Bereavement (2011) - Rotten Tomatoes

Bereavement (2011)



Critic Consensus: No consensus yet.

Bereavement Photos

Movie Info

n 1989, six year old Martin Bristoll was kidnapped from his backyard swing in Minersville Pennsylvania. Graham Sutter, a psychotic recluse, kept Martin imprisoned on his derelict pig farm, forcing him to witness and participate in unspeakable horrors. Chosen at random, his victim's screams were drowned out by the rural countryside. For five years, Martin's whereabouts have remained a mystery, until 17 year old Allison Miller (Alexandra Daddario) comes to live with her Uncle, Jonathan (Michael Biehn). While exploring her new surroundings, Allison discovers things aren't quite right at the farmhouse down the road. Her curiosity disturbs a hornet's nest of evil and despair that once torn open, can never be closed. -- (C) Official Site

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Michael Biehn
as Jonathan Miller
Alexandra Daddario
as Allison Miller
Kathryn Meisle
as Karen Miller
Brett Rickaby
as Graham Sutter
Spencer List
as Martin Bristol
Peyton List
as Wendy Miller
Greg Wood
as Teacher
Ashley Wolfe
as Katherine Bristol
Chase Pechacek
as Martin Age 6
Tom McNutt
as Clerk in Store
Sal Domani
as Father in Store
Brendan Martinez
as Boy in Store
Lynn Mastio Rice
as Gym Teacher
Marissa Guill
as Victim #1
Shannon Lambert-Ryan
as Lucy (Body in Freezer)
Jamie Farrell
as Nurses' Aide
Katie Gibson
as Voice Next Door
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Critic Reviews for Bereavement

All Critics (18) | Top Critics (7)

while Bereavement is certainly a slasher, it is also a film about how monsters are made, in which every character, hero and villain alike, is figured as tragic prey to genes and circumstance.

October 19, 2012

Effective atmospherics don't rescue this formulaic slasher flick.

March 19, 2011 | Full Review…

I'd sooner touch a nine-volt battery to my tongue than sit through this film again.

March 18, 2011 | Rating: 2/5 | Full Review…

Bereavement -- miraculously as dull as its title -- is neither far gone enough to be funny nor well thought-out enough to be disturbing.

March 15, 2011

Virtually every shot in Bereavement -- a sort of prequel to Mena's Malevolence (2005) -- is the right one; the editing, also by Mena, is first-rate.

March 9, 2011 | Rating: 3/4 | Full Review…

The film is so laughably Freudian it could play as a parody of certain acclaimed horror film studies such as Men, Women and Chainsaws: Gender in the Horror Film.

March 9, 2011 | Rating: 0/4 | Full Review…

Audience Reviews for Bereavement


A small improvement over 2003's Malevolence, with more interesting characters and slightly better acting. Bereavement will satisfy die hard horror fans as a run of the mill gory slasher flick, but there's nothing here to attract anyone else, especially in the way of logic or an interesting narrative.

Edward Boxler
Edward Boxler

Super Reviewer

While I do think the film makes effective use of its atmosphere, for the most part, and it is well made with some solid cinematography, ultimately this movie did absolutely nothing for me. The main reason I didn't enjoy this movie was that there wasn't really a reason for anything that was happening. Of course if you're arguing for a more believable story, you could pull out the 'well, things in life happen for no reason sometimes'. And I think movies can get away with this if they're told effectively and you're at least having fun watching the movie, but when you're not really given a reason to invest in the characters or invest in the story, it makes it that much more of a chore to sit through. They do reveal some reasoning for what's happening at the end, but by this point you don't really care because everything has felt pointless. There's some cool visuals here and there, but that's not really enough to overcome the formulaic and uninteresting script that's chock full of cliches. Ultimately the film boils down to a slasher/evil kid horror genre. I do think there's an interesting concept here with the child being a murderer and whether that's due to his genetics or the environment he has found himself in for over 5 years. And I think the film tries to show that it is a combination of both things, such as it is in real life, that have made him the way he is. The fact that he cannot feel any kind of pain puts the idea in his mind that everyone must be like him, unable to feel anything and the fact that he's been raised by a homicidal maniac helps guide those thoughts in the kid's mind to its most extreme. And I thought that was actually a really cool aspect of the movie, an aspect of the movie you wouldn't pick up on if there wasn't a scene at the school where a teacher is discussing this same exact subject. Whether environment or genetics has an effect on how someone turns out. It's like they just STUMBLED onto this theme by accident and felt the need to point it out in one scene so they don't look completely clueless. It doesn't seem like something that was thought and planned out before the script was even written. It may have actually been intended, but it doesn't come across that way in the final product. And it's not like they do much with this concept, it's like they just PUT the idea into your mind, rather than doing something with it. Again if you don't remember that scene, you would miss an important part of Martin's development and a large reason for why he is the way he is. It's far more thought out than your typical 'evil child' nonsense. Regardless, it's not like THIS makes the movie really worth sitting through for an hour and 45 minutes of an uninteresting story that's more a chore than anything else. There's still some good ideas here, though and some cool visuals. But they're not enough to raise the movie from its slightly below average state.

Jesse Ortega
Jesse Ortega

Super Reviewer

"Brought home a boy from the valley. He's young enough to learn the business my way." This recent entry in the "small town psychopathic serial killer" genre isn't exactly a game-changer and it doesn't try to be that scary, but it is a tense, nasty affair that will probably appeal to some horror fans. We've got out deranged killer that preys on young women, a young boy he kidnaps to "assist" him, and a new arrival from out of town (Alexandra Dadarrio) that enjoys taking long runs alone that just happen to pass by a sinister looking and isolated rundown meat-packing plant. If you're guessing that's a recipe for blood, brutality and death, then you're right. Bereavement is fine for what it is, but I doubt I'll be compelled to watch it more than once. There's nothing really exceptional about it, though some of the outdoor cinematography is beautiful, there's a concentrated effort to give depth and a back-story to most of the main characters, and Alexandra is undoubtedly nice eye candy (if there was an Academy Award for filling out a halter top, she'd have it in the bag). The bottom line, though, is that this is such a thoroughly bleak movie that it's almost too realistically grim and hopeless to find entertainment in. That's not necessarily a "flaw", but it's definitely something some viewers will respond less favorably to than others. Oh, and I don't think I've heard this much screaming in a film in quite a while. Have your ears prepared to be assaulted.

Lewis C.
Lewis C.

Super Reviewer

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