Murmur of the Heart (1971) - Rotten Tomatoes

Murmur of the Heart (1971)



Critic Consensus: No consensus yet.

Murmur of the Heart Photos

Movie Info

Louis Malle's sensitive treatment of a youth's sexual initiation. Benoit Ferreux, Lea Massari. Father: Daniel Gelin. Marc: Marc Winocourt.


Benoît Ferreux
as Laurent Chevalier
Lea Massari
as Clara Chevalier
Daniel Gélin
as Charles Chevalier
Ave Ninchi
as Augusta
Micheline Bona
as Aunt Claudine
Michael Lonsdale
as Father Henri
Henri Poirier
as Uncle Leonce
Yvon Lec
as Father Superior
Nicole Carriere
as the Mother
Lia Wanjtal
as the Mother
Huguette Faget
as the Mother
Michel Charrel
as Disquaire
Eric Burnelli
as Maitre D'Hotel
Rene Bouloc
as Man at Bastille Day Party
View All

Critic Reviews for Murmur of the Heart

All Critics (17) | Top Critics (5)

It casts a fresh, vigorous and unclouded eye on adolescence as it really is rather than as we would like it to be.

May 14, 2020 | Full Review…

The theme is treated with faultless discretion and taste, without the smallest nod to current sensationalism.

May 14, 2020 | Full Review…

Malle, as I see it, is saying: to understand today you must appreciate yesterday. The more I think about it the more encouraging and enlightening this appears.

May 14, 2020 | Full Review…

The performances are remarkable, with Lea Massari (remember the girl who disappeared in L'Avventura?) as the mother; Bdnoit Ferreux as the boy, and Daniel Gelin as the inhibited and inhibiting father, sheer perfection.

December 31, 2019 | Full Review…

How [Louis Malle] achieves this effect is beyond me; he takes the most highly charged subject matter you can imagine, and mutes it into simple affection.

October 23, 2004 | Rating: 4/4 | Full Review…

The film is elegantly and fluently played, free in movement but discreet in feeling.

May 14, 2020 | Full Review…

Audience Reviews for Murmur of the Heart

Everything about Le Souffle au Coeur felt familiar to me. Louis Malle managed to make a film that plays like a memory, like something you would remember from more than thirty years ago.

Late 1950s. Laurent belongs to a bourgeois family in Dijon. His mother is an Italian refugee, a sort of Sophia Loren, dazzling and free-spirited in love and motherhood. His father is a stern man, profession: gynecologist. Laurent loves jazz, particularly Charlie Parker, and literature, especially Albert Camus. His two older brothers are reckless, constantly annoying him -although within a certain complicity-. They introduce him to household mischief, tobacco, and girls, express radical political opinions at the dinner table, and seize every opportunity to get drunk.One day, Laurent falls sick with a "murmur in the heart" and has to go off to get a 'cure' in the country. There he must confront many issues that he can no longer ignore with the excuse of 'childhood', including sex, jealousy, and his atypical relationship with his own mother.

All of the performances are incredibly natural and accessible, and although some characters can be very annoying their credibility makes them wonderful. This is all thanks to the fine script, based loosely on some of Malle's personal experiences, like Au Revoir les Enfants. The film is written so consistently that even the most scandalous of conclusions happens in an unaggressive way, as though all along we'd been taught to comprehend. In the end I felt as if I had lived through the events myself and, in spite of its 2 hour run I never lost interest.

The art direction, music and cinematography envelop Le Souffle au Coeur in beautiful details and a golden light; there's always soaring jazz music, and no matter what is happening on the screen, there's a warmth and beauty and tenderness to it. And indeed the film takes on many uncomfortable subjects with great honesty; some of the content is actually very shocking and certainly taboo, even today. But as I mentioned, everything appears like a memory: something you can't change and can't help but look upon with understanding eyes. Not once is judgement passed or is a point of view betrayed. A real masterpiece of filmmaking, the perfect marriage of literary and visual narrative.

Elvira B
Elvira B

Super Reviewer

The father is a cold fish, the mother a passionate woman, and the three boys are largely uncontrolled and uncontrollable. Were french school boys really that loutish in 1954? For all of their bad behaviour, this was a captivating film. Interwoven with the comedy was a subtle political thread that offered a counterpoint to the main story line. Laurent is not sure what he wants, but knows that he is not content. The story moves slowly until what had to be a shocking ending when it was released, but seems cinematically tame by today's standards. And then it moves lightning fast. In the end, Laurent proves his manhood and is accepted into the company of men by his brothers and his father and with the quiet approval of his mother. Tender and sweet at times, it evokes a time and place unfamiliar to us, but is the better for it.

Mark Abell
Mark Abell

Super Reviewer

Superb coming of age French film made in the 70's but set in the 50's, which focuses on an adolescent boy coming to terms with his sexuality and his relationships with his mother, father and brothers. Very tenderly directed, the film features stunning and unforced performances from Benoit Ferreux as lead character Laurent and Lea Massari as his mother. In other hands the subject matter could seem exploitative and unnecessarily controversial, but Louis Malle displays an assured light touch. The period detail is also very impressive and the warm cinematography is another plus. The Criterion DVD features a pristine transfer that makes the film look brand new, and comes with a very well written and informative essay by film critic Michael Sragow. A very fine film indeed.

Daniel Parsons
Daniel Parsons

Super Reviewer

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