Anna Christie (1930) - Rotten Tomatoes

Anna Christie (1930)





Critic Consensus: No consensus yet.

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Movie Info

This film tells the incredibly-dated story of a streetwalker's attempts to touch bases with her taciturn sailor father. Dad prattles on in a far-from-convincing Swedish accent, while Greta Garbo falls in love with seaman Charles Bickford, nearly losing him when she reveals her shady past.

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Greta Garbo
as Anna Christie
Charles Bickford
as Matt Burke
Marie Dressler
as Marthy Owen
George F. Marion
as Chris Christopherson
James T. Mack
as Johnny the Harp

Critic Reviews for Anna Christie

All Critics (3)

A flat, inert affair.

May 16, 2020 | Rating: 5/10 | Full Review…

Garbo received her first Oscar nomination for this second version of the play, which MGM advertised as Garbo Talks! Her first line of dialogue is memorable: Gimme a viskey, Ginger ale on the side, and don't be stingy babee.

March 20, 2009 | Rating: B+ | Full Review…

Anna Christie (1930) was advertised, in a two-word ad campaign: "Garbo Talks!" - in "Her First TALKING Picture" (and 14th film) for cinema's greatest silent star - an asexual, super-cool Nordic beauty named Greta Garbo.

August 23, 2001 | Rating: A+ | Full Review…

Audience Reviews for Anna Christie

the first garbo sound flick adapted from eugene o'nell's cynical story about a prostitute. garbo plays low-life women in the burgeoning period of her sound stage such as susan leonix: her rise and fall, later she's got more polished into those roles of tragic divine creatures such as camille, mata hari, anna karenia, queen christina and the ballerina in grand hotel...etc....anna christie might reflect the ambivalent gender-ambiguity on the real life garbo with her babbling men-hating remarks. "oh! men! all these men! i hate them! " that concides with the mannish side of garbo that manifests severe grittiness. as the one man who captures her heart emerges, she represses her mannishness into oblivion then she transforms into the affectionate ingenune who yearns for love at any cost that is the pattern of my so called "garbo cinema romances" except garbo's breakthrough into sound with her husky idiocyncratic voice and her innovative presence. the movie's aestheticism is mainly attributed to its elaborated dialogues with the craftmanship of master eugene o'nell, tinted with literature catharsis full of human-concerned pathos toward its characters. of course, the proper casting is also one of major factor which adorns the movie. as garbo utters "gif me a visky, ginger ale on the side, and don' be stingy, baby, " anyone would turn around and drawed by this raw magnetic androgynous voice then observe upon her statuesque facial contour with awe.

Veronique Kwak
Veronique Kwak

Super Reviewer

The thirties were a time when film truly surprised which wasn't necessarily the case in later decades and Anna Christie is an example of a good film from the era. Spend a Sunday afternoon with it.

John Ballantine
John Ballantine

Super Reviewer

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