I can't believe it's been almost 40 years since I saw this movie last. For some reason, I have this idea that Akroyd and Belushi did more songs. For me, that would be the main reason to see this. It's a major disappointment for me that they do so few. Their repertoire on Saturday Night Live was larger, if I'm actually remembering that correctly -- which I may not be. A great list of music makers in this movie. Cab Calloway comes away with the largest acting part of the singers, and he pulls off his acting portions well. I'm going to take a wild guess and say that the cost of making this movie was enormous, definitely one of the largest. Maybe 200 or 300 cars wrecked, along with property worth millions. One of the most destructive movies. The actor payroll would have contributed to this stupendous cost as well. I think my mom, who was from Chicago, would have liked their love for the city, but even though this has become a bit of a cult classic, I'd say that she would not have enjoyed the movie very much. It pains me greatly, since I loved them as short range sketch artists, that neither of these SNL grads can do much in terms of acting, but this was a nice job of carrying over to the big screen.

"It's 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it's dark and we're wearing sunglasses..." It's always a tricky one when you revisit a film that was a big part of your adolescence and in some ways responsible for laying the groundwork on your love of movies. There's likely to be a tinge of nostalgia or reminiscence, making it difficult to judge it objectively. That said, sometimes the film is just so much fun and so enjoyable that you know why you hold it in such high regard in the first place. Without a shadow of a doubt, The Blues Brothers is (still) that kind of film. When "Joliet" Jake Blues (John Belushi) is released from prison, he and his brother Elwood (Dan Aykroyd) pay a visit to the old Catholic home where they grew up. They soon find out that the orphanage is to be shut down due to lack of funds. As a result, Jake and Elwood go on a mission to re-form their old blues band and raise the money required. Say what you will about the comedic talents of Will Ferrell, Adam Sandler or Mike Myers but they share something in common in terms of making their name on comedy sketch show Saturday Night Live. These names are just three of the shows recent successful comedians but having, personally, been born in the late 70's and grew up throughout the 80's, most of the comedies I was exposed to were filled with the familiar faces that actually had a hand in the origins of this show - Chevy Chase, Bill Murray, Steve Martin, Eddie Murphy and, of course, John Belushi and Dan Aykroyd. In fact, The Blues Brothers is an adaptation of a short sketch that first aired on Saturday Night Live and is one of only two successful film adaptations from the show - the other being Wayne's World. However, despite this films success, it was actually fraught with production problems and a budget that got way out control. Firstly, Dan Aykroyd's script was a massive 324 pages (three times longer than a normal screenplay) which he jokingly bound in the cover of the Yellow Pages before delivering it to John Landis to edit it down. Also, Landis' outlandish car chases and vehicular pile-up's throughout the end of the film sent the budget $10million over it's initial $17.5. This wasn't helped by John Belushi's spiralling drug habit which would cause him to disappear for lengthy periods from the set. These issues aside, though, The Blues Brothers still struck a chord with audiences and critics alike - even the Vatican gave it the thumbs-up for being a good Catholic movie - and it has since went on to become a cult classic. Over 30 years later, it's easy to see why... The story doesn't really amount to very much but the titular characters are hard to resist as they ooze a laid-back cool, dressed in their iconic black suits and dark Ray-Bans - a good ten years before Tarantino's similarly attired Reservoir Dogs. Jake and Elwood manage to get themselves in all sorts of scrapes and upset a whole horde of different people; a machine gun, bazooka wielding disgruntled ex-girlfriend (Carrie Fisher), the Illinois Nazi Party, country band The Good Ol' Boys and, not to mention, the sheer tally of cops, all in hot pursuit. It's riotously over the top and when the film reaches it's denouement it has already crossed the ridiculous border but Landis and Aykroyd know this. They simply don't care. And that's what makes the film so enjoyable. There's an unashamedly free-spirited nature to the proceedings which is highly infectious but nothing entertains more than the magnificent musical numbers from a choice selection of Soul and R&B talents. Among the many toe-tapping highlights are Aretha Franklin's "Think", Cab Calloway's "Minnie the Moocher", John Lee Hooker's "Boom Boom" and the great Ray Charles with "Shake a Tail Feather". The Blues Brothers has stood the test of time and truly is one of a kind. It's provides action, laughs and song and dance numbers that haven't aged a bit. It's admittedly raucous, loud and chaotic but as far as I'm concerned, anything goes when you're "on a mission from God". Mark Walker