Evening (2007) - Rotten Tomatoes


Evening (2007)



Critic Consensus: Beautifully filmed, but decidedly dull, Evening is a collossal waste of a talented cast.

Evening Photos

Movie Info

"Evening" is a deeply emotional film that illuminates the timeless love which binds mother and daughter--seen through the prism of one mother's life as it crests with optimism, navigates a turning point, and ebbs to its close. Overcome by the power of memory, Ann Lord reveals a long-held secret to her concerned daughters: Constance, a contented wife and mother, and Nina, a restless single woman. Both are bedside when Ann calls out for the man she loved more than any other. But who is this "Harris," wonder her daughters, and "what is he to our mother?" While Constance and Nina try to take stock of Ann's life and their own lives, their mother is tended to by a night nurse as she journeys in her mind back to a summer weekend some 50 years ago, when she was Ann Grant--a young woman who has come from New York City to be maid of honor at the high-society Newport wedding of her dearest friend from college, Lila Wittenborn. The bride-to-be is jittery and turns to her maid of honor rather than her own mother for support. Ann stays close to her friend, yet is even closer to Lila's irrepressible brother Buddy. Unexpected feelings surge forth once Ann meets wedding guest Harris Arden, a lifelong friend and intimate of the Wittenborn family. Ann's love for Harris will change her life, and those of her daughters, forever.

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Claire Danes
as Ann Grant
Toni Collette
as Nina Mars
Vanessa Redgrave
as Ann Grant Lord
Patrick Wilson
as Harris Arden
Hugh Dancy
as Buddy Wittenborn
Natasha Richardson
as Constance Haverford
Mamie Gummer
as Young Lila Wittenborn
Eileen Atkins
as Mrs. Brown
Meryl Streep
as Lila Wittenborn
Glenn Close
as Mrs. Wittenborn
Barry Bostwick
as Mr. Wittenborn
David Furr
as Ralph Haverford
Sarah Viccellio
as Lizzie Tull
Cheryl Lynn Bowers
as Peach Howze
Timothy Kiefer
as Carl Ross
Jon De Vries
as Deaver Ross
Chris Stack
as Phil Mars
Maxine Prescott
as Great Aunt Roo
Margaret Coen
as Constance Age 4
Annie Wardwell
as Nina Age 4
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News & Interviews for Evening

Critic Reviews for Evening

All Critics (129) | Top Critics (51)

The performances are oddly muted, as if the screenplay refuses to allow a fine cast full rein. But those who loved the book can be assured that it has been translated faithfully enough to the screen.

September 21, 2007 | Rating: 2/5

Some big names have been assembled for this old-fashioned "woman's picture" about thwarted expectations and lifelong regrets.

September 21, 2007 | Rating: 2/5 | Full Review…

I am against the exploitation of women for sentimental screen purposes (Steel Magnolias, Crimes of the Heart). But what can you do? Here they moon and croon across a time divide.

September 21, 2007 | Full Review…

An affected and overwrought adaptation of Susan Minot's novel about a dying woman's memories of a complicated romantic incident in her youth.

September 21, 2007 | Rating: 2/5 | Full Review…

Evening is a slow burner, so slow in fact the credits roll before it ever gets going.

September 21, 2007 | Rating: 2/5 | Full Review…

It's a very odd film that can discuss heart-blackening guilt, loveless marriage, pain and regret only to taper off into a dry-eyed ending.

September 21, 2007 | Rating: 2/5 | Full Review…

Audience Reviews for Evening

On her deathbed and filled with regret, a woman recalls a brief romance with a doctor while her daughters contemplate their lives. Though the film is slow in places, I found it profound and profoundly moving. Ultimately, it supports domestic life, but it does so by denouncing regret -- a journey that resonates with me. Ann, fading away to her death, wonders how life would have turned out if she had pursued a man with whom she had a one night stand years ago just as her daughter wonders whether to stay with the man who impregnated her; it is perhaps too convenient that these storylines so flawlessly intertwine, but as the stories unfold, I forgot about the convenience and concentrated on the theme. There isn't an outstanding performance in the film, save possibly for Toni Collette as the uncertain daughter, but everyone is solid. I did think that the romance between Ann and Harris should have been more passionate or more deeply connected; as it is, I wonder if a one night stand is really worth a lifetime of regret. Overall, I enjoyed Evening, a poignant drama with timeless themes.

Jim Hunter
Jim Hunter

Super Reviewer

This kind of made me want to shake someone! Good cast, beautifully shot and acted, (with the exception of the over the top dying mother), really enjoyed it right up until the final ten minutes which just peed me right off. Great message in a movie - mother settles for second best and dies regretting it, then daughter does same (dressed up in Hollywood sentimentality). Lovely. Glad I sat through that one.

Nicki Marie
Nicki Marie

Super Reviewer


this is not a necessarily bad film, but somehow, something was missing - I didn't feel in any way connected to the two daughters (Richardson and Collete), who have "issues" with one another and yet are able to come together when the script calls for it. I found much of the writing to be contrived and certainly not breaking any new ground (except for the concept voiced late in the film by Streep, playing the ageing best friend to the dying Redgrave - who states that are no mistakes in life; and that in the end what will is what will). Many of the emotional moments seemed overwrought - as the scene between daughters where each called out the other's charactor flaws - I just felt it could have been handled much better - the scene seemed like something out of a made for TV movie - all the emotions just so pat - each sister says her piece and then they hug and reconcile - not very realistice. The memory scenes held a bit more sway, but even with them there seemed a certain contrievance that, in spite of some nice dialog, came off flat and in one case in particular (the "next morning" where Glenn Close goes way over the top mourning her son's demise) I was wondering why the scene even existed. The accidental meeting between Harris and the main charactor, even giving credence to creative license (as it was all just a memory anyway), seemed unnecessary and disjointed. Streep, as usual, lit up the screen in what was little more than a cameo role, while Close was totally wasted and the aforementioned scene seemed a vehicle to get her more screen time. Overall, the nice touches (seeing the night nurse in a ball gown) were far outweighed by some overwrought and unnecessary scenes, and an overall sense of falseness - like when the single sister finally announces to her boyfriend that she is pregnant - it should have been cathartic if played well - but it came off as staged and the emotions phony.

paul sandberg
paul sandberg

Super Reviewer

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