as Queen Elizabeth I
as Little Nell
as John Dee
as Borgia Ginz
as Lady in Waiting
as First Customs Lady
as Happy Days
as Cabaret performer
Critic Reviews for Jubilee
It would be easy to dismiss Jubilee as being an opportunistic mess but, with auteurs like Jarman, the default presumption is that everything onscreen is intentional and everything has some kind of meaning.
One of the more bleak but imaginative nihilist films to come out of England in the 1970s.
Flawed but fascinating, deliriously self-indulgent and perverse, it's the cinematic equivalent of having a mouthful of bile gobbed in your eye.
Audience Reviews for Jubilee
This must be my week of crap movies, I'm going to be honest right from the start: I've only seen two films from the late Derek Jarman, this and The Last of England (1987). And I must say that neither of them made much of an impression on me. Jubilee tells the disjointed story of Queen Elizabeth I, who bored by her own existence has her court astrologer and an angel invent a time travel devise that will allow her to travel forward to twentieth century Britain. Once again Jarman revels in pointing out the failings in modern British culture, from the violent punk scene that the main characters are part of, to the harsh severity of the music industry and corporate big business. This has no precedence over the plot, because Jubilee has no plot, just a rambling incoherent mish-mash of filth and vulgarity, which Jarman seems to think will help drive his message of a Britain on the brink of self-destruction home. Jubilee is a film that so obviously wanted to be hip it hurts, looking back it seems Jarman took everything that was just about to explode into the public conscious and structured a highly self-indulgent story around it. So we are shown one of the most miss-representative looks at punk one could ever imagine, and a cast that reads like the who's-who of seventies underground celebrities (Richard O Brien rubs shoulders with the likes of a chubby Toyah Wilcox and a pre-fame Adam Ant). Jarman was clearly pandering to his overly inflated ego, after his gay swords and sandals "epic" Sebastiane (1976) was hailed a modern classic. Jubilee is yet another product of art-house cinema gone wrong and film-making in it's most brash and unsubtle form. 1 Star 9-29-13
weird weird weird British stage show and street trash exhibition. I'm a Toyah fan so had to see this movie.
Great set-up, not so great outcome. Definitely worth watching once if you're even slightly interested in weird films or punk rock, but perhaps not a second time (though I suppose you'd really need a second watch to fully understand this film).
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