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as Léa de Lonval
as Chéri, Fred Peloux
as Charlotte Peloux
as La Copine
as La Loupiote
as La Baronne
as Le Vicomte Desmond
as Madame Aidonza
as Silver-Haired Industrialist
as Monsieur Roland
as Madame Roland
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Critic Reviews for Chéri
No need for elaborate sets: a walk through a rose garden or a Mucha reproduction on the wall, will suffice, especially when our primary attention is riveted by the sensuous interplay of the two leads.
Director Stephen Frears made a nice job of The Queen but this is 'King awful.
The film is a comedy of manners with a powerful undercurrent of tragedy. Cheri is funny, sad and charming, and the ending may shock you.
Sadly the few good elements of Cheri only serve to highlight the films considerable inadequacies, and the only bedroom-based action it will inspire is a comforting nap, possibly before the end of the film.
Stretching out like a cat on the wide screen, Michelle Pfeiffer shows off her durable glamour in the star role of Lea de Lonval, a high-class courtesan in pre-World War I France.
Audience Reviews for Chéri
Although not really involving nor exactly compelling, this romantic drama based on Colette is at least charming, with a wonderful production design and a nice chemistry between Pfeiffer and Friend.
During la belle epoque, an old courtesan and a young man fall in love, but when the man must marry, their relationship reaches an impasse. Playwright/screenwriter Christopher Hampton collaborated with director Stephen Frears in 1988 to produce one of the most vicious battles of the genders ever put to film, Dangerous Liaisons, and their most recent collaboration seems like the aborted product of their imitators or merely the vain scribblings of old men who can no longer hack it. In every way Cheri is a Frears/Hampton film, but in every way it falls short. In what few moments of manipulation there are, we see none of the mischievousness and guile that made Valmont a man we love to hate. In what few moments of sexual passion, we none of the allure of the young Uma Thurman (all of the actresses in Cheri must have had a no nudity clause). And in what few moments of loving tenderness in Cheri, there is none of the passion we saw in Tourvel and Valmont's torrid break-up and reunion. What remains is a sterile imitation of Dangerous Liaisons. And Cheri's motivations are occasionally mysterious. Even after he explains his reunion with Edmee, it still doesn't make any sense. I must say that this is a courageous role for Michelle Pfeiffer as much of Lea's character development takes place in the sad lines on her aging face. But this was but one ugly moment in a whole film in which she is made to look as beautiful as she can. Also, the script reduces the eminently talented Kathy Bates to a mere cartoon. Overall, see Dangerous Liaisons, and when you're done, you can say that you saw Cheri too.
Indulge in a wicked game of seduction A romantic story of a young boy who is attracted by a prostitute older than him So the movie inst so bad, i thought it could have been worst, way worst, its an elegant movie, that is visually pleasing, nothing out of the ordinary. In terms of costume this movie is fabulous, amazing stylish outfits that should inspire a lot of people out there. In terms of the story, there isn't anything special, its a semi-erotic build up plot. But one thing has to be named, Pfeiffer is amazing! So is you want to go see it, its up to you. I don't recommend it to everyone, but if you like historical romances with a spice of sensuality , go ahead. Lea de Lonval : I can't criticize his character, mainly because he doesn't seem to have one!
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