, I heard that story. [Hagen has been calmly eating his meal throughout Woltz's tirade] |
Tom Hagen: | [Hagen has been calmly eating his meal throughout Woltz's tirade] Thank you for the dinner and a very pleasant evening. Have your car take me to the airport. Mr Corleone is a man who insists on hearing bad news at once. |
Jack Woltz: | Now you listen to me, you smooth-talking son-of-a-bitch, let me lay it on the line for you and your boss, whoever he is! Johnny Fontane will never get that movie! I don't care how many dago guinea wop greaseball goombahs come out of the woodwork! |
Tom Hagen: | I'm German-Irish. |
Jack Woltz: | Well, let me tell you something, my kraut-mick friend, I'm gonna make so much trouble for you, you won t know what hit you! |
Tom Hagen: | Sir, my client has answered every question asked by this committee with the utmost cooperation and sincerity. He has not taken that Fifth Amendment as it was his right to do, and which because of the extreme legal complexity of this hearing, counsel advised him to do. So, I think in all fairness this committee should hear his statement and put it in the record. |
Michael Corleone: | Was it a boy or a girl? |
Tom Hagen: | Mike, at three and a half... |
Michael Corleone: | What is it, can't you give me straight answers anymore! |
Michael Corleone: | Was it a boy or a girl? |
Tom Hagen: | Mike, at three and a half... |
Michael Corleone: | What is it, can't you give me straight answers anymore! |
Tom Hagen: | Sir, my client has answered every question asked by this committee with the utmost cooperation and sincerity. He has not taken that Fifth Amendment as it was his right to do, and which because of the extreme legal complexity of this hearing, counsel advised him to do. So, I think in all fairness this committee should hear his statement and put it in the record. |
Tom Hagen: | Don't worry about anything, Frankie Five-Angels. |
Frankie Pentangeli: | Thanks, Tom. Thanks. |
Tom Hagen: | Frankie, you were always interested in politics, in history. I remember you talking about Hitler back in '43. We were young then. |
Frankie Pentangeli: | Yeah, I still read a lot. They bring me stuff. |
Tom Hagen: | You were around the old timers who dreamed up how the Families should be organized, how they based it on the old Roman Legions, and called them 'Regimes'... with the 'Capos' and 'Soldiers,' and it worked. |
Frankie Pentangeli: | Yeah, it worked. Those were great old days. We was like the Roman Empire. The Corleone family was like the Roman Empire. |
Tom Hagen: | (sadly) Yeah, it was once. (very gently) The Roman Empire... when a plot against the Emperor failed, the plotters were always given a chance to let their families keep their fortunes. |
Tom Hagen: | [sadly] Yeah, it was once. [very gently] The Roman Empire... when a plot against the Emperor failed, the plotters were always given a chance to let their families keep their fortunes. |
Frankie Pentangeli: | Yeah, but only the rich guys. The little guys got knocked off. If they got arrested and executed, all their estate went to the Emperor. If they just went home and killed themselves, up front, nothing happened. |
Tom Hagen: | Yeah, that was a good break. A nice deal. Pentangeli looks at Hagen; he understands. |
Frankie Pentangeli: | They went home and sat in a hot bath and opened their veins, and bled to death. Sometimes they gave a little party before they did it. Hagen throws away his cigar. Pentangeli puffs on his. |
Hub McCaan: | If you need something, you'd best find it yourself, or even better, learn to do without. |
Don Vito Corleone: | I knew that Santino was going to have to go through all this. And Fredo -- well -- (then, after he sits besides Michael) -- Fredo was -- well -- But I never -- I never wanted this for you. I work my whole life, I don't apologize, to take care of my family. And I refused -- to be a fool -- dancing on the string, held by all those -- bigshots. I don't apologize -- that's my life -- but I thought that -- that when it was your time -- that -- that you would be the one to hold the strings. Senator - Corleone. Governor - Corleone, or something... |
Don Vito Corleone: | I knew that Santino was going to have to go through all this. And Fredo -- well -- [then, after he sits besides Michael] -- Fredo was -- well -- But I never -- I never wanted this for you. I work my whole life, I don't apologize, to take care of my family. And I refused -- to be a fool -- dancing on the string, held by all those -- bigshots. I don't apologize -- that's my life -- but I thought that -- that when it was your time -- that -- that you would be the one to hold the strings. Senator - Corleone. Governor - Corleone, or something... |
Michael Corleone: | Another pezzonovante... |
Tom Hagen: | Well -- this wasn't enough time, Michael. Wasn't enough time... |
Cash: | You are a little rusty Mr Reacher |
Cash: | You're a little rusty, Mr.Reacher. |
Jack Reacher: | "Get her number and lets go."- Robert Duvall |
Jack Reacher: | Get her number and let's go. |
Cash: | Get her number and let's go. |
Wayne: | Hey, you look like shit man. Oh-ho! |
Bad Blake: | Yeah. I know. It's on account of all the toilets I have to play in. |
Eulis "Sonny" Dewey/The Apostle E.F.: | Holy Ghost power! |
Michael Corleone: | was it boy? |
Michael Corleone: | Was it boy? |
Tom Hagen: | At 3 1/2 months--- |
Tom Hagen: | At 3 1/2 months... |
Michael Corleone: | Now can't you give me a straight answer anymore! Was it a boy?! |
Hub McCaan: | Jesus! Jesus! Jesus! No, wait, that was The Apostle. |
Jack Woltz: | A man in my position can't afford to look ridiculous. Now you get the hell out of here. |
Tom Hagen: | Thank you for the dinner, and the lovely evening. |
Lt. Col. Kilgore: | Charlie Don't Surf! |
Lt. Col. Kilgore: | Charlie don't surf! |
Clemenza: | Leave the gun, take the cannoli |
Moe Greene: | Sonofabitch! Do you know who I am? I'm Moe Greene! I made my bones when you were going out with cheerleaders! |
Tom Hagen: | It is a sicillian message it means Luca Brasi sleeps with the fishes |
Moe Greene: | Do you know who I am ? I'm Moe Greene I made My Bones when you were going out with Cheerleaders |
Lt. Col. Kilgore: | This war's gonna end someday. |
Lt. Col. Kilgore: | How are you feeling jimmy ? |
Lt. Col. Kilgore: | How are you feeling Jimmy? |
Kilgore's Machine-Gunner: | Like a mean motherfucker sir ! |
Kilgore's Machine-Gunner: | Like a mean motherfucker sir! |
Lt. Col. Kilgore: | Charlie don't surf! |
Bob Hodges: | [to his new partner] There's two bulls standing on top of a mountain. The younger one says to the older one: "Hey pop, let's say we run down there and fuck one of them cows". The older one says: "No son. Lets walk down and fuck 'em all". |
Bob Hodges: | [to his new partner] There's two bulls standing on top of a mountain. The younger one says to the older one: 'Hey pop, let's say we run down there and fuck one of them cows'. The older one says: 'No son. Lets walk down and fuck 'em all'. |
Tom Hagen: | I always thought [the traitor] would be Clemenza, not Tessio. |
Michael Corleone: | It's the smart move. Tessio was always smarter. |
Lt. Colonel Kilgore: | "Lance, I will not harm or hurt you. Just give me the board back. It was a good board and I like it. Do you know how hard it is to find a board you like. JUST GIVE ME THE BOARD LANCE!." |
Lt. Colonel Kilgore: | Lance, I will not harm or hurt you. Just give me the board back. It was a good board and I like it. Do you know how hard it is to find a board you like. JUST GIVE ME THE BOARD LANCE!. |
Dr. Griffin Weir: | Doesn't anyone stay dead anymore? |
Adam Gibson: | Doesn't anyone stay dead anymore? |
The Man: | Do you ever wish you would die? |
Old Man: | No. It's foolish to ask for luxuries in times like these. |
Lt. Col. Kilgore: | Charlie don't surf! |
Lt. Col. Kilgore: | I love the smell of napalm in the morning. Smells like.....victory |
Lt. Col. Kilgore: | I love the smell of napalm in the morning. Smells like... victory. |
Karl's Father: | Mmmm hmmmmm |
Karl's Father: | Mmmm hmmmmm. |
Lt. Col. Kilgore: | I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn't find one of 'em, not one stinkin' dink body. The smell, you know that gasoline smell, the whole hill. Smelled like [sniffing, pondering] victory. Someday this war's gonna end... [suddenly walks off] |
Lt. Col. Kilgore: | I love the smell of napalm in the morning. You know, one time we had a hill bombed, for 12 hours. When it was all over, I walked up. We didn't find one of 'em, not one stinkin' dink body. The smell, you know that gasoline smell, the whole hill. Smelled like... [sniffing, pondering] |
Lt. Col. Kilgore: | ...victory. Someday this war's gonna end. [suddenly walks off] |
Harry Hogge: | You stay out of that car. If you get back in that car, you'll die. You hear? |
Cole Trickle: | I'm not getting back in my car, I'm getting in Rowdy's. |
Harry Hogge: | You stay out of that car. If you get back in that car, you'll die. You hear? |
Lt. Col. Kilgore: | I am beyond their timed, lying morality. Therefore I am beyond caring. |
Lt. Col. Kilgore: | I am beyond their timid lying morality, and so I am beyond caring. |
Lt. Col. Kilgore: | I love the smell of napalm in the morning. |
Lt. Col. Kilgore: | Charlie don't surf |
Lt. Col. Kilgore: | Charlie don't surf. |
Tom Hagen: | You're getting a real reputation, Sonny! I hope you're enjoying it! |
Tom Hagen: | You're getting a great reputation, Sonny! I hope you're enjoying it! |
Tom Hagen: | This is business. Not personal. |
Otto Halliwell: | We're gonna have to go old school on this. A day to shop, a day to prep. |
Lt. Col. Kilgore: | i asked for a mission and for my sins they gave me one. |
Lt. Col. Kilgore: | I love the smell of Napalm in the mourning! |
Lt. Col. Kilgore: | I love the smell of Napalm in the morning! |
Felix Bush: | They keep talking about forgiveness. "Ask Jesus for forgiveness." I never did nothing to him. |