The Invisible Man (2020) - Rotten Tomatoes

The Invisible Man2020

The Invisible Man (2020)

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AUDIENCE SCORE

Critic Consensus: Smart, well-acted, and above all scary, The Invisible Man proves that sometimes, the classic source material for a fresh reboot can be hiding in plain sight.

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Movie Info

Trapped in a violent, controlling relationship with a wealthy and brilliant scientist, Cecilia Kass (Moss) escapes in the dead of night and disappears into hiding, aided by her sister (Harriet Dyer, NBC's The InBetween), their childhood friend (Aldis Hodge, Straight Outta Compton) and his teenage daughter (Storm Reid, HBO's Euphoria). But when Cecilia's abusive ex (Oliver Jackson-Cohen, Netflix's The Haunting of Hill House) commits suicide and leaves her a generous portion of his vast fortune, Cecilia suspects his death was a hoax. As a series of eerie coincidences turns lethal, threatening the lives of those she loves, Cecilia's sanity begins to unravel as she desperately tries to prove that she is being hunted by someone nobody can see.

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Cast

Elisabeth Moss
as Cecilia Kass
Aldis Hodge
as James Lanier
Storm Reid
as Sydney Lanier
Harriet Dyer
as Emily Kass
Oliver Jackson-Cohen
as Adrian Griffin
Benedict Hardie
as Marc (Architect)
Sam Smith
as Detective Reckley
Anthony Brandon Wong
as Accident Victim
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News & Interviews for The Invisible Man

Critic Reviews for The Invisible Man

All Critics (392) | Top Critics (50)

There's a lot more to think about than a typical horror film. It's a real psychological thriller...a good strong film, not SCARY scary, but it gets in your head.

April 3, 2020 | Full Review…

The prize asset is Moss, of course, a seven-octave actor equally happy with micro-emotion and going very big indeed.

March 26, 2020 | Rating: 3/5 | Full Review…

Ultimately, The Invisible Man makes for a pacey, if mostly predictable, reimagining of a classic Hollywood horror terror.

March 5, 2020 | Full Review…

[Elizabeth Moss is] amazing and she does so much just with her eyes. It's a really demanding role physically [and] emotionally; it's a huge range she has to play.

March 5, 2020 | Rating: 9/10 | Full Review…

Whannell is brilliant at distracting us with amusing, knowing dialogue (siblings are rivalrous; architects are trendy; waiters are irksomely urbane). Death comes when you least expect it.

March 4, 2020 | Rating: 4/5 | Full Review…

A bracingly modern #MeToo allegory that, despite its brutal craft, rings hollow.

March 2, 2020 | Rating: 2.5/4 | Full Review…

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