Hollywood Chinese (2008)
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Critic Reviews for Hollywood Chinese
There's more celebration than insight as the story moves closer to the present, but it's still a worthy look at a seriously neglected part of Hollywood.
A century of Chinese and Chinese-American screen representation is gracefully charted in Hollywood Chinese.
Dong has assembled a top bunch of talking heads like Ang Lee, Nancy Kwan, and Amy Tan, who speak more with wry bemusement than with anger about Hollywood's cultural limitations.
Loaded with film clips, celebrity interviews and without an ax to grind, it's a film not just for Chinese Americans but for film lovers in general.
Just in time for China's (sometimes warranted) resurgence in the press as global bogeyman, Arthur Dong's survey of Chinese-Americans' prickly relationship with Hollywood is a fascinating exploration of the intricacies of cultural assimilation.
Audience Reviews for Hollywood Chinese
[font=Century Gothic]"Hollywood Chinese" is a fascinating and informative documentary about the portrayal and roles of Chinese Americans in Hollywood films, as told through a plethora of clips and talking heads that include Nancy Kwan, Amy Tan, B.D. Wong, David Henry Hwang, Ang Lee, Wayne Wang, James Shigeta, James Hong, and Joan Chen.(Joan Chen did not just disappear after "The Last Emperor." At the very least, she was also a regular on "Twin Peaks.") What the documentary in general is interested in is the power of images and how they influence the viewer. This is then applied to a specific community, one that is simultaneously viewed as both exotic and repeatedly anglicized by Hollywood.[/font] [font=Century Gothic]At the beginning of film, there were Chinese Americans who were pioneers in the field who tried to combat the stereotypes of the day.(I am always amazed whenever I come across any unfamiliar film history and there is plenty here.) With the advent of sound, the stereotypes softened somewhat but the roles of Chinese were played mostly by Caucasians, especially in "The Good Earth" and Charlie Chan films.(This is where Luise Rainer and Christopher Lee come into play.) But even there, there were young Chinese American actors who were finding work. Admittedly, some of it was for playing Japanese characters which is a practice that has been inexplicably continued to the recent day for "Memoirs of a Geisha."(No matter how far we have come, there is still work to be done.) Even after this, there were breakthroughs, even with the issue of stereotypes continuing.(The film makes no judgment about the work done by actors. Everybody's got to eat, right?) It is not until recently when Chinese Americans started directing movies that they were able to give a complete portrait of themselves to the wider world.[/font]
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