Heart of Glass (Herz aus Glas)1976
Heart of Glass (Herz aus Glas) (1976)
Heart of Glass (Herz aus Glas) Photos
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Critic Reviews for Heart of Glass (Herz aus Glas)
Herzog is far too much of a maverick to allow us to see universal significance in these moments. He is very much the visionary outsider that Hias is. But it's the vision that counts in the end.
I think it should be approached like a piece of music, in which we comprehend everything in terms of mood and aura, and know how it makes us feel even if we can't say what it makes us think.
The elusiveness of Heart of Glass makes it something of a disappointment. But it is too mysteriously lovely to be regarded as a failure.
A visionary film (1976) that fails to cast a spell and so remains rather lifeless -- a problem compounded by the fact that all the actors are performing under hypnosis.
Episode 50: Heart of Glass / Uncle Boonmee Who Can Recall His Past Lives / Sunset
Audience Reviews for Heart of Glass (Herz aus Glas)
While atmospheric, "Heart of Glass" does not really feel like any other Werner Herzog movie I have seen. But it still feels like it is suited for his voice, down to the prolonged prologue. This might explain why as unfocused as the movie is at times, it is still worth watching. It's the end of the world, not as we know it, but as Hias(Josef Bierbichler) has foreseen it from 18th century Germany, along with the World Wars of the twentieth century. He also says there are no such things as giants which means he might be a Dodgers fan. The foreman at a glass factory has died. Ordinarily this would be no big deal, right? Except, he was the only one who knew the secret formula for the town's renowned ruby glass and that secret has apparently died with him.(Due to the symbolically crimson color of the glass, it is no surprise it is the lifeblood of the community.) This leads to the fabric of the town being rent asunder, with formerly friendly workers at each other's throats. Next thing you know, cats and dogs will be intermingling... And then there is the end of the world in the slightly perplexing epilogue.
A small village is renowned for its "Ruby Glass" glass blowing works. When the foreman of the works dies suddenly without revealing the secret of the Ruby Glass, the town slides into a deep depression, and the owner of the glassworks becomes obssessed with the lost secret.
Never mind the first ten minutes of this film, which have the look and feel (but none of th e charm) of a 1970's grade school film. And never mind the fact that the story is at times annoyingly disjunctive and painfully self indulgent. I found myself (like the actors) hypnotized and slightly dazed into participation. Part of me felt slightly annoyed by the film, while another part of me was oddly intrigued and mildly impressed by the abstract and surreal feel of it all. Not for everyone. But fans of Ingmar Bergman and David Lynch will probably appreciate the film, if not the story itself.
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