Sheila O'Malley Movie Reviews & Previews - Rotten Tomatoes

Sheila O'Malley

Sheila O'Malley
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
3/4 83% The Opening Act (2020) A very insightful insider-baseball look at the creative process.‐ RogerEbert.com
Read More | Posted Oct 16, 2020
1.5/4 48% Rebecca (2020) Treating Rebecca as a traditional period piece romance-melodrama doesn't go at all far enough.‐ RogerEbert.com
Read More | Posted Oct 16, 2020
3.5/4 75% A Call to Spy (2020) An engrossing and often thrilling spy drama, and a tribute to this courageous and diverse group of women.‐ RogerEbert.com
Read More | Posted Oct 2, 2020
2.5/4 92% Possessor: Uncut (2020) The provocative ideas are not given a chance to really take on a life of their own. Still, there's much here that is imaginative and fresh.‐ RogerEbert.com
Read More | Posted Oct 2, 2020
2.5/4 83% Misbehaviour (2020) The separate storylines help the film avoid the mistakes made in similar movies, particularly those dealing with feminist history.‐ RogerEbert.com
Read More | Posted Sep 25, 2020
4/4 100% The Swerve (2020) Azura Skye's tremendous performance [is] as unblinkingly honest as anything Gena Rowlands has done.‐ RogerEbert.com
Read More | Posted Sep 23, 2020
58% Infidel (2020) Aided by excellent performances across the board by its international cast, Infidel works best when it's an old-fashioned thriller.‐ RogerEbert.com
Read More | Posted Sep 18, 2020
1.5/4 63% I Am Woman (2020) A frustratingly shallow approach to a singer who deserves better.‐ RogerEbert.com
Read More | Posted Sep 11, 2020
1.5/4 69% The Argument (2020) There are some very funny bits here, but unfortunately the concept takes too long getting off the ground, leaving the first three-quarters of the movie floating in limbo, waiting for it to all make sense.‐ RogerEbert.com
Read More | Posted Sep 4, 2020
3/4 62% Fatima (2020) Fatima is told simply but emotionally, prioritizing the sensorial reality of the children's world and the people inhabiting it. This devotion to the 'real' makes the holy vision palpable and plausible.‐ RogerEbert.com
Read More | Posted Aug 28, 2020
2.5/4 66% Matthias & Maxime (2019) The way Dolan chooses to frame things, the visual choices he makes, the way he revels unashamed in the big-ness of the emotions, makes it an entertaining ride.‐ RogerEbert.com
Read More | Posted Aug 28, 2020
3/4 62% Chemical Hearts (2020) There's much to be said for what Tanne has pulled off in Chemical Hearts, for his gentle and measured approach. You actually feel like you have been through something by the end.‐ RogerEbert.com
Read More | Posted Aug 21, 2020
1.5/4 63% Spree (2020) An awkward and mostly unpleasant hybrid of social critique and horror-comedy.‐ RogerEbert.com
Read More | Posted Aug 14, 2020
3/4 85% I Used to Go Here (2020) I Used to Go Here features a very well-drawn character arc, thanks to Rey's script, but Jacobs fills it with heart and feeling.‐ RogerEbert.com
Read More | Posted Aug 7, 2020
3.5/4 84% She Dies Tomorrow (2020) She Dies Tomorrow strikes a particularly haunting chord.‐ RogerEbert.com
Read More | Posted Jul 31, 2020
3/4 94% Yes, God, Yes (2020) A sweet sincere film about a girl getting all twisted up because of the mixed messages passed down to her.‐ RogerEbert.com
Read More | Posted Jul 24, 2020
2/4 81% Flannery (2020) There's a lot of interesting things here and yet Flannery feels incomplete, and -- worse -- a little bit scared to go in for a much deeper dive.‐ RogerEbert.com
Read More | Posted Jul 17, 2020
3.5/4 94% Palm Springs (2020) You may think you know where it's going, but Barbakow and screenwriter Andy Siara keep it fresh, developing ideas in a constant state of flux.‐ RogerEbert.com
Read More | Posted Jul 10, 2020
3/4 91% Relic (2020) [Relic] is with subtle detail, character depth, and a creeping mood of dread, illuminated by the three central performances.‐ RogerEbert.com
Read More | Posted Jul 3, 2020
3.5/4 100% Suzi Q (2020) Like Joan Jett says: Suzi Quatro really 'should be much more discussed.' Hopefully Suzi Q will start that long-overdue conversation.‐ RogerEbert.com
Read More | Posted Jul 1, 2020
1.5/4 80% All I Can Say (2020) Fans of Hoon will thrill to all of this footage. For others, it'll be a pretty tough haul.‐ RogerEbert.com
Read More | Posted Jun 26, 2020
3.5/4 94% Babyteeth (2020) Babyteeth avoids almost every cliche you might expect in this kind of material.‐ RogerEbert.com
Read More | Posted Jun 19, 2020
1/4 13% Darkness Falls (2020) The attempt to create a 'serious' anti-misogyny message through this shallow, improbable material -- directed and written by two men, with no complex female characters onscreen -- is maybe the worst part of it.‐ RogerEbert.com
Read More | Posted Jun 12, 2020
3.5/4 87% Shirley (2020) [Josephine Decker's] most ambitious film to date.‐ RogerEbert.com
Read More | Posted Jun 3, 2020
3/4 99% On the Record (2020) Beyond laying out the accusations against Simmons, On the Record is a deeply mournful portrait of lost potential, of a woman run out of a business that she not only loved, but helped create.‐ RogerEbert.com
Read More | Posted May 28, 2020
3/4 88% AKA Jane Roe (2020) AKA Jane Roe brings us into the battles behind the scenes, and allows us to get to know the woman at the center of it.‐ RogerEbert.com
Read More | Posted May 22, 2020
4/4 92% The Vast of Night (2020) An astonishing first feature. It works like gangbusters, start to finish.‐ RogerEbert.com
Read More | Posted May 14, 2020
1.5/4 74% Already Tomorrow In Hong Kong (2016) The stakes are not high enough for either character and the two-people-at-a-fork-in-the-road story never comes to life, a practically fatal flaw.‐ RogerEbert.com
Read More | Posted May 7, 2020
3/4 68% The Flood (2019) The back-and-forth structure is sometimes monotonous, and Wendy's problems take too much focus, but there are specifics that linger.‐ RogerEbert.com
Read More | Posted May 1, 2020
1.5/4 44% Endings, Beginnings (2020) It's not actually clear what is appealing and/or interesting about any of these people.‐ RogerEbert.com
Read More | Posted Apr 17, 2020
3.5/4 81% Tigertail (2020) Yang's script is thoughtful and precise -- every character gets to be three-dimensional.‐ RogerEbert.com
Read More | Posted Apr 10, 2020
1.5/4 67% Almost Love (2020) Almost Love has problems other than being jarringly out of date with How We Live Now.‐ RogerEbert.com
Read More | Posted Apr 3, 2020
3/4 89% Banana Split (2020) An entertaining and often insightful look at female friendship during a particularly strange time.‐ RogerEbert.com
Read More | Posted Mar 27, 2020
2/4 72% Stargirl (2020) The best thing about Stargirl is that Big Star's yearning ode to adolescence 'Thirteen' is played in its entirety not once, but twice.‐ RogerEbert.com
Read More | Posted Mar 13, 2020
3/4 84% The Way Back (2020) I couldn't help but notice the goosebumps covering my arms when the music swelled.‐ RogerEbert.com
Read More | Posted Mar 6, 2020
3.5/4 99% Saint Frances (2020) It's truly refreshing to watch a film where nobody has anything figured out, where life proceeds messily and imperfectly. Saint Frances is unpredictable in a very human way.‐ RogerEbert.com
Read More | Posted Feb 28, 2020
3.5/4 87% Emma. (2020) Autumn de Wilde's approach to this tale of frenzied and complicated social activity is both elegant and comedic.‐ RogerEbert.com
Read More | Posted Feb 21, 2020
3/4 78% Buffaloed (2020) Buffaloed churns with barely-controlled chaos in its best sequences.‐ RogerEbert.com
Read More | Posted Feb 14, 2020
3/4 87% I Was at Home, But... (Ich war zuhause, aber...) (2020) Every element -- camera placement, music, blocking, sound design -- is so deliberate that it pulls you into its vortex, and it makes you submit to its severe rhythms.‐ RogerEbert.com
Read More | Posted Feb 14, 2020
4/4 92% The Assistant (2020) The Assistant, a very good film, is especially good on power dynamics.‐ RogerEbert.com
Read More | Posted Jan 31, 2020
6/10 69% Bombshell (2019) Deep at points but paper-thin at others, the film skips over questions of complicity, and pulls some of its punches, especially politically. But it's still an engaging look at life behind the scenes of one of the weirdest workplaces in existence...‐ Film Comment Magazine
Read More | Posted Jan 13, 2020
3/4 88% Les Misérables (2020) A gripping experience.‐ RogerEbert.com
Read More | Posted Jan 10, 2020
2.5/4 20% Cats (2019) I enjoyed the film for what it is. It's London's Got Talent for the feline set.‐ RogerEbert.com
Read More | Posted Dec 19, 2019
4/4 92% Uncut Gems (2019) It's excruciating and exhilarating.‐ RogerEbert.com
Read More | Posted Dec 9, 2019
3/4 96% The Disappearance of My Mother (2019) Benedetta Barzini may want to disappear, but her son will not let her.‐ RogerEbert.com
Read More | Posted Dec 6, 2019
3.5/4 82% Queen & Slim (2019) I responded strongly to the film's sense of scope and scale. The 'rhetoric' of Queen & Slim reverberates with anger and love and mourning.‐ RogerEbert.com
Read More | Posted Nov 27, 2019
3.5/4 94% Recorder: The Marion Stokes Project (2019) A character study of a fascinating news-junkie with a mission.‐ RogerEbert.com
Read More | Posted Nov 15, 2019
3.5/4 94% Honey Boy (2019) Honey Boy adds to the impression that LaBeouf is moving into very interesting territory as an actor, territory uniquely his own.‐ RogerEbert.com
Read More | Posted Nov 8, 2019
2.5/4 69% Adopt a Highway (2019) Holding it all together is Hawke's performance, weighted down with the heaviness of injustice.‐ RogerEbert.com
Read More | Posted Nov 1, 2019
3/4 81% Greener Grass (2019) Like all good satires, Greener Grass trucks in exaggeration.‐ RogerEbert.com
Read More | Posted Oct 18, 2019