CBR

By its very nature, Something in the Dirt is rambling and meandering, but in a way that's fun to watch. By the end of the film, there are many questions left. Likely, no two viewers will have the same interpretation of what happened.

Posted Jan 26, 2022

You Won't Be Alone (2022)

Despite its gruesome violence, You Won't Be Alone seems unconcerned with being remotely scary. That choice might be okay if it succeeded as a drama, but its derivative style makes it hard to connect with on that level as well.

Posted Jan 26, 2022

Hatching (2021)

It's an entertainingly surreal experience with some clever scares up its sleeve.

Posted Jan 25, 2022

Fresh (2022)

FRESH puts Mimi Cave on the map as a horror director.

Posted Jan 24, 2022

Brian and Charles (2022)

Brian and Charles is a charming and moderately funny film, but it falters in its generic final act.

Posted Jan 24, 2022

Dual (2022)

Overall, it's an experiment that doesn't quite work as a whole. However, it's respectable how this anti-action movie sticks by its convictions, helped significantly by dedicated performances from Gillan and Paul.

Posted Jan 24, 2022

After Yang (2022)

After Yang is possibly the best film of its kind since Arrival, setting the bar high for the rest of the year's sci-fi movies.

Posted Jan 24, 2022

The Last Thing Mary Saw (2021)

The Last Thing Mary Saw may be a slow burn, but its effective performances, eerie atmosphere, and explosive ending make it a must-see horror film.

Posted Jan 18, 2022

Borrego (2022)

Borrego is a one-note film that forgoes taking risks in favor of serving audiences a predictable plot that lacks memorable moments.

Posted Jan 18, 2022

Sex Appeal (2022)

The predictability of Sex Appeal isn't necessarily a problem, since part of the charm of a teen rom-com is its comforting familiarity. But Sex Appeal brings nothing new to the well-worn genre.

Posted Jan 13, 2022

Scream (2022)

WithBettinelli-Olpin and Gillett at the helm, Woodsboro's teens are in good hands.

Posted Jan 12, 2022

The 355 (2022)

Gives its stars almost nothing exciting or interesting to do, stranding them in a story recycled from dozens of other espionage thrillers.

Posted Jan 6, 2022

See For Me (2022)

The various stylized elements never overwhelm the straightforward storytelling, and the action is always smooth and easy to follow.

Posted Jan 6, 2022

The Matrix Resurrections (2021)

Meagan Damore

The Matrix Resurrections' strong emotional core, standout performances and killer action save an otherwise bloated and uneven film.

Posted Dec 22, 2021

The King's Man (2021)

The King's Man's charming sense of adventure and surprisingly heady topics leave the film overstuffed -- but it's still a fun experience.

Posted Dec 17, 2021

The Unforgivable (2021)

Although Netflix's Unforgivable might meander at times, it's a delight to watch Sandra Bullock's pitch-perfect and harrowing performance.

Posted Dec 17, 2021

Nightmare Alley (2021)

Caitlin Chappell

This is a storyteller's movie that will satisfy viewers for its immersive soundscape, haunting imagery, captivating performances, and outstanding writing. Get cozy for this slow burn, and enjoy watching all the pieces come together.

Posted Dec 17, 2021

Mother/Android (2021)

Mother/Android strains so hard to evoke heavy feelings when what it really needs is more rousing apocalyptic action.

Posted Dec 16, 2021

Swan Song (2021)

Cleary isn't looking to shock or confound his audience, merely to move them. In that way, Swan Song succeeds.

Posted Dec 15, 2021

Spider-Man: No Way Home (2021)

Caitlin Chappell

The film is sure to remind audiences why our friendly neighborhood Spider-Man remains one of Marvel's best, and that is thanks in large part to Tom Holland's performance as Peter Parker.

Posted Dec 14, 2021

Silent Night (2021)

As committed as Silent Night is to its unpleasant concept, it's still a mess of jarring tonal shifts and shrill characters.

Posted Dec 3, 2021

Benedetta (2021)

Benedetta balances Verhoeven's interests perfectly, freely mixing the sacred and the profane.

Posted Dec 2, 2021

Encounter (2021)

Over time, Encounter switches gears, becoming a mawkish drama about PTSD and parenthood, held together only by its strong lead performances.

Posted Dec 1, 2021

Resident Evil: Welcome to Raccoon City (2021)

Sam Stone

While Resident Evil: Welcome to Raccoon City brings the scares and fidelity to the franchise's video game series, it aims to do too much at once.

Posted Nov 23, 2021

Ghostbusters: Afterlife (2021)

A litany of unnecessary fan service and a bloated plot hinder an otherwise fun adventure story that dives into the Ghostbusters' legacy.

Posted Nov 23, 2021

The Humans (2021)

An uncomfortable viewing experience that only gets more disquieting as it goes along, even when seemingly nothing upsetting is happening onscreen.

Posted Nov 22, 2021

Bruised (2021)

The generic plotting and character detail make it tougher to care about Jackie's eventual triumph, although Berry mostly earns her victories in the ring.

Posted Nov 20, 2021

Great White (2021)

Great White is slow and generic, never leaning into its so-bad-it's-good qualities enough to make a memorable addition to the shark attack subgenre.

Posted Nov 11, 2021

The Beta Test (2021)

The eventual destination is a bit underwhelming, but The Beta Test provides a pretty wild ride along the way.

Posted Nov 4, 2021

Finch (2021)

It's rare for post-apocalyptic stories to focus on unambiguously good people, but Hanks makes Finch easy to believe in.

Posted Nov 4, 2021

Paranormal Activity: Next of Kin (2021)

When the filmmakers can't even bother to care about the cinematic legacy they're supposedly carrying on, why should the audience?

Posted Oct 29, 2021

Name Above Title (Um Fio de Baba Escarlate) (2020)

Filmed in a 4:3 ratio and drenched in a moody atmosphere, Name Above Title is nevertheless a sharp arthouse film that will leave audiences with plenty to discuss.

Posted Oct 28, 2021

To the Moon (2021)

To the Moon lays out an intricate trap for its trio to stumble into and it is thrilling to watch -- especially since it manages to shock by only using one set piece for its entire runtime.

Posted Oct 28, 2021

Halloween Kills (2021)

Sam Stone

Halloween Kills is a film that feels more like an extended setup to next year's sequel Halloween Ends than anything else.

Posted Oct 28, 2021

The French Dispatch (2021)

The French Dispatch, however, seems scared to engage with any such themes in any depth. It's as if Wes Anderson cut the best part.

Posted Oct 28, 2021

Ouija Japan (2021)

Ouija Japan lands as more of a wily action thriller than a horror movie.

Posted Oct 28, 2021

The Old Ways (2021)

The Old Ways boasts a tight cast that impressively manages to convey most of the film's tension and pace through glances.

Posted Oct 28, 2021

The Last Duel (2021)

The Last Duel doesn't shy away from the casual cruelty of the characters and their craven aspects.

Posted Oct 28, 2021

Lamb (2021)

Caitlin Chappell

Lamb is a folktale that blends tragedy into a heartfelt story. It almost feels like watching a home video -- with better production value -- of an absurd family coming together and rediscovering their joy.

Posted Oct 28, 2021

Venom: Let There Be Carnage (2021)

While Venom suffered from a tonal mismatch between the weird but memorable second act and the rest of the mundane movie around it, Venom: Let There Be Carnage is firmly and confidently violent, funny, and over-the-top.

Posted Oct 28, 2021

American Night (2021)

American Night needed to find its own voice, because it's a movie that is just trying to emulate better quality films without much else to say, resulting in a rather pointless experience.

Posted Oct 28, 2021

No Time To Die (2021)

No Time to Die's pieces are all there, but its execution is slightly underwhelming... When it works, it works. It's just not as good as it could have been, and that's slightly disappointing.

Posted Oct 28, 2021

I'm Your Man (2021)

Some more original elements could have made I'm Your Man a more memorable and powerful experience. As is, the movie won't become a genre classic, but sci-fi and rom-com fans will still find it an enjoyable watch.

Posted Oct 28, 2021

Last Night in Soho (2021)

Despite these weaknesses, however, Last Night in Soho still makes for some highly entertaining Halloween viewing.

Posted Oct 28, 2021

The Worst Person In The World (Verdens Verste Menneske) (2022)

The Worst Person in the World is brilliantly written, acted, and directed.

Posted Oct 28, 2021

Eternals (2021)

Eternals isn't bad at all and ranks among the better entries of the MCU.

Posted Oct 24, 2021

Demigod (2021)

This movie is not groundbreaking by any means, but if audiences are jonesing for an original and campy horror film that features pagan rituals and unnerving villains, then Demigod might just be the right pick.

Posted Oct 19, 2021

Night Teeth (2021)