Frantz2017
Frantz (2017)
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Critic Consensus: Frantz finds writer-director François Ozon thoughtfully probing the aftermath of World War I through the memories and relationships of loved ones left behind.
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Cast
as Adrien
as Hoffmeister
as Anna
as Magda
as Kreutz
as Frantz
as Fanny
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Critic Reviews for Frantz
All Critics (139) | Top Critics (44) | Fresh (127) | Rotten (12)
A splendid cast work through the complications and stages of grief to provide a scathingly anti-nationalist warning from history.

"Frantz" offers a sympathetic, if dark, look at the awful wake of war, at the cost of institutional violence, as well as the cost of surviving.
Ozon's latest is a twisty-turny post-War mystery - think 'A Very Long Bereavement' - that boasts a kaleidoscope of quiet emotions. It unfolds slowly, but rewards patience with strong performances and a swooning third act.
There's a pleasing symmetry to this story - lie is matched by lie, journey by journey - and Beer's silky self-possession is utterly beguiling.

François Ozon is a master at taking apart the French chattering classes, but here he attempts an almost classical piece of film-making in black and white, French and German, a tangled tale of love and friendship.
Frantz is the work of a rascal, but a rascal in an unusually reflective frame of mind. Even with its mysteries solved, you can't help but keep turning it over.
Audience Reviews for Frantz
Unusually plotted and beautifully acted period piece with stunning black and white photography (and small, wonderful moments in colour). There's a lot of great subtext and subtle parallels in the shifting story, and it has one of the most perfect endings I've seen all year.
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