The Underneath1995
The Underneath (1995)
The Underneath Photos
Movie Info
Cast
as Michael Chambers
as Rachel
as Tommy Dundee
as David Chambers
as Clay Hinkle
as Ed Dutton
as Susan
as Mrs. Chambers
as Nurse
as Guard (Tom)
as Guard (Casey)

as Guard (George)

as Hinkle's Assistant

as Mantrap Guard

as Michael's Partner

as Turret Operator

as Ember Waitress

as Ember Bartender
as Ember Doorman

as Susan's Friend

as VIP Room Flunky
as Man Delivering Money

as Justice of the Peace

as TV Delivery Man No. 1

as TV Delivery Man No. 2
as Satellite Dish Installer

as TV Sports Reporter

as Detective

as Detective's Partner
as Mr. Rodman

as Band No. 2
Critic Reviews for The Underneath
All Critics (24) | Top Critics (11) | Fresh (15) | Rotten (9) | DVD (1)
Pulp Fiction fresh.
Too chaotic to work as a thriller.
What The Underneath lacks is the kind of emotional connection that the best film noirs have. Instead of involving, this film is distancing, too given to admiring its own shiny surface.
Downbeat, laconically funny, arty (maybe a touch too arty), it's simmering, smoldering lowlife fun, like a good episode of Twin Peaks without the self-conscious weirdness.

A departure from the run-of- the-mill thriller.
Why did Soderbergh want to remake an old film noir, anyway? Take out the crime elements and flesh out the human elements here, and you have a more interesting movie, I think.
Audience Reviews for The Underneath
Ed Dutton: Michael, when you get to be my age you realize that sometimes the planets just don't line up. And there's nothing you can do about it. "For passion, betrayal and murder... there's still no place like home." First off, I haven't seen Criss Cross, so I'm judging this movie based only on itself. It's definitely my least favorite film from Soderbergh. The acting is bad and the dialogue is also horrible. Peter Gallagher, while by no means a terrible actor, just can't hold a movie like this up by himself. William Fitchner is good in his role, but it is still to small to make the movie any better for it. The worst acting comes from two women though, Elizabeth Shue and Alison Elliot. They made ever scene that they were in unbearable to watch. Michael returns home because his mom is getting remarried. His new stepdad offers to help him get a job as an armored truck driver. It is pretty obvious what is going to happen from here. He's going to try to pull off a robbery. Along the way, he tries to rekindle his relationship with his ex-wife, who is now married to a crook. The only saving grace in this film, is Soderbergh's cool little tricks that you see in all his movies. In the end, it isn't enough to save an overall worthless film. The movie meanders on at an amazingly boring rate for an hour and then decides to speed up for the last thirty. Then the plot gets all twisty and it just doesn't work. I didn't buy the ending at all. Still, it's worth a look if you are a Soderbergh fan. If not, this definitely isn't going to make you one. It would probably just turn you against him more.

Super Reviewer
Solid Film Noir from Soderbergh, using some unique camera techniques.
Super Reviewer
A not-so-bad remake of an excellent film noir. If you're a Soderbergh fan, it might do something for you, but if not, seek out the original, Criss Cross.

Super Reviewer
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