Tom Kiesecoms Movie Reviews & Previews - Rotten Tomatoes

Tom Kiesecoms

Tom Kiesecoms
Tom Kiesecoms's reviews only count toward the Tomatometer when published at the following Tomatometer-approved publication(s): ScreenAnarchy

Movie Reviews Only

Rating T-Meter Title | Year Review
4.5/5 88% Hounds of Love (2017) Cummings' portrayal of the resourceful and tenacious young heroine [...] glues the audience to the screen, ensuring we remain deeply invested every step of the way.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
3.5/5 75% Freehold (Two Pigeons) (2017) Works best as a darkly comedic riff on home invasion thrillers rather than a comment on cut-throat economics in the housing market.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
1.5/5 75% Boys in the Trees (2016) Feels forced nearly every step of the way, always spelling out literally what it yearns to express symbolically.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
4.5/5 92% The Meyerowitz Stories (New and Selected) (2017) Richly textured, three-dimensional characters mash well with actor chemistry that is infectious to watch.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
3.5/5 79% Cult of Chucky (2017) While never very suspenseful, Cult of Chucky marries gore with gags aplenty.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
2.5/5 50% Zombillenium (2017) Odd enough to try out but lacks the loops, speed and overall sense of excitement to warrant repeat visits.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
3.5/5 88% Rock Steady Row (2018) S fast-paced blast of creativity that thrills as it exposes the oppression that is endemic to the college system as a whole and challenges the objectification that fraternities can foster.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
2/5 70% Like Me (2018) The unrelentingly serious tone fails to help proceedings, even though the film's go-for-broke style remains strangely alluring.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
97% Border (Gräns) (2018) Wins over your heart as a 21st-century tonal poem that embraces the hybridity and plurality that radicalism seeks to thwart. ‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
4/5 79% Blue My Mind (2017) More than a poignant portrayal of female puberty, Blue My Mind is an allegory for escaping the stifling constraints society places on young women.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
3/5 92% Hearts Beat Loud (2018) An intimate and comfortingly familiar tale that hits the right notes, just so long as you can live with a low-key ditty and don't expect any sweeping crescendo. ‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
3.5/5 74% Assassination Nation (2018) A living, breathing paradox of its time: a socially conscious yet aggressively anti-PC film that climaxes in an orgy of violence.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
4/5 93% Wildlife (2018) Delves into the doubts, discontentment and aspirations of a self-questioning and flawed human being at a time when women were supposed to be ideal housewives.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
4/5 86% The Miseducation of Cameron Post (2018) Refreshingly, this coming-of-age story never really traces a journey of self-discovery but rather marks a burgeoning awareness of self-affirmation. ‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
5/5 96% I Lost My Body (2019) A nimble and achingly rendered exploration of loss, suffused with a profound longing for wholeness and happiness.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
3.0/5 68% Little Joe (2019) Packs dangerous thoughts, but is nothing if not a conversation starter.‐ ScreenAnarchy
Read More | Posted Aug 3, 2020
5/10 76% The Rental (2020) Homes in on a recognizable fear, but ... Dave Franco's directorial debut racks up the missed opportunities and boringly coasts on conventional sights.‐ ScreenAnarchy
Read More | Posted Jul 28, 2020