Jenny Nulf Movie Reviews & Previews - Rotten Tomatoes

Jenny Nulf

Jenny Nulf
Jenny Nulf's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): Austin Chronicle

Movie Reviews Only

Rating T-Meter Title | Year Review
4/5 93% Yourself and Yours (2020) That there are numerous ways to view her and the story makes it one of Hong's most powerful and engrossing films.‐ Austin Chronicle
Read More | Posted Jun 26, 2020
3.5/5 88% Swallow (2020) The terror and heavy grief of a woman not feeling autonomy over her own body is extreme, and Bennett encompasses that particular anguish in a way other women have not been able to explore. ‐ Austin Chronicle
Read More | Posted Mar 12, 2020
88% The Truth (La vérité) (2020) The Truth is, predictably, a movie about lies, but more so about memory and perception. It's an ambitious feat for Kore-eda, but in that ambition a lot of his ability to write a tender family drama, such as his Oscar-nominated Shoplifters, is muddled.‐ Austin Chronicle
Read More | Posted Nov 4, 2019
3/5 100% Midnight Traveler (2019) What makes Midnight Traveler distinct from its counterparts is that it follows filmmaker Hassan Fazili's own family, and the intimacy he's able to capture over the life spans of three iPhones makes his documentary more tender and honest and immediate.‐ Austin Chronicle
Read More | Posted Oct 10, 2019
72% Vivarium (2020) It's an overlong Black Mirror episode that forgot what the audience is supposed to be afraid of. Yes, we all know suburbia is trite, but your film doesn't have to be as well.‐ Austin Chronicle
Read More | Posted Oct 4, 2019
74% The Other Lamb (2020) Unless you are into the warped imagery of trees and dead animals, it can seem like an incredible slog like the many hikes the women have to trudge through to reach the pinnacle "Eden."‐ Austin Chronicle
Read More | Posted Oct 4, 2019
96% The Pool (2019) Pouring from the demented mind of Ping Lumprapleong, The Pool is a survival thriller that manages to balance dumb decisions with gut-busting laughs to mold an extreme riot of a film that shouldn't be as entertaining as it is.‐ Austin Chronicle
Read More | Posted Oct 4, 2019
99% Parasite (Gisaengchung) (2019) Bong Joon-ho, who has consistently played with what the class system means in a modern day South Korea, has finally reached his pinnacle with his latest film, Parasite.‐ Austin Chronicle
Read More | Posted Oct 4, 2019
3.5/5 97% First Love (Hatsukoi) (2019) [Takashi Miike's] recent output just feels a little too produced and overseen by the Japanese government. Despite all this, First Love's warm and tender nature keeps it an endearing and heartwarming addition to the master's filmography.‐ Austin Chronicle
Read More | Posted Oct 3, 2019
2.5/5 82% The Wind (2019) Inconsistent jump scares feel entirely out of place, and rather than evoking fear they drag the film down, mucking it up with trite horror cliches.‐ Austin Chronicle
Read More | Posted Apr 4, 2019
29% The Curse of La Llorona (2019) It's pathetic, and both horror fans and the Latinx community deserve more respect than this lazy attempt at a cash grab.‐ Austin Chronicle
Read More | Posted Mar 16, 2019
91% In Fabric (2019) With In Fabric, Strickland takes his viewers on a sexy, but deadly, journey into his bizarrely textured world.‐ Austin Chronicle
Read More | Posted Dec 13, 2018
4/5 95% Burning (Beoning) (2018) Not only does Burning subvert the expectations of pacing and storytelling when it comes to the genre, Lee also takes pride in padding out his characters, deeply diving into their psyches and letting the audience immerse themselves into their oddball lives‐ Austin Chronicle
Read More | Posted Nov 8, 2018
4/5 65% Suspiria (2018) Suspiria is not a movie that will gel with everyone. It will awaken the sickest, most twisted parts of your mind if you allow it.‐ Austin Chronicle
Read More | Posted Sep 25, 2018
99% Eighth Grade (2018) Eighth Grade is a brilliantly raw, honest portrayal about the middle school experience.‐ Austin Chronicle
Read More | Posted Mar 22, 2018
62% The New Romantic (2018) Blake navigates the morally vague world of being a sugar baby with complete control over her body and needs, which is what makes The New Romantic utterly genuine.‐ Austin Chronicle
Read More | Posted Mar 14, 2018
97% People's Republic of Desire (2018) You can't help but yearn to know more about the film's pitiable subjects, thus transforming you into one of the voyeurs that have wrecked Shen Man and Big Li's lives.‐ Austin Chronicle
Read More | Posted Mar 14, 2018
53% Blood Fest (2018) Blood Fest will find a place to thrive, and that's in the online space. It's GIF-able, and it winks enough at its core audience to satisfy.‐ Austin Chronicle
Read More | Posted Mar 12, 2018
81% Fast Color (2019) [Gugu Mbatha-Raw's] presence is commanding, and in Julia Hart's arthouse superhero film Fast Color she's a beacon to behold.‐ Austin Chronicle
Read More | Posted Mar 12, 2018