The Hills Have Eyes (1977) - Rotten Tomatoes

The Hills Have Eyes1977

The Hills Have Eyes (1977)




Critic Consensus: When it's not bludgeoning the viewer with its more off-putting, cruder elements, The Hills Have Eyes wields some clever storytelling and a sly sense of dark humor.

The Hills Have Eyes Photos

Movie Info

Horror auteur Wes Craven followed his threadbare but horrifically compelling cult classic Last House on the Left with this wonderfully demented morality fable about a bloody war of attrition between two extremely different families. The story opens on the journey of the Carters, a mildly dysfunctional extended family led by patriarch "Big Bob" Carter (Russ Grieve), as they travel across the California desert in search of an inherited silver mine. When a broken axle leaves them stranded in the middle of a former nuclear testing site, their attempts to find help lead them unwittingly into the territory of a savage family of cave-dwelling cannibals, the apparent progeny of the bearlike Jupiter (James Whitworth) and an abducted prostitute. Jupiter's eldest son Pluto (professional movie weirdo Michael Berryman) leads the first brutal attack on the defenseless Carters who, through necessity, are driven to equally extreme measures in order to survive. Though the film is not overtly bloody, the scenes depicting this confrontation are rendered with an unflinching directness, and the violations visited on the Carters are so brutal as to make the survivors' regression into savagery all the more convincing. No one is spared from the nightmare: Jupiter's boys have even kidnapped the youngest member of the Carter family -- a mere infant -- to serve as fodder for their next barbecue, and the baby becomes the main point of contention between the rival clans. Craven nevertheless refuses to take the easy way out by depicting his "monsters" as soullessly evil; parallels between either family's "values" are clearly drawn as the differences between the two clans begin to blur.

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Susan Lanier
as Brenda Carter
Robert Houston
as Bobby Carter
Martin Speer
as Doug Wood
Virginia Vincent
as Ethel Carter
Russ Grieve
as Bob Carter
Dee Wallace
as Lynne Wood
Brenda Marinoff
as Katie Wood
Kirk Stricker
as The Beast
Arthur King
as Mercury
as Beauty
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News & Interviews for The Hills Have Eyes

Critic Reviews for The Hills Have Eyes

All Critics (27) | Top Critics (4)

A satisfying piece of pulp.

July 22, 2008 | Full Review…

A heady mix of ironic allegory and seat-edge tension.

February 9, 2006 | Full Review…
Top Critic

Craven's latent sick streak gets a major workout here, and the rudest shocks seem to center around the "good" family's parental figures.

September 10, 2003 | Rating: 2.5/4 | Full Review…

Inventive story ideas and humorous touches give this horror picture an enduring relevancy and stylistic flourish.

March 10, 2003 | Full Review…

works as a taut thriller, but it also leaves plenty of room for political and ideological tunneling, if only for its horrific inversion of American family values

January 5, 2022 | Rating: 3/4 | Full Review…

I've never been a Wes Craven fan, yet if there's one picture of his that I would place above all others, it would be The Hills Have Eyes.

November 27, 2021 | Rating: 3/4 | Full Review…

Audience Reviews for The Hills Have Eyes


A cheap rip-off of The Texas Chainsaw Massacre with villains who are disgusting perverts that you want to see dead and main characters who act really stupid most of the time. By the end, it has no room for any moral questions, for a matter of life and death justifies anything.

Carlos Magalhães
Carlos Magalhães

Super Reviewer


Normally it would be considered treason to remake a 70's "classic" from Wes Craven. In the case of 'The Hills Have Eyes' though, the original is painfully inert and while the runtime is relatively short, the film shambles at a plodding pace. This is a prime example of an underspiced premise that should be plowed further. The transition from day to night is practically instantaneous. The family of soon-to-be-cannibalized victims range from dimwitted (Bobby is deliberately reticent to inform the others that their canine Beauty has been disemboweled and he won't divulge how he bruised his cheek) to hopelessly naïve (the mother mispronounces "may paw" as a distress call into the radio). As for the inbred hooligans at the center, they look like rejects from 'One Million Years B.C.' with tattered loincloths and Hall-and-Oates bouffant hairstyles. Mama could be a Native-American oracle with the beads around her scalp. In other words, it's Motley Crew tribute band and they are never once frighteningly feral. Even the bald Michael Berryman is more clueless and innocuous than volatile. Just because there is a shameless child-in-danger subplot doesn't mean the audience will be manipulated into paroxysmal terror. It's absolutely mystifying why this calamity is so highly praised among the horror elite.

Cory Taylor
Cory Taylor

Super Reviewer


Wes Craven's cult classic reeks of lost potential, and it's due to one factor: the actors are unable to sell the gut-wrenching, truly dreadful moments. The happenings of this plot are the types that make me tear up and wonder if hope is just a stupid distraction in this cruel world. What I really ended up thinking was "OH YEAH, YOU GO DOGGY, YOU BITE THAT ANKLE, SUCK IT CANNIBAL MAN, HAHAHA"

Kevin Cookman
Kevin Cookman

Super Reviewer

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