Me and You and Everyone We Know (2005) - Rotten Tomatoes

Me and You and Everyone We Know2005

Me and You and Everyone We Know (2005)



Critic Consensus: Miranda July's debut feature is a charmingly offbeat and observant film about people looking for love.

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Movie Info

'Me and You and Everyone We Know' is a poetic and penetrating observation of how people struggle to connect with one another in an isolating and contemporary world. Christine Jesperson is a lonely artist and "Eldercab" driver who uses her fantastical artistic visions to draw her aspirations and objects of desire closer to her. Richard Swersey (John Hawkes), a newly single shoe salesman and father of two boys, is prepared for amazing things to happen. But when he meets the captivating Christine, he panics. Life is not so oblique for Richard's seven-year-old Robby, who is having a risqué internet romance with a stranger, and his fourteen- year-old brother Peter who becomes the guinea pig for neighborhood girls -- practicing for their future of romance and marriage.

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John Hawkes
as Richard Swersey
Miranda July
as Christine Jesperson
Hector Elias
as Michael
Amy French
as Assistant
Cheryl Phillips
as Woman Customer
E.J. Callahan
as Man Tapping Quarter
James Symington
as Goldfish Dad
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Critic Reviews for Me and You and Everyone We Know

All Critics (120) | Top Critics (44)

A perfectly-realized vision: from the sound design to the acting to the direction. For a first film, I was astounded.

June 13, 2018 | Full Review…

"Me and You" has a refreshingly unhysterical (but sometimes hysterically funny) take on what it's like for kids to grow up in a world of Internet sex, broken families and precocious sexual curiosity.

March 14, 2018 | Full Review…
Top Critic

July's tender, original movie is a wonderfully uplifting experience.

August 19, 2005 | Rating: 4/5 | Full Review…

Click with it and there are elements to enjoy, but the title suggests a universal significance the film can't supply.

August 16, 2005 | Rating: 2/5 | Full Review…
Top Critic

It seems quite possible that Me and You marks the arrival of an artist who may affect -- disturbingly yet helpfully -- films and audiences to come.

August 10, 2005

Here's a perfectly twee little romance all but smothered in a blanket of indie 'edge.'

July 29, 2005 | Rating: 3/5

Audience Reviews for Me and You and Everyone We Know


Lonely people converge in various storylines involving sexual development and the improbability of connection. It's been a long time since I've seen a film that has been able to find profundity in life's little moments, but Miranda July's tour de force work in Me and You and Everyone We Know is able to find gems in everyday occurrences. The most striking example of the beauty she finds in the benign happens in the third act, so I won't give in away, but the rest of the film is subtle and poignant too. And what is a better example of achieving the Altman Standard than the reveal of whom the boys are cyber-sexting with? I did think the film occasionally got quirky for quirky's sake like Christine putting socks on her ears, but the film's concentration on these characters' oppressive and oppressing loneliness makes the things they do for attention and recognition more motivated than a film with a weaker thematic through-line. Overall, Miranda July has a new fan, and I have a new example of why film can be a medium that communicates the occasional sublimity of life better than any other.

Jim Hunter
Jim Hunter

Super Reviewer


Quirky, energetic and out-there. I absolutely loved it!

Randy Tippy
Randy Tippy

Super Reviewer


Oh-so-weird/indie/pretentious......but oh-so-irresistibly cute/sad/beautiful in parts (and trust me, I tried hard to resist): Richard accidentally self-immolating his hand with lighter fluid instead of alcohol; six-year-old Robby innocently cybering about pooping back and forth into each others' buttholes; Christine and Richard's meet-cute wherein they pretend to live their entire relationship together in a few street blocks; the sustained eye contact between Christine and Richard after he rejects her; Christine and Richard holding her mirror for fifteen seconds after gluing it; Peter bringing a stuffed animal for Sylvie's neurotically early hope chest, which she had heretofore filled with household appliances. The only story I wasn't into is the two neighborhood Lolitas trying to bait a potential pedophile. None of their motivations were set up properly. The filmmaker Miranda July seems like a total wackjob, but I guess I'll give her props for being so open with her wackjobiness, for instance, Christine, her performance artist alter ego (I'm assuming). The goofy Casio keyboard-esque score is a bit cloying at times but oddly atmospheric. I am very much enamored by John Hawkes' pugilist nose and sunken eyes. He's like an older, sadder version of DJ Qualls.

Alice Shen
Alice Shen

Super Reviewer

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