The Confessions (2017)
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Critic Reviews for The Confessions
Those expecting the brand of hefty satire found in Andò's last film, Long Live Liberty, will have to wait.
The film's strongest suit is its elegant photography and confident mounting, but these virtues do little to offset the script's pervasive weaknesses.
Andò's film feels entirely manufactured, distancing itself from its audience and blunting its points in the process.
Director Roberto Andò takes the form of a classical whodunit and bludgeons it with naïve indignation and sanctimony.
By the end, the film itself becomes only philosophy and metaphor, the latter happening in a strangely mystical way that feels empty and confusing.
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