Like Me (2018) - Rotten Tomatoes

Like Me2018

Like Me (2018)



Critic Consensus: Like Me stylishly explores some interesting ideas, even if they're too often consigned to the background in favor of more ordinary violence and gore.

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Movie Info

A reckless loner (Addison Timlin, FALLEN, LITTLE SISTER) sets out on a crime spree that she broadcasts on social media. After releasing a video of herself robbing a convenience store, she amasses a huge following. While traveling along the coast, she encounters a drifter, an Internet troll, and a paint huffing outsider who are all pulled into her circle of chaos, junk food, and drugs. Robert Mockler's visually arresting debut feature, produced by indie horror veteran Larry Fessenden, takes the viewer into a world of fabricated personalities and offers a thought-provoking portrait of isolation in our increasingly digital world.

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Critic Reviews for Like Me

All Critics (27) | Top Critics (7)

For a movie featuring so much vomiting, "Like Me" is a visual feast.

February 1, 2018 | Rating: 3/5 | Full Review…

Rises above the pack in a few ways - ranging from its ambitious style to the out-of-whack humanity of its two lead performances.

January 25, 2018 | Full Review…

Both impish and melancholy, with Timlin and Fessenden handily shifting the molecules in the air each time they share a scene, "Like Me" has an eccentric bravura to it.

January 25, 2018 | Full Review…

[Director Robert] Mockler's and Jessalyn Abbott's artfully chaotic editing style, full of ultra-slow dissolves, double exposures and scrubbed footage playing forward and backward in time like the image is possessed, elevates Like Me to video art.

January 25, 2018 | Full Review…

"Like Me" provides a reminder that bile and excrement are not substitutes for ideas.

January 25, 2018 | Full Review…

The film's lack of a traditional narrative will no doubt alienate many, but for the more adventurous, it offers a uniquely weird take on loneliness and lunacy.

January 22, 2018 | Full Review…
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Audience Reviews for Like Me

Despite being visually stunning and entrancingly melancholy with some very interesting ideas in which to anchor its stylized aesthetics, the film sadly gets lost after a while when it starts to lose focus and digress toward an anticlimactic (yet undeniably coherent) conclusion.

Carlos Magalhães
Carlos Magalhães

Super Reviewer

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