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as Clark Nelson
as Dr. Haradawa
as Shobijin (Twin Fairy)
as News Editor
as Helicopter Pilot
as Military Advisor
as Nelson's Henchman
as "Bulldog" Tsinchan
as Photographer Michi Hanamura
as Shobijin (Twin Fairy)
as Rosilican Official
as Head of Mosura larva
as Neck of Mosura larva
Critic Reviews for Mothra
So Mothra is very much a family film, introducing a lighter vibe that would eventually settle on Toho Studio's monster universe.
More like a paper dragon in a parade, Mothra is simply lovely. In none of its forms does it even try to look 'real', which sets it against a whole tradition of Western special effects.
One of the maddest monster movies ever committed to the big screen, helped by some wacky special effects and the sheer ambition of Honda's vision.
Honda found his vision largely constrained by a meagre budget but still managed to produce a colourful and inventive monster movie.
For all its daftness, this is kind of a terrific film on its own terms.
Audience Reviews for Mothra
Mothra is always an uncomfortable mix with Godzilla, Rodan and the rest of them. Someone once commented suggested to me that Mothra could do no better than "piss off" Godzilla or Ghidorah in battle. Thankfully we have just Mothra alone in her debut and it is thoroughly entertaining.
One of the best non-Godzilla Toho monster flicks. Not as dark as "Gojira" or "Rodan" but still possesses artistic merit. The special effects are remarkable and the story is full of colorful characters.
They'd done Godzilla. They'd brought us color monster madness with Rodan. Now Toho continue to improve their Kaiju films with Mothra. Once again Mothra is the result of nuclear radiation, but those themes are just around to explain her size. The main plot is Mothra's rescue attempt of two miniature women taken from her island. Strange? Certainly, but it's nice to see the monster with a clear agenda and some actual motivation. The models and effects are the best so far. Remote controlled vehicles, green screen, monster puppets, are all thrown in to give us some truly exhilarating city smash ups. Even when "people" are obviously dolls, it's OK. Films don't have to be a replacement for the imagination. I was never dragged out of the film's universe, and the scenes of the dam bursting had me appreciating film making more than any CGI filled computer game-a-like. The use of a fictionalized nation allows you to easily ignore any overbearing political agendas. It isn't as dark as the previous efforts. But when your monster is a big moth, you don't get as much horror. Luckily, it also manages to create a more atmospheric and artistic approach. Mothra's initial hatching is juxtaposed with a beautiful and rather trippy song. A tale of, once again, man's mistakes. Only this time, it's the exploitation of these mistakes that brings destruction.
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