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Rating History

Freedom (2015)
8 years ago via Rotten Tomatoes

Australian musical theatre star, Peter Cousens, has reinvented himself as a film director, and his debut feature is not a cheap slasher horror or gritty suburban crime thriller, but a big budget drama tackling important social and historical issues, shot in the US with a big name cast. Aspiring filmmakers should be jealous. I know I am.

Coming hot on the heels of Django Unchained and other slavery themed productions, it is easy to dismiss Freedom as Twelve Years A Slave-Lite but Cousens' feature is a very different creature altogether.

Screenwriter Timothy A. Chey runs two plot lines in parallel. The first is set in 1856, following slave Samuel Woodward (Oscar winner Cuba Gooding Jr.) and his family as they escape from a plantation in Richmond, Virginia and begin their dangerous journey to Canada on the Underground Railroad. Not far behind throughout their journey is slave hunter, Plimpton (William Sadler).

Almost 100 years earlier, we meet ship captain John Newton (Bernhard Forcher) who is struggling with his faith and conscience as he transports slaves, including Samuel's great grandfather, to the New World.

This reviewer found the second plot line to be the least effective. Although developing a human connection to his cargo through a series of incidents at sea, Newton's final expression of kindness is to pen the hymn, "Amazing Grace", not save anybody from their hell-like future existence. I suppose the song does provide Samuel and family some comfort and motivation a century later. It may also have helped my understanding of the film had I been aware that John Newton composed the iconic song. Pardon my ignorance, I assumed it was written by God.

Samuel's tale, on the other hand, is a gripping tale of escape and near recapture, and I was willing Gooding Jnr. and co to get across the border throughout the whole 98 minute runtime.

Although not a musical, Freedom uses music, in particular singing, as a metaphor for the humanity that we all share. I was moved by some of the numbers, sung in their entirety, such as the joyous singalong between the escapees and a troupe of theatre performers, including Australian musical theatre headliner Tony Sheldon. Less successful were a few songs, performed out of context, musical theatre style, especially Samuel's wife Vanessa (Sharon Leal) breaking into tune whilst walking inside a church. The result was being snapped out of my engrossment and remembering that I was watching a film.

Freedom was shot on location in Connecticut. It looks beautiful, courtesy of cinematographer Dean Cundey (Back to the Future, Apollo 13).

The cast is wonderful. I have no idea how Cousens' managed to enlist such a lineup for his first feature. Cuba Gooding Jnr. really delivers in his best performance in years as his Samuel struggles between the choice of revenge or freedom. William Sadler is capably menacing as a slave hunter with ethics. Even one of my favourites, Terrence Mann (The Dresden Files, A Chorus Line) makes an appearance.

Peter Cousens has concocted a beautiful and haunting film which will appeal to a "Best Exotic Marigold" audience. Despite its religious undertones which frankly did not bother a non-believer like me, Freedom still has plenty to say about slavery, an issue which is just as relevant now as it was in 1748 and 1856.

The Green Hornet
11 years ago via Movies on Facebook

I really was looking forward to this. Unfortunately, this was a film that didn't know what it wanted to be. Is it a comedy, a drama, an action film? I don't think director Michael Gondry knows. Making Seth Rogan's Britt Reid an acerbic a-hole certainly doesn't help engage the audience. Poor Cameron Diaz and Christoph Waltz have underwritten characters and nothing to do. The 3D is disappointing too. The closing credits in 3D, however, are absolutely stunning.

Resident Evil: Afterlife
11 years ago via Movies on Facebook

Drawing perhaps a little too much inspiration from The Matrix and the white jumpsuits from The Island, this is a fun brainless zombie romp. Milla kicks arse in 3D. That's pretty cool. The ending though, may as well be an ad for the next instalment.

Predators (2010)
12 years ago via Movies on Facebook

A worthy addition to the Predator (not AVP) fanchise. A great cast, combined with some kick-ass action, all guided by the hand of Robert Rodriguez. If some Predator on Predator action doesn't excite you, you need a spine (pun intended).

Edge of Darkness
12 years ago via Movies on Facebook

An enjoyable thriller. It is good to see Serious Mel in action, rather than Crazy Mel.