Flannel Pajamas (2006) - Rotten Tomatoes

Flannel Pajamas (2006)



Critic Consensus: Flannel Pajamas is a talky and overwrought love story that is redeemed by fine performances and character insights.

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Movie Info

Stuart Sawyer and Nicole Reilly meet through mutual friends on a blind date and experience a magical evening in a local diner on a rainy night in April. It may never get better than this, a feeling they each sense, but a feeling not daunting enough to prevent either their stunning courtship or, later, a reversal of fortunes. Though sexually compatible, their disparate family backgrounds and the religious chasm between them inform their selfishness, their naiveté and their destiny.

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Rebecca Schull
as Elizabeth
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News & Interviews for Flannel Pajamas

Critic Reviews for Flannel Pajamas

All Critics (45) | Top Critics (23)

Flannel Pajamas is so gorged with gab it feels like a filibuster.

April 1, 2007 | Rating: 1/4 | Full Review…

Better to rent Scenes From a Marriage, Manhattan or My Dinner With Andre and stay home -- flannel pajamas optional.

March 22, 2007 | Full Review…

In his sophomore feature, Lipsky doesn't feel the need to pump the movie with showy visual tricks. You don't even know he's there most of the time, which is probably a compliment.

March 2, 2007 | Rating: 3/4 | Full Review…

Flannel Pajamas is a sharply observed dissection of a couple's relationship, from blind date to marriage to difficulties over everything from whether to get a dog to when to have a baby.

February 22, 2007 | Rating: B

This is all quite fascinating.

February 2, 2007 | Rating: 3/4 | Full Review…

This is the kind of introspective drama in which a determined pair of young, very fine actors and a strong filmmaker put everything on the line to explore emotional truth wherever it exists.

January 12, 2007 | Rating: 3.5/4

Audience Reviews for Flannel Pajamas

A finely crafted indie drama, with outstanding performances by Julianne Nicholson and Justin Kirk. It moves forward with such amazing clarity, and painful honesty. Anyone that has ever had to go through a divorce, or even a difficult doomed relationship, can recognize how real this movie is....and sad. This film shows a non-sugarcoated portrayal of love.

Cynthia S.
Cynthia S.

Super Reviewer


Watching this relationship begin is like a bad car wreck. The couple's relationship progresses way too quickly - before we are able to get to know them well and before they are able to really understand each other. More to the point, Stuart is a first-class, grade A asshole. He's almost impossible to like. What is interesting is the film's attempt to give us intelligent characters. It is as though Lipsky saw a Woody Allen movie and said, "I want characters who read in my film too!" Except, when Stuart goes off on his complex analysis of Nicole's character, it is more presumptuous than accurate, more like an authorial voice than his. Structurally, Flannel Pajamas is a mess. Many of the "other things" that interfere in this couple's relationship seem to come from left field. This is particularly true of the mother-in-law's antisemitism, which was so radical a departure from the action that I wondered if this film was too autobiographical ... or simply poorly made. But for all its flaws, I found myself charmed by Flannel Pajamas. I think I respect what the film was trying to do, even though it never got there. After all, life's events, which intrude on our relationships, never happen in manner conducive to good story-telling. Overall, see a real Woody Allen movie or Scenes from a Marriage instead, but if you've seen all of these, then scrape Flannel Pajamas off the bottom of the barrel.

Jim Hunter
Jim Hunter

Super Reviewer


a film that wallows in its own oddity. There are scenes of poetic dialogue and others that are just so obvious that you wonder why they didn't end up on the cutting room floor. There is good acting going on here, but somehow, by the end of the film you just don't care anymore. Many have said that the message of the film is that "real" love can't survive. That's bull - this isn't real love, at least not in the male lead's case - he loves that he can dominate and manipulate her - which, while being a form of self love, shows he doesn't love her at all (proven by his sudden "need" for her after she finally grows a spine and leaves him). The revelations about the lead's envy of his crazy brother hold more attention than the 2nd half of the film, which seems to spin out of control and fall into a pattern of non-sequitors like the hospital cafeteria conversation with the mother, which starts out with her proclaiming anti-semitism, but then saying that had nothing to do with her dislike for him, and her feelings that he wasn't right for her daughter. Ok, I'll buy that often truths are couched behind a smoke screen of other words, but this was just out there and left you feeling ambivelent about the entire affair.

paul sandberg
paul sandberg

Super Reviewer

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