Sterling Hayden
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American actor Sterling Hayden was a Hollywood leading man of the '40s and '50s who went on to become a character actor in later years. At age 16 he dropped out of school to become a mate on a schooner, beginning a life-long love affair with the sea; by age 22 he was a ship's captain. Extremely good looking, he modeled professionally to earn enough money to buy his own vessel; this led to a movie contract with Paramount in 1940. Within a year he was famous, having starred in two technicolor movies, Virginia (1941) and Bahama Passage (1942); both featured the somewhat older actress Madeleine Carroll, to whom he was married from 1942-46. With these films, Paramount began trumpeting him as "The Most Beautiful Man in the Movies" and "The Beautiful Blond Viking God." Shortly after making these two films he joined the Marines to serve in World War II. After the war he landed inconsequential roles until a part as a hoodlum in The Asphalt Jungle (1950) demonstrated his skill as an actor. After this his career was spotty, marked for the most part by inferior films (with some notable exceptions, such as Dr. Strangelove [1964]) and frequent abandonment of the screen in favor of the sea. It was said that Hayden was never particularly interested in his work as an actor, vastly preferring the life of a sailor. His obsession with the sea and his various voyages are described in his 1963 autobiography, Wanderer, in which he also expresses regret for having cooperated with the House Un-American Activities Commission during the early '50s McCarthy-Era "witch trials." He published a novel in 1976, Voyage: A Novel of 1896; it was named as a selection of the Book of the Month Club.
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
82% | Kubrick by Kubrick (Kubrick par Kubrick) |
|
— | 2020 |
No Score Yet | Le saut de l'ange (Angel's Leap) |
|
— | 2010 |
No Score Yet | The Rat Pack |
|
— | 2001 |
43% | Venom |
|
— | 1981 |
No Score Yet | Gas |
|
— | 1981 |
No Score Yet | Blue and the Gray |
|
— | 1981 |
83% | 9 to 5 |
|
— | 1980 |
88% | Winter Kills |
|
— | 1979 |
75% | King of the Gypsies |
|
— | 1978 |
No Score Yet | Cipolla Colt |
|
— | 1978 |
No Score Yet | Bertolucci secondo il cinema (The Cinema According to Bertolucci) |
|
— | 1977 |
55% | 1900 (Novecento) |
|
— | 1977 |
No Score Yet | Deadly Strangers |
|
— | 1974 |
No Score Yet | The Final Programme (The Last Days of Man on Earth) |
|
— | 1973 |
94% | The Long Goodbye |
|
— | 1973 |
No Score Yet | Starlost: The Beginning |
|
— | 1973 |
97% | The Godfather |
|
— | 1972 |
No Score Yet | Loving |
|
— | 1970 |
No Score Yet | Hard Contract |
|
— | 1969 |
No Score Yet | Carol for Another Christmas |
|
— | 1964 |
98% | Dr. Strangelove Or How I Learned to Stop Worrying and Love the Bomb |
|
— | 1964 |
No Score Yet | Ten Days to Tulara |
|
— | 1958 |
100% | Terror in a Texas Town |
|
— | 1958 |
No Score Yet | Zero Hour! |
|
— | 1957 |
No Score Yet | The Iron Sheriff |
|
— | 1957 |
No Score Yet | Valerie |
|
— | 1957 |
No Score Yet | Five Steps to Danger |
|
— | 1957 |
80% | Crime of Passion |
|
— | 1957 |
95% | The Killing |
|
— | 1956 |
No Score Yet | The Come On |
|
— | 1956 |
No Score Yet | The Last Command |
|
— | 1955 |
No Score Yet | Shotgun |
|
— | 1955 |
No Score Yet | Timberjack |
|
— | 1955 |
No Score Yet | Battle Taxi |
|
— | 1955 |
No Score Yet | Top Gun |
|
— | 1955 |
100% | Suddenly |
|
— | 1954 |
94% | Johnny Guitar |
|
— | 1954 |
No Score Yet | Arrow in the Dust |
|
— | 1954 |
No Score Yet | Prince Valiant |
|
— | 1954 |
67% | Crime Wave |
|
— | 1954 |
No Score Yet | Naked Alibi |
|
— | 1954 |
No Score Yet | Fighter Attack |
|
— | 1953 |
No Score Yet | So Big |
|
— | 1953 |
No Score Yet | Kansas Pacific |
|
— | 1953 |
No Score Yet | Take Me to Town |
|
— | 1953 |
No Score Yet | Flat Top |
|
— | 1952 |
25% | The Star |
|
— | 1952 |
No Score Yet | The Golden Hawk |
|
— | 1952 |
No Score Yet | Hellgate |
|
— | 1952 |
No Score Yet | Denver & Rio Grande |
|
— | 1951 |
97% | The Asphalt Jungle |
|
— | 1950 |
No Score Yet | El Paso |
|
— | 1949 |
No Score Yet | Manhandled |
|
— | 1949 |
No Score Yet | Variety Girl |
|
— | 1947 |
Quotes from Sterling Hayden's Characters
Johnny Clay: | You know, Fay, the mistake I made before was shooting for peanuts. Five years have taught me one thing, if nothing else. If you take a chance, be sure the reward's worth the risk. They can put you away just as fast for a ten-dollar heist as for a million. |
Johnny Clay: | You'll be loaded with a capital L. |
Gen. Jack D. Ripper: | I can no longer sit back and allow communist infiltration, communist indoctrination, communist subversion, and the international communist conspiracy to sap and impurify all of our precious bodily fluids. |
Gen. Jack D. Ripper: | "I-I first became aware of it, Mandrake, during the physical act of love...Yes, a profound sense of fatigue, a feeling of emptiness followed. Luckily I-I was able to interpret these feelings correctly. Loss of essence. I can assure you it has not recurred, Mandrake. Women, er, women sense my power, and they seek the life essence. I do not avoid women, Mandrake. But I do deny them my essence." |
Gen. Jack D. Ripper: | I-I first became aware of it, Mandrake, during the physical act of love...Yes, a profound sense of fatigue, a feeling of emptiness followed. Luckily I-I was able to interpret these feelings correctly. Loss of essence. I can assure you it has not recurred, Mandrake. Women, er, women sense my power, and they seek the life essence. I do not avoid women, Mandrake. But I do deny them my essence. |
Gen. Jack D. Ripper: | It occurred to me... ,[Embarrassed and slightly reluctantly]] While I was in the act of physical love... |
Gen. Jack D. Ripper: | It occurred to me, [embarrassed and slightly reluctantly] While I was in the act of physical love... |
McCluskey: | I frisked him, he's clean. I've frisked a thousand young punks. |