Crossing the Line2007
Crossing the Line (2007)
Critic Consensus: An engrossing look at the aftermath of largely forgotten events during the Cold War, Crossing the Line raises questions that will haunt the viewer after the credits roll.
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Critic Reviews for Crossing the Line
The vertiginous play of ideology and identity and the sheer strangeness of Dresnok's experience (as well as that of three other American defectors from the sixties) make this film absorbing; the glimpses of life in North Korea make it important.
A tale of alienation and adaptation both miraculous and strange, but also abduction both psychological and physical.
Crossing The Line lacks the force and power of a strong point of view, but like Gordon's other work about North Korea, it succeeds in revealing what it means for individuals to give themselves over to a collective.
You'll be untangling Dresnok's knotty reality long after you leave the theater.
Audience Reviews for Crossing the Line
Fascinating documentary about four U.S. Army soldiers who betrayed their country and defected to communist North Korea.
An absolutely fascinating documentary exploring the life and history of J. Joseph Dresnok, an American soldier stationed at the North-South Korean border in 1962 who defected to the Communist DPRK. This is a captivating film that really gives the viewer good insight into the daily life of a privileged North Korean. More than that, though, it delves into what would motivate a man to desert his country and start a new life. Highly, highly recommended.
A fascinating story about a man that did the unthinkable. He crossed over into North Korea and surrendered to their ideals and way of life. We are offered a look inside North Korea, one of the most isolated and intriguing places in the world. Dresnok is obviously a supporter of where he lives, and rarely says a bad word against it. The film does give us some interesting tidbits, such as Dresnok's troubled home life and youth, but the main focus is on a man and how he can live in a place most westerners would consider inhospitable. Their is a great emotional weight to the film, as Dresnok talks about his first failed marriage, and both of his marriages + children in North Korea. Underneath the surface is also the complex goings on between Dresnok and 3 other American GI's that defected. Dresnok may be the only one left, but the continuing battle of words between himself and Jenkins makes for one of cinemas great rivalries. It would be easy to call Dresnok brainwashed, if he didn't seem so down to earth and in control. Insightful, emotional, and never judging, this is how a documentary should be made.
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