The Butcher, The Chef And The Swordsman (2011)
The Butcher, The Chef And The Swordsman Photos
Movie Info
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Cast
as The Mute
as Fat Tang

as Chopper

as Chunge
as Madam Mei
as The House of a Thousand Flowers Manager

as Flute Performer

as Troupe Leader

as Big Beard

as Big Beard

as The House of a Thousand Flowers Patron

as Big Eight Chef

as Eunuch Liu

as Little Melon

as Eunuch Liu's Aide

as Apprentice Cheng

as Apprentice Wei

as South Beauty Restaurant Manager

as Young Eunuch

as Cock Fighting Gambler 1
as Cock Fighting Gambler 2

as Swordsman 1
as Swordsman 2

as Young Big Eight Chef

as Dugu Cheng/Dugu Cheng's Brother/Old Dugu

as Swordsman 2

as Young Swordsman
Critic Reviews for The Butcher, The Chef And The Swordsman
All Critics (13) | Top Critics (7) | Fresh (6) | Rotten (7)
Wuershang is too busy mixing up a slurry of postmodern techniques, abortive fight scenes, and noisy set pieces to spend any time on fundamentals.

About the only thing this cinematic whirligig skimps on is coherence, both narrative and aesthetic.

In his embrace of American sensibilities, Wuershan seems to have mastered a Hollywood specialty: empty calories served loud, flashy and fast.

And the prize for the most incomprehensible movie of the millennium goes to the Chinese martial-arts comedy "The Butcher, the Chef and the Swordsman."
Wuershan's heavy hand, never letting up for a moment to allow any air or life to enter the film, cuts off the film's energy even as it rattles relentlessly on.

If it's diminished by the director's feverish urge to over-achieve, this movie is clearly the kind of irreverent, multi-platform, cross-genre, otherworldly stuff Hollywood wants from China: fast, furious, big, bold and brassy.

Audience Reviews for The Butcher, The Chef And The Swordsman
Quite strange tale of revenge, honour and greed follows a group of misfits that gets involved with a kitchen cleaver made from the top five swords of the martial arts world in this weird and brash action comedy. You can tell director Wuershan makes ads featuring lots of slow motion, fast edits, bellowing fabric and soaring arias. The film is full of gimmicks. This includes, black and white sections with red highlights à la Sin City, animations, video game sequences, Taiwanese 3D news renderings and cartoons. The few sequences that look interesting enough are those dealing with food.

Super Reviewer
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