Critic Consensus: Beineix combines unique cinematography, an intelligent script, and a brilliant soundtrack to make Diva a stylishly memorable film.
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as Cynthia Hawkins
as Le Curé
as La copine de Mirmont
as La vieille dame
as Le premier Taïwanais
as La fille du jeu vidéo
as La fille sans culotte
News & Interviews for Diva
Critic Reviews for Diva
Diva is a cinematic textbook on style. It comments on so many facets of the daily contemporary culture -- and of film -- that it seems to be an inspired shorthand.
The movie's a maelstrom of possibilities touching ethnic relations, high art, fashion and modern morality, not to mention cinema.
As with so many pop moments a quarter-century on, what once looked sexy now smells a little sexist.
Diva, as a lifestyle, a fantasy, a model for alienation and solipsism and eccentricity, has gone deep into all of us.
A light-headed, fleet-footed French caper, Jean-Jacques Beineix's ultra-stylish Diva stormed the art houses when it was released in 1982, and it's still a lot of fun now -- though its hip patina feels more quaint these days than cool.
Audience Reviews for Diva
On one hand, 'Diva' excels as fast-paced, likably convoluted entertainment; on the other, it's a film made for those who genuinely love and have a fascination for the cinematic medium. What inventive direction from Jean-Jacques Beineix, who seems determined to give every shot a mind of its own. Seriously, this is a fantastic, lively directorial effort from a man who just seems to really love what he's doing. And even by today's standards, 'Diva' looks quite stunning. Everything is bathed in blue light, giving the film this 'techno noir' mood. The narrative has its ups and downs, but you don't notice them too often. You're too enthralled by the film's visuals.
This was the first foreign language movie I seen. I remember as a 12 year old being captivated by the style and cinematography of the director. The story is tense and exciting and the characters are so rich, that they almost pop out of the screen.
My dad LOVED this. And it was fairly interesting. The last bit was well shot, very pretty and slightly existential.
|Jules:||Where are we?|
|Alba:||IN a castle|
|Alba:||Where the witch makes poisoned red apples to advertise the toothpaste movie stars use.|
|Le Curé:||I don't like cars.|
|Le Curé:||I don't like Beethoven.|
|Gorodish:||Some get high on airplane glue... detergents... fancy gimmicks. My satori is this: Zen in the art of buttering bread!|