2001: A Space Odyssey (1968) - Rotten Tomatoes

2001: A Space Odyssey1968

2001: A Space Odyssey (1968)



Critic Consensus: One of the most influential of all sci-fi films -- and one of the most controversial -- Stanley Kubrick's 2001 is a delicate, poetic meditation on the ingenuity -- and folly -- of mankind.

2001: A Space Odyssey Photos

Movie Info

A mind-bending sci-fi symphony, Stanley Kubrick's landmark 1968 epic pushed the limits of narrative and special effects toward a meditation on technology and humanity. Based on Arthur C. Clarke's story The Sentinel, Kubrick and Clarke's screenplay is structured in four movements. At the "Dawn of Man," a group of hominids encounters a mysterious black monolith alien to their surroundings. To the strains of Strauss's 1896 Also sprach Zarathustra, a hominid invents the first weapon, using a bone to kill prey. As the hominid tosses the bone in the air, Kubrick cuts to a 21st century spacecraft hovering over the Earth, skipping ahead millions of years in technological development. U.S. scientist Dr. Heywood Floyd (William Sylvester) travels to the moon to check out the discovery of a strange object on the moon's surface: a black monolith. As the sun's rays strike the stone, however, it emits a piercing, deafening sound that fills the investigators' headphones and stops them in their path. Cutting ahead 18 months, impassive astronauts David Bowman (Keir Dullea) and Frank Poole (Gary Lockwood) head toward Jupiter on the spaceship Discovery, their only company three hibernating astronauts and the vocal, man-made HAL 9000 computer running the entire ship. When the all-too-human HAL malfunctions, however, he tries to murder the astronauts to cover his error, forcing Bowman to defend himself the only way he can. Free of HAL, and finally informed of the voyage's purpose by a recording from Floyd, Bowman journeys to "Jupiter and Beyond the Infinite," through the psychedelic slit-scan star-gate to an 18th century room, and the completion of the monolith's evolutionary mission.With assistance from special-effects expert Douglas Trumbull, Kubrick spent over two years meticulously creating the most "realistic" depictions of outer space ever seen, greatly advancing cinematic technology for a story expressing grave doubts about technology itself. Despite some initial critical reservations that it was too long and too dull, 2001 became one of the most popular films of 1968, underlining the generation gap between young moviegoers who wanted to see something new and challenging and oldsters who "didn't get it." Provocatively billed as "the ultimate trip," 2001 quickly caught on with a counterculture youth audience open to a contemplative (i.e. chemically enhanced) viewing experience of a film suggesting that the way to enlightenment was to free one's mind of the U.S. military-industrial-technological complex. ~ Lucia Bozzola, Rovi

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Keir Dullea
as David Bowman
Gary Lockwood
as Frank Poole
Daniel Richter
as Moonwatcher
Robert Beatty
as Halvorsen
Sean Sullivan
as Michaels
Richard Wood
as Ape (killed by Moon-watcher)
Terry Duggan
as Ape (attacked by Leopard)
Heather Downham
as Stewardess
Ann Gillis
as Poole's Mother
Bill Weston
as Astronaut
Ed Bishop
as Aries 1B-Lunar Shuttle Captain
Mike Lovell
as Astronaut
Glenn Beck
as Astronaut
Edwina Carroll
as Aries 1B Stewardess
Penny Brahms
as Stewardess
Alan Gifford
as Poole's Father
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Critic Reviews for 2001: A Space Odyssey

All Critics (114) | Top Critics (35)

Stanley Kubrick's 2001: A Space Odyssey is the picture which science-fiction enthusiasts of every age and in every corner of the world have prayed (sometimes forlornly) that the industry might one day give them.

June 28, 2019 | Full Review…

The film is a journey through outer space, but it is also a journey through cinematic space. It conjures the future by making you sit through its vision of the future, spending time just being in it.

May 21, 2018 | Full Review…

Speculation and ambiguity are fine, but it does rather look as if Kubrick and his co-writer, Arthur C. Clarke, just haven't thought it through.

May 3, 2018 | Full Review…

Aa whimsical space operetta, then frantically inflates itself again for a surreal climax in which the imagery is just obscure enough to be annoying, just precise enough to be banal.

April 5, 2018 | Full Review…

A small sphere of intellectuals will feel that Kubrick has said something, simply because one expected him to say something. ... Most moviegoers will only wish that Mr. Kubrick would come back down to earth.

April 3, 2016 | Rating: 2.5/4 | Full Review…

I shall go and see it again as soon as possible, for one thing is clear. Man has shrunk space, but Kubrick has expanded the cinema.

February 16, 2016 | Full Review…

Audience Reviews for 2001: A Space Odyssey

Kubrick's meditation on humanity and the universe is an unparalleled masterpiece and one of the most visceral and important films in cinema history.

Kase Vollebregt
Kase Vollebregt

Super Reviewer

Although many will find it more than difficult to interpret upon first viewing, it cannot be denied how much of a visionary tale it was for a 1960s film. 2001: A Space Odyssey revels in its audacious score, groundbreaking imagery and a notorious allegory that's ambiguous to the audience even to this present-day. 4/5

Eugene Bernabe
Eugene Bernabe

Super Reviewer


It's like, whoa, you know? I'm glad I got to see this on the big screen because it was just like...whoa...you know? During the first however many minutes of ominous tones, I kept thinking I was seeing images on the blank screen. They turned out to be just retinal shadows, but the suspense was so awesomely claustrophobic. So many spoofs and homages of Kubrick's ethereal blend of airless space, kaleidoscopic frenzy, and classical music did not diminish this movie-watching experience for me, and what an experience it was. The story, while ponderingly slow and ham-fisted, is an epic fantasia full of cacophony and silence, peace and fear, primitive pasts and equally primitive futures. The SFX were ridiculously advanced; images of Earth and space look just like recent representations in "Gravity" or "Interstellar." The "gravity boots" were an ingenious way to sidestep the weightlessness effect. Keir Dullea is remarkably good and understated as Dr. Dave Bowman, in all his heavy breathing and bottled-up rage. HAL, of course, is a freakish delight. I wasn't quite sold on the symbolism of the monolith, and I expected the piercing noise that it emitted to have some kind of debilitating, foreshadowing effect, but alas, it was only just a biggest, blackest, metaphor.

Alice Shen
Alice Shen

Super Reviewer

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