Hannah Arendt2013
Hannah Arendt (2013)
TOMATOMETER
AUDIENCE SCORE
Critic Consensus: Led by a powerful performance from Barbara Sukowa, Hannah Arendt does a commendable job of dramatizing the life of a complex public figure.
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Movie Info
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Cast
as Hannah Arendt
as Heinrich Blücher
as Mary McCarthy
as Lotte Köhler
as William Shawn
as Hans Jonas

as Martin Heidegger
as Kurt Blumenfeld
as Charlotte Beradt
as Francis Wells

as Jonathan Schell
as Young Hannah Arendt

as Thomas Miller

as Lore Jonas
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Critic Reviews for Hannah Arendt
All Critics (73) | Top Critics (33) | Fresh (64) | Rotten (9) | DVD (2)
It is an absolute treasure to see and inspires its viewers to return to the literature of this lauded thinker.

Von Trotta, however, smartly focuses on a brief, pivotal moment in Arendt's career...
This all may sound all very heavy, but it is important to also point out that Hannah Arendt is also a good movie.
Hannah Arendt is ultimately a pleasure, because Sukowa plays the most forbidding of intellectuals as a fabulous, passionate doll.
It's refreshing to find a film inspired by challenging ideas, and Von Trotta and her team are to be congratulated for bringing Arendt's story to the screen
Sukowa is a supple and brave actress; getting inside Arendt's arguments is the hardest and if the film only succeeds sometimes, that is still a major achievement. Very few films in this era would have dared.

Audience Reviews for Hannah Arendt
While the dialogue is at times repetitive and even expository, the rather elliptic plot suffers from the fact that the protagonist remains a nearly inscrutable puzzle during most of the time - but by the end when her motivations are finally made clear, it all fits perfectly into place.
Super Reviewer
A German-Jewish philosopher covers the Eichmann trial and garners fury for her reporting. It's quite rare to highlight philosophers and their work because it's difficult to raise academic concerns to the level of high drama. This film succeeds because it's a smart film for smart people -- people who can understand Arendt's concept of the "banality of evil." But it doesn't fully commit to its trust in the audience. While we get to see elements of the Eichmann trial from newsreel footage, we don't get inside the process of Arendt's observations. What about Eichmann led her to re-form how we think about morality and evil? Where does she see it, and how can the film show us her evidence? The performances are all strong in a steely-eyed, hyper-intellectual way but without much vulnerability from any of the characters. Overall, this is a strong, intelligent film.

Super Reviewer
This is one of the few movies I've watched where I read the book first. A sophisticated piece that manages to keep its intellectual subject matter fresh and appealing. My only contention is that it depicts Arendt as an impossibly faultless human being and I would've liked to see a more balanced view there.
Super Reviewer
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