Sam Shepard
Birthday:
Birthplace:
Fort Sheridan, Illinois, USA
A Pulitzer Prize-winning playwright (for 1979's Buried Child), an Oscar-nominated actor, and a director and screenwriter to boot, multi-talented Sam Shepard has made a career of plumbing the darker depths of middle-American rural sensibilities and Western myths. The son of a military man, he was born Samuel Shepard Rogers on November 3, 1943, in Fort Sheridan, IL. Following a peripatetic childhood, part of which was spent on a farm, Shepard left home in late adolescence to move to New York City, where by the age of 20, he already had two plays produced. As a playwright, Shepard went on to win a number of Obies for such dramas as Curse of the Starving Class (1977), which he made into a film in 1994, and True West (aired on PBS in 1986). As an actor, the lanky and handsome Shepard made his feature film debut with a small role in Bronco Bullfrog (1969) and didn't resurface again until Bob Dylan's disastrous Renaldo and Clara (1978). The film followed Shepard's residence in London during the early '70s, where he worked on-stage as an actor and director when not playing drums for his band, The Holy Modal Rounders, which had performed as part of Dylan's Rolling Thunder Revue in 1975. Also in 1978, Shepard made a big impression playing a wealthy landowner in Terrence Malick's Days of Heaven, but it was not until he received a Best Supporting Actor Oscar nomination for playing astronaut Chuck Yeager in The Right Stuff (1983) that he became a well-known actor. Following this success, he went on to specialize in playing drifters, cowboys, con artists, and eccentric characters with only the occasional leading role. Some of his more notable work included Paris, Texas (1984), which he also wrote; Fool For Love (1985), which was adapted from his play of the same name; Baby Boom (1987), Steel Magnolias (1989), and The Pelican Brief (1993). In addition to acting and writing, Shepard has also directed: in 1988, he made his debut with Far North, a film he wrote especially for his off-screen leading lady, Jessica Lange, with whom he has acted in Frances (1982), Country (1984), and Crimes of the Heart (1986).In 1999, Shepard could be seen on both the big and small screen. He appeared in Snow Falling on Cedars and Dash and Lilly, a made-for-TV movie for which he won an Emmy nomination in the role of the titular Dashiell Hammett. In addition, he also lent his writing skills to Simpatico, a Nick Nolte vehicle about friendship and loss adapted from Shepard's play of the same name.As the new decade began, he could be seen as the ghost in a modern-set Hamlet. He appeared in Black Hawk Down, as well as in Sean Penn's The Pledge. His play True West enjoyed a highly successful revival starring John C. Riley and Philip Seymour Hoffman as feuding brothers, which was notable because the actors traded parts every third performance. In 2004 he appeared in the popular romantic drama The Notebook, and wrote Don't Come Knocking the next year. He was the legendary outlaw Frank James in 2007's The Assassination of Jesse James by the Coward Robert Ford. He was cast as Valerie Plame's father in Fair Game, and portrayed a dog-loving sheriff in Lawrnece Kasdan's Darling Companion.
Photos
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
80% | Never Here |
|
— | 2017 |
100% | California Typewriter |
|
— | 2017 |
30% | In Dubious Battle |
|
— | 2017 |
22% | Ithaca |
|
— | 2016 |
83% | Midnight Special |
|
$3.4M | 2016 |
84% | Cold in July |
|
— | 2014 |
No Score Yet | Klondike |
|
— | 2014 |
67% | August: Osage County |
|
$29.3M | 2013 |
54% | Out of the Furnace |
|
$8.4M | 2013 |
86% | Shepard & Dark |
|
$10.2k | 2013 |
89% | Harry Dean Stanton: Partly Fiction |
|
— | 2013 |
13% | Savannah |
|
$26.2k | 2013 |
97% | Mud |
|
$21.6M | 2013 |
74% | Killing Them Softly |
|
$14.9M | 2012 |
21% | Darling Companion |
|
$0.8M | 2012 |
53% | Safe House |
|
$126.2M | 2012 |
75% | Blackthorn |
|
$0.2M | 2011 |
79% | Fair Game |
|
$9.6M | 2010 |
38% | Inhale |
|
$3.5k | 2010 |
64% | Brothers |
|
$28.6M | 2009 |
6% | The Accidental Husband |
|
— | 2009 |
No Score Yet | Walker Payne |
|
— | 2008 |
67% | Patti Smith: Dream of Life |
|
— | 2008 |
63% | Felon |
|
— | 2008 |
76% | The Assassination of Jesse James by the Coward Robert Ford |
|
$4M | 2007 |
No Score Yet | Ruffian |
|
— | 2007 |
78% | Charlotte's Web |
|
$82.2M | 2006 |
16% | The Return |
|
$7.8M | 2006 |
56% | Bandidas |
|
— | 2006 |
43% | Don't Come Knocking |
|
$0.4M | 2006 |
33% | Trudell |
|
— | 2006 |
100% | Bound to Lose |
|
— | 2006 |
12% | Stealth |
|
$31.8M | 2005 |
53% | The Notebook |
|
$81M | 2004 |
90% | This So-Called Disaster |
|
— | 2004 |
No Score Yet | Blind Horizon |
|
— | 2003 |
43% | Leo |
|
— | 2002 |
76% | Black Hawk Down |
|
$108.6M | 2001 |
25% | Swordfish |
|
— | 2001 |
No Score Yet | After the Harvest |
|
— | 2001 |
78% | The Pledge |
|
$18.9M | 2001 |
83% | Shot in the Heart |
|
— | 2001 |
32% | All the Pretty Horses |
|
$14.8M | 2000 |
59% | Hamlet |
|
— | 2000 |
No Score Yet | Curtain Call |
|
— | 2000 |
No Score Yet | One Kill |
|
— | 2000 |
39% | Snow Falling on Cedars |
|
— | 1999 |
No Score Yet | Purgatory |
|
— | 1999 |
No Score Yet | Dash and Lilly |
|
— | 1999 |
No Score Yet | Kurosawa |
|
— | 1999 |
No Score Yet | The Only Thrill |
|
— | 1998 |
No Score Yet | Great Performances |
|
— | 1997 |
No Score Yet | Lily Dale |
|
— | 1996 |
No Score Yet | Streets of Laredo |
|
— | 1995 |
54% | Safe Passage |
|
— | 1995 |
No Score Yet | The Good Old Boys |
|
— | 1995 |
38% | Silent Tongue |
|
— | 1994 |
53% | The Pelican Brief |
|
— | 1993 |
89% | Thunderheart |
|
— | 1992 |
No Score Yet | Defenseless |
|
— | 1991 |
80% | Bright Angel |
|
— | 1991 |
56% | Homo Faber (Voyager) |
|
— | 1991 |
70% | Steel Magnolias |
|
— | 1989 |
13% | Far North |
|
— | 1988 |
68% | Baby Boom |
|
— | 1987 |
81% | Crimes of the Heart |
|
— | 1986 |
No Score Yet | American Playhouse |
|
— | 1986 |
79% | Fool for Love |
|
— | 1985 |
94% | Paris, Texas |
|
— | 1984 |
100% | Country |
|
— | 1984 |
96% | The Right Stuff |
|
— | 1983 |
66% | Frances |
|
— | 1982 |
83% | Raggedy Man |
|
— | 1981 |
No Score Yet | Resurrection |
|
— | 1980 |
93% | Days of Heaven |
|
— | 1978 |
43% | Renaldo and Clara |
|
— | 1978 |
No Score Yet | Bronco Bullfrog |
|
— | 1972 |
66% | Zabriskie Point |
|
— | 1970 |
No Score Yet | Me and My Brother |
|
— | 1969 |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
62% |
Bloodline
2015-2017
|
|
|
80% |
Klondike
2014
|
|
|
No Score Yet |
POV
1988
|
|
|
No Score Yet |
Great Performances
1972
|
|
|
No Score Yet |
American Playhouse
1982-1996
|
|
|
Quotes from Sam Shepard's Characters
Sky: | Why did you let so much time go by? |
Howard Spence: | I didn't know it was passing. |
Beverly Weston: | Life is very long. T.S. Elliott. Not the first person to say it, certainly not the first person to think it, but absolutely god damn night. |
Beverly Weston: | My wife takes pills, and I drink. That's the little deal we've struck - a little paragraph in our marriage contract. |
Frank Calhoun: | Say, how would you like some breakfast? Would you like some breakfast? |
Allie Calhoun: | Breakfast? |
Frank Calhoun: | Yeah! |
Noah Calhoun: | Dad, it's ten o'clock. |
Frank Calhoun: | Well, what's that gotta do with it, you can have pancakes any damn time of night you want! Come on in, you want some breakfast? |
Allie Calhoun: | Sure! |
Butch Cassidy: | Friendship is the most valuable thing a man can have.Is worth more than money, land, horses or cattle.....Might be the only thing that he never forget...It last's forever...!!! |
Butch Cassidy: | Friendship is the most valuable thing a man can have.Is worth more than money, land, horses or cattle... Might be the only thing that he never forget... It last's forever! |
Harlan Whitford: | We'll take it from here. |
Harlan Whitford: | We will take it from here. |
Sutter: | Share this quote -------------------------------------------------------------------------------- Howard Spence: Mind if I turn the radio on? Sutter: Yes, I do, as a matter of fact. I don't like outside influence. Howard Spence: Outside? Sutter: That's right. The world at large. It's a nasty place. Why allow it in? Livestalk reports, Navajo chanting, beheadings, bestiality. Nothing's changed. Black Death, the Inquisition, the Crusades, conquest of Mexico. What's changed? Howard Spence: I was thinking... Sutter: What? Howard Spence: I don't know. Sutter: Nothing's changed. Howard Spence: Guess not. |
Howard Spence: | Mind if I turn the radio on? |
Sutter: | Yes, I do, as a matter of fact. I don't like outside influence. |
Howard Spence: | Outside? |
Sutter: | That's right. The world at large. It's a nasty place. Why allow it in? Livestalk reports, Navajo chanting, beheadings, bestiality. Nothing's changed. Black Death, the Inquisition, the Crusades, conquest of Mexico. What's changed? |
Howard Spence: | I was thinking... |
Sutter: | What? |
Howard Spence: | I don't know. |
Sutter: | Nothing's changed. |
Howard Spence: | Guess not. |
Butch Cassidy: | Rich? I've been my own man. You don't get any richer than that. |