Critic Consensus: Tyrel uses its seemingly innocuous setup to take an admirably uncomfortable -- albeit occasionally somewhat diffuse -- look at modern American race relations.
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Critic Reviews for Tyrel
Even though Jason Mitchell is quite strong... [Tyrel] goes in no direction at all.
Tyrel is a lab experiment with no insight into feelings of otherness beyond the blinding light directed at its wigged-out subject.
Silva's most political work yet--though it is sly and subtle, the intention is palpable, the emotions elicited all too real, and ultimately, "Tyrel" proves to be a fascinating entry in his body of work.
Silva makes a chamber orchestra of unconscious prejudice and passive-aggression out of his all-bro ensemble, with Mitchell's performance as the violin solo at the center of it that grows from a tentative tremolo to lonesome wail.
A tense social satire that speaks to its moment even if it ends with a fizzle instead of the cathartic gut-punch you're waiting for.
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