This is most noted for being the directorial debut of Clint Eastwood, who also starred in it as the protagonist Dave Garver. The film was a good starting point for Clint Eastwood as a director, who would later venture into filmmaking that was bold and original. Here he works as both an innovator and a skeptic, playing with a genre he hasn't yet become aware of, and yet masters with a thoughtful eye. The film itself is not up to par with modern day thrillers because many of the choices are extremely dated and cloying. The choice of character, I thought, was interesting, as it's a nearly philandering jazz disc jockey, who commonly reads poetry in a low growling voice. The scenario is that of a stalking former lover now hell bent on keeping or destroying Dave, who she's obsessed with. In the role of the stalker is Jessica Walter (Arrested Development) who balances between crazed, malevolent psychopath and sweetheart bimbo with a creepy ease. The reason it's not worthy of timelessness is the fact that Dave's character is unlikable and isn't very concerned about the actions of his possible murderer. Even in the thick of the hunt he threatens the leading detective with annoyance, and gives his girlfriend platitudes when she expresses concern. His own insincerity makes the rest of the film anti-climactic and the ending is as empty and restless as the plot. Garvey uses women, and it's almost as if he deserves the wrath of this crazed lunatic. The later film Fatal Attraction, which took many liberties from this, is better done for this significant reason. There was more to lose with that instance, and here Dave can tell others about his troubles, the danger he is imminently in. The ending is also very disingenuous, as it ends with a simplicity that borders on negligence. Stalker films, and crazed female films have come a long way and it's exciting to see this first, tantalizing step.

The original Fatal Attraction. Still effective, though the soundtrack is slightly dated. Creepy, ominous and thrilling. *NOTE: Maybe it's just me, but I've never seen Donna Mills look this good.