Vincent Price
Birthday:
Birthplace:
St. Louis, Missouri, USA
Lean, effete, and sinister, Vincent Price was among the movies' greatest villains as well as one of the horror genre's most beloved and enduring stars. Born May 27, 1911, in St. Louis, MO, Price graduated from Yale University, and later studied fine arts at the University of London. He made his theatrical debut in the Gate Theatre's 1935 production of Chicago, followed by work on Broadway, in stock and with Orson Welles' famed Mercury Theater. Under contract to Universal, Price traveled to Hollywood, making his screen debut in 1938's Service de Luxe, before returning to Broadway for a revival of Outward Bound. His tenure at Universal was largely unsuccessful, and the studio kept him confined to supporting roles. Upon completing his contract, Price jumped to 20th Century Fox, starring in a pair of 1940 historical tales, Brigham Young -- Frontiersman and Hudson Bay. Still, fame eluded him, and in 1941 he began a long Broadway run (in Angel Street) that kept him out of films for three years. Price returned to the West Coast to co-star in 1943's The Song of Bernadette and became a prominent supporting player in a series of acclaimed films, including 1944's Wilson and Laura, and 1946's Leave Her to Heaven. His first starring role was in the low-budget Shock!, portraying a murderous psychiatrist. He next played a sadistic husband opposite Gene Tierney in Dragonwyck. Clearly, Price's niche was as a villain -- everything about him suggested malice, with each line reading dripping with condescension and loathing; he relished these roles, and excelled in them. Still, he was not the star Fox wanted; after 1947's The Web, his contract expired and was not renewed. Price spent the next several years freelancing with a variety of studios and by 1952 had grown so disenchanted with Hollywood that he returned to the stage, performing in a San Francisco production of The Cocktail Party before replacing Charles Laughton in the touring company of Don Juan in Hell.Price then signed on to star in 1953's House of Wax, Warners' 3-D update of their Mystery of the Wax Museum. The picture was one of the year's biggest hits, and one of the most successful horror films ever produced. Price's crazed performance as a vengeful sculptor brought him offers for any number of similar projects, and he next appeared in another 3-D feature, Dangerous Mission. He also made a triumphant return to the stage to appear in Richard III, followed by Black-Eyed Susan. The latter was Price's last theatrical performance for 14 years, however, as he began a very busy and eclectic motion picture schedule. Though he essayed many different types of characters, his forays into horror remained by far his most popular, and in 1958 he co-starred in the hit The Fly as well as William Castle's House on Haunted Hill. By the 1960s, Price was working almost exclusively in the horror genre. For producer Roger Corman, he starred in a series of cult classic adaptations of Edgar Allen Poe stories including 1960's The Fall of the House of Usher, 1963's The Raven, 1964's The Masque of the Red Death, and 1968's The Conqueror Worm. He also appeared in a number of teen movies like 1963's Beach Party, 1965's Dr. Goldfoot and the Bikini Machine, and the 1969 Elvis Presley vehicle The Trouble With Girls. Price began to cut back on his film activities during the 1970s despite hits like 1971's The Abominable Dr. Phibes and its follow-up Dr. Phibes Rises Again. Instead he frequently lectured on art, and even published several books. For disciple Tim Burton, Price co-starred in the 1990 fantasy Edward Scissorhands; apart from voice-over work, it was his last screen appearance. He died in Los Angeles on October 25, 1993.
Highest Rated Movies
Filmography
MOVIES
RATING | TITLE | CREDIT | BOX OFFICE | YEAR |
---|---|---|---|---|
No Score Yet | Moss Rose |
|
— | 2015 |
No Score Yet | The Christmas Carol |
|
— | 2009 |
100% | Spine Tingler: The William Castle Story |
|
— | 2007 |
No Score Yet | Vincent Price: The Sinister Image |
|
— | 2002 |
No Score Yet | Heroes of Horror |
|
— | 2001 |
88% | The Conqueror Worm (Witchfinder General) |
|
— | 2000 |
No Score Yet | Serenade |
|
— | 2000 |
No Score Yet | Muppet Show, The - Monster Laughs With Vincent Price |
|
— | 1994 |
50% | The Princess and the Cobbler (The Thief and the Cobbler) |
|
— | 1993 |
No Score Yet | The Heart of Justice |
|
— | 1993 |
No Score Yet | Greatest Adventure Stories from the Bible: Queen Esther |
|
— | 1991 |
50% | Catchfire (Backtrack) |
|
— | 1990 |
90% | Edward Scissorhands |
|
— | 1990 |
No Score Yet | Once Upon a Midnight Scary |
|
— | 1990 |
11% | Dead Heat |
|
— | 1988 |
No Score Yet | Monsters and Maniacs |
|
— | 1988 |
No Score Yet | Sparky's Magic Piano |
|
— | 1987 |
No Score Yet | From a Whisper to a Scream |
|
— | 1987 |
64% | The Whales of August |
|
— | 1987 |
80% | The Great Mouse Detective |
|
— | 1986 |
No Score Yet | Freddie the Freeloader's Christmas Dinner |
|
— | 1986 |
No Score Yet | Palace of Peterhof, Peter the Great |
|
— | 1986 |
No Score Yet | Tsarko Selo, Catherine II |
|
— | 1986 |
No Score Yet | Escapes |
|
— | 1986 |
No Score Yet | Port Arthur Jail |
|
— | 1986 |
No Score Yet | Sorcerer's Apprentice |
|
— | 1985 |
No Score Yet | The Little Troll Prince |
|
— | 1985 |
No Score Yet | Dracula: The Great Undead |
|
— | 1985 |
No Score Yet | Bloodbath at the House of Death |
|
— | 1984 |
No Score Yet | Thriller |
|
— | 1983 |
No Score Yet | House of the Long Shadows |
|
— | 1983 |
No Score Yet | Vincent |
|
— | 1982 |
No Score Yet | Ruddigore |
|
— | 1982 |
71% | The Monster Club |
|
— | 1980 |
No Score Yet | Scavenger Hunt |
|
— | 1979 |
No Score Yet | Journey Into Fear (Burn Out) |
|
— | 1975 |
No Score Yet | Butterfly Ball |
|
— | 1975 |
40% | Madhouse |
|
— | 1974 |
No Score Yet | The Devil's Triangle |
|
— | 1974 |
94% | Theater of Blood (Theatre of Blood) (Much Ado About Murder) |
|
— | 1973 |
59% | Dr. Phibes Rises Again |
|
— | 1972 |
No Score Yet | An Evening of Edgar Allan Poe |
|
— | 1972 |
88% | The Abominable Dr. Phibes |
|
— | 1971 |
No Score Yet | Here Comes Peter Cottontail |
|
— | 1971 |
No Score Yet | Mooch |
|
— | 1971 |
No Score Yet | Hilarious House of Frightenstein |
|
— | 1971 |
No Score Yet | The Hilarious House of Frightenstein |
|
— | 1971 |
No Score Yet | Cry of the Banshee |
|
— | 1970 |
63% | Scream and Scream Again (Screamer) |
|
— | 1970 |
No Score Yet | The Trouble with Girls |
|
— | 1969 |
86% | Spirits of the Dead |
|
— | 1969 |
50% | The Oblong Box (Dance, Mephisto) |
|
— | 1969 |
No Score Yet | More Dead Than Alive |
|
— | 1969 |
No Score Yet | The Jackals |
|
— | 1967 |
No Score Yet | La casa de las mil muñecas (House of 1,000 Dolls) (House of a Thousand Pleasures) (House of a Thousand Dolls) |
|
— | 1967 |
No Score Yet | Dr. Goldfoot and the Girl Bombs |
|
— | 1966 |
40% | War-Gods of the Deep |
|
— | 1965 |
86% | The Tomb of Ligeia |
|
— | 1965 |
29% | Dr. Goldfoot and the Bikini Machine |
|
— | 1965 |
89% | The Masque of the Red Death |
|
— | 1964 |
81% | The Last Man on Earth |
|
— | 1964 |
91% | The Comedy of Terrors |
|
— | 1964 |
No Score Yet | Queen of the Nile |
|
— | 1964 |
No Score Yet | Pirate Warrior |
|
— | 1964 |
57% | Twice Told Tales |
|
— | 1963 |
75% | The Haunted Palace |
|
— | 1963 |
No Score Yet | Diary of a Madman |
|
— | 1963 |
88% | The Raven |
|
— | 1963 |
No Score Yet | Tower of London |
|
— | 1962 |
No Score Yet | Convicts 4 |
|
— | 1962 |
71% | Tales of Terror |
|
— | 1962 |
No Score Yet | Confessions of an Opium Eater |
|
— | 1962 |
88% | Pit and the Pendulum (The Pit and the Pendulum) |
|
— | 1961 |
No Score Yet | Master of the World |
|
— | 1961 |
86% | The Fall of the House of Usher |
|
— | 1960 |
No Score Yet | The Left Fist of David |
|
— | 1960 |
36% | Return of the Fly |
|
— | 1959 |
20% | The Bat |
|
— | 1959 |
76% | The Tingler |
|
— | 1959 |
89% | House On Haunted Hill |
|
— | 1959 |
No Score Yet | The Big Circus |
|
— | 1959 |
95% | The Fly |
|
— | 1958 |
No Score Yet | The Story of Mankind |
|
— | 1957 |
86% | The Ten Commandments |
|
— | 1956 |
90% | While the City Sleeps |
|
— | 1955 |
No Score Yet | Son of Sinbad |
|
— | 1955 |
No Score Yet | The Mad Magician |
|
— | 1954 |
No Score Yet | Casanova's Big Night |
|
— | 1954 |
No Score Yet | Dangerous Mission |
|
— | 1954 |
95% | House of Wax |
|
— | 1953 |
No Score Yet | The Las Vegas Story |
|
— | 1952 |
No Score Yet | His Kind of Woman |
|
— | 1951 |
No Score Yet | Adventures of Captain Fabian |
|
— | 1951 |
No Score Yet | Champagne for Caesar |
|
— | 1950 |
86% | The Baron of Arizona |
|
— | 1950 |
No Score Yet | The Bribe |
|
— | 1949 |
No Score Yet | Bagdad |
|
— | 1949 |
80% | The Three Musketeers |
|
— | 1948 |
89% | Abbott and Costello Meet Frankenstein |
|
— | 1948 |
No Score Yet | Up in Central Park |
|
— | 1948 |
No Score Yet | Rogues' Regiment |
|
— | 1948 |
100% | The Web |
|
— | 1947 |
No Score Yet | The Long Night |
|
— | 1947 |
67% | Dragonwyck |
|
— | 1946 |
No Score Yet | Shock |
|
— | 1946 |
85% | Leave Her to Heaven |
|
— | 1945 |
33% | A Royal Scandal |
|
— | 1945 |
No Score Yet | In Old New Mexico |
|
— | 1945 |
No Score Yet | The Keys of the Kingdom |
|
— | 1944 |
No Score Yet | Guest in the House |
|
— | 1944 |
100% | Laura |
|
— | 1944 |
89% | Wilson |
|
— | 1944 |
88% | The Song of Bernadette |
|
— | 1943 |
No Score Yet | Hudson's Bay |
|
— | 1941 |
87% | The Invisible Man Returns |
|
— | 1940 |
No Score Yet | Brigham Young |
|
— | 1940 |
No Score Yet | Green Hell |
|
— | 1940 |
80% | The House of the Seven Gables |
|
— | 1940 |
83% | Tower of London |
|
— | 1939 |
78% | The Private Lives of Elizabeth and Essex |
|
— | 1939 |
No Score Yet | Masters of Mayhem |
|
— | 1939 |
No Score Yet | Service De Luxe |
|
— | 1938 |
No Score Yet | Fun Learning: Chocolate Princess and Other Children's Stories |
|
— | |
No Score Yet | An Evening of Edgar Allen Poe |
|
— |
TV
RATING | TITLE | CREDIT | YEAR |
---|---|---|---|
No Score Yet |
Mystery!
1980-2007
|
|
|
No Score Yet |
The 13 Ghosts of Scooby-Doo
1985
|
|
|
No Score Yet |
Trapper John, M.D.
1979-1986
|
|
|
No Score Yet |
The Love Boat
1977-1986
|
|
|
100% |
The Muppet Show
1976-1981
|
|
|
No Score Yet |
The Bionic Woman
1976-1978
|
|
|
No Score Yet |
Columbo
1968-2003
|
|
|
No Score Yet |
Night Gallery
1970-1973
|
|
|
78% |
The Brady Bunch
1969-1974
|
|
|
No Score Yet |
Get Smart
1965-1970
|
|
|
72% |
Batman
1966-1968
|
|
|
100% |
The Man From U.N.C.L.E.
1964-1968
|
|
|
No Score Yet |
Alfred Hitchcock Presents
1955-1962
|
|
|
Quotes from Vincent Price's Characters
Prof. Henry Jarrod: | My creations have some merit, I suspect. But in bringing back to life the lovely Marie Antoinette I have done my best work. |
Sidney Wallace: | Ohhhh, I've never seen anything so exquisite. |
Prof. Henry Jarrod: | People say that they can see my Marie Antoinette breathe; that her breast rises and falls. Look at her eyes, they follow you wherever you go. She's very real to me. |
Prof. Henry Jarrod: | It's not easy to shut an actor's mouth. |
Lt. Anderson: | There'll be a man patrolling the grounds all night, Miss Van Gorder. |
Cornelia Van Gorder: | Oh, thank you. |
Dr. Malcolm Wells: | and nobody inside, Andy? |
Lt. Anderson: | Why should there be? |
Dr. Malcolm Wells: | Well, how do you know but what the "Bat" is hiding somewhere inside the house? |
Lt. Anderson: | I'm quite sure he isn't in the house, Doctor. Not now. |
Dr. Malcolm Wells: | You know it's a pity you leased this house, Miss Van Gorder. |
Cornelia Van Gorder: | Why a pity? |
Dr. Malcolm Wells: | Well my dear lady, I don't want to alarm you but... |
Cornelia Van Gorder: | Oh, well after tonight nothing will alarm me. |
Dr. Malcolm Wells: | Yes I understand. It must have been terrifying. So many unexplainable things have happened here. There's something about the place. Your servants must have sensed it when they - walked out on you. An apprehension of disaster. |
Shelby Carpenter: | I've spent very little time in observing my own character, Mr. McPherson. |
Shelby Carpenter: | But Lieutenant I don't understand. You sent for me didn't you? |
Mark McPherson: | [swallows a bit of scotch] Yeah. |
Mark McPherson: | Yeah. |
Shelby Carpenter: | Well don't you want to see me? Don't you want to ask me some questions? |
Mark McPherson: | I'll be seeing you. |
Shelby Carpenter: | I knew there was something on my mind. What is it? Oh yes, will you dine with me tomorrow night? |
Laura Hunt: | Maybe. |
Shelby Carpenter: | No, that isn't what's worrying me. It's the next night. |
Laura Hunt: | But Shelby, I can't.... |
Shelby Carpenter: | Good. And what about three weeks from tonight? And all the nights in between? |
Laura Hunt: | Don't you think I have any other engagements? |
Shelby Carpenter: | What about two months from now and the month after that? |
Laura Hunt: | What about next year? |
Shelby Carpenter: | That's all settled. What about breakfast? |
Shelby Carpenter: | Waldo for your own good, I'm warning you to stop implying that I had anything to do with Laura's death. |
Waldo Lydecker: | Very well I'll stop implying: I'll make a direct statement. |
Edward Lionheart: | Hark, villain! I shall grind your bones to dust and make two pasties from your shameful head... |
Edward Lionheart: | Alas...he didn't have the stomach for it... |
Edward Lionheart: | Alas... he didn't have the stomach for it. |
Zigzag: | I can restore you the balls although they may be lost. |
King Nod: | I'll give you anything Zigzag! Just do it! |
Nurse/Good Witch: | As my peril will be dire, you must grant my heart's desire! |
King Nod: | Wich is? |
Zigzag: | I require, Sire, your daughter Yum Yum to wed... |
King Nod: | You want my daughter...? Never! Never, ever! Get out! OUT!!!! |
King Nod: | You want my daughter? Never! Never, ever! Get out! OUT! |
Zigzag: | (to King Nod, about his nightmare/ vision) Calm down your highness... Invaders, One-Eyes? But this is against what has been prophecized! For has it not been written that we are safe from any threat, As long as the three balls stay on the Minaret? |
Zigzag: | [to King Nod, about his nightmare/ vision] Calm down your highness... Invaders, One-Eyes? But this is against what has been prophecized! For has it not been written that we are safe from any threat, As long as the three balls stay on the Minaret? |
Zigzag: | Men are fools who walk in dreams. They sleep their lives away... But I, Zigzag, will reign supreme, for they are easy prey... Eh, Phido? |
Zigzag: | (looking down on the city) Asleep, asleep, they're all asleep! But I am quite awake! I rise above the human heap! The world is mine to take! |
Zigzag: | [looking down on the city] Asleep, asleep, they're all asleep! But I am quite awake! I rise above the human heap! The world is mine to take! |
Zigzag: | (At polo match) In honor of King Nod, beloved by all, comence the game! In short, play ball! |
Zigzag: | [at polo match] In honor of King Nod, beloved by all, comence the game! In short, play ball! |
One-Eye: | None shall escape... |
Zigzag: | Except for the princess! That we agreed. She is the price for my treacherous deed! |
One-Eye: | You say you can charm beasts? |
Zigzag: | Yes... |
One-Eye: | Huh huh huh... Throw him to the alligators! |
Princess Yum Yum: | Who is this? |
Zigzag: | (to King Nod) oh greatest king of all the earth! This lowborn cobbler of no worth Attacked me in the market today! Shall we take his head away? |
Zigzag: | [to King Nod] oh greatest king of all the earth! This lowborn cobbler of no worth. Attacked me in the market today! Shall we take his head away? |
Zigzag: | I'm taking my balls and leaving! |
Francois: | You've commited murder just as much as Helene did. You killed a fly with a human head. She killed a human with a fly head. |
Professor Ratigan: | I've won! Hahahaha! |
Professor Ratigan: | I AM NOT A RAT!!! |
Professor Ratigan: | I am not a rat! |
Professor Ratigan: | Ooh, I love it when I'm nasty. |
Professor Ratigan: | Oh, I love it when I'm nasty. |
The Inventor: | [to Edward] Let us pretend that we are in the drawing room and the hostess is serving tea. Now many numerous little questions confront us. Should the man rise when he accepts his cup of tea? May lump sugar be taken with the fingers? No. Is it good form to accept a second cup? Should the napkin be entirely unfolded or should the centre crease be allowed to remain? It is so easy to commit embarrassing blunders, but etiquette tells us just what is expected of us and guards us from all humiliation and discomfort. Mm, yes. Boring. Let us switch to, uh... to some poetry, hm? "There was an old man from the Cape, who made himself garments of crepe. When asked: will they tear? He replied: Here and there, but they keep such a beautiful shape!" That's right. Go ahead, smile, it's funny. That's right. |
The Inventor: | [to Edward] Let us pretend that we are in the drawing room and the hostess is serving tea. Now many numerous little questions confront us. Should the man rise when he accepts his cup of tea? May lump sugar be taken with the fingers? No. Is it good form to accept a second cup? Should the napkin be entirely unfolded or should the centre crease be allowed to remain? It is so easy to commit embarrassing blunders, but etiquette tells us just what is expected of us and guards us from all humiliation and discomfort. Mm, yes. Boring. Let us switch to, uh, to some poetry, hm? 'There was an old man from the Cape, who made himself garments of crepe. When asked: will they tear? He replied: Here and there, but they keep such a beautiful shape!' That's right. Go ahead, smile, it's funny. That's right. |
Simon Cordier: | Simon: Help me Father. |
Simon Cordier: | Help me Father. |